List Of Compositions By Bedřich Smetana
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List Of Compositions By Bedřich Smetana
Below is a List of compositions by Bedřich Smetana sorted by genre, catalogue numbers, original and English titles. JB numbers are from ''Tematický katalog skladeb Bedřicha Smetany'' (Thematic Catalogue of Works by Bedřich Smetana) by Jiří Berkovec (Prague, 1999). B. numbers are from the catalogue by František Bartoš. T. numbers are from the 1893 catalogue by Karel Teige. See also * List of operas by Bedřich Smetana This is a list of operas by the Czech composer Bedřich Smetana (1824–1884). All premieres took place in Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and List of cities in the Czech Republic, largest city in the ... References Festival Smetana LitomyšlStudio Matouš – Smetana {{DEFAULTSORT:List Of Compositions By Bedrich Smetana Compositions by Bedřich Smetana Smetana, Bedrich Smetana, Bedrich, List of compositions by ...
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Bedřich Smetana
Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera ''The Bartered Bride'' and for the symphonic cycle ''Má vlast'' ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau"). Smetana was naturally gifted as a composer, and gave his first public performance at the age of 6. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden ...
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Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ...
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Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ...
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Marie Proksch
Marie Proksch (1836 – 17 May 1900) was a Bohemian pianist, music educator and composer. Biography Marie Proksch was the daughter of blind pianist Josef Proksch (1794–1864) who also taught music to Bedřich Smetana. Proksch was born in Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate ..., where she studied music under her father. She went on a concert tour in 1856/57, which included a several-month stay in Paris, and became known as a concert pianist. After the death of her father in 1864, she took control with her brother Theodore Proksch of her father's Musikbildungsanstalt Institute (a music school founded in 1830) in Prague. After her brother died in 1876, she began composing pieces for piano. References Further reading *Biographical Yearbook and Deaths in German, ed. ...
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String Quartet No
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * Strings (1991 film), ''Strings'' (1991 film), a Canadian animated short * Strings (2004 film), ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * Strings (2011 film), ''Strings'' (2011 film), an American dramatic thriller film * Strings (2012 film), ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, r ...
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Polonaise (dance)
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ...
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Má Vlast
''Má vlast'' (), also known as ''My Fatherland'', is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. The six pieces, conceived as individual works, are often presented and recorded as a single work in six movements. They premiered separately between 1875 and 1880. The complete set premiered on 5 November 1882 in Žofín Palace, Prague,Žofín Palace
Official site of Žofín Palace, accessed 7 December 2016.
under Adolf Čech. ''Má vlast'' combines the symphonic poem form, pioneered by , with the ideals of nationalistic music of the late nineteenth century. Each poem depicts an aspe ...
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National Theatre (Prague)
The National Theatre ( cs, Národní divadlo) in Prague is known as the alma mater of Czech opera, and as the national monument of History of the Czech Republic, Czech history and art. The National Theatre belongs to the most important Czech cultural institutions, with a rich artistic tradition, which helped to preserve and develop the most important features of the nation–the Czech language and a sense for a Czech musical and dramatic way of thinking. Today the National Theatre consists of three artistic ensembles: opera, National Theatre Ballet (Prague), ballet and drama. They alternate in their performances in the historic building of the National Theatre, in the Theatre of the Estates and in the Kolowrat Theatre. All three artistic ensembles select their repertoire both from Culture of the Czech Republic, classical heritage, and modern authors. Initial design and construction, 1844 to 1881 The cornerstone of the National Theatre was laid on 16 May 1868, but the idea of b ...
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Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The polka' ...
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Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ...
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Adam Gottlob Oehlenschläger
Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as "mankind". tells of God's creation of the world and its creatures, including ''adam'', meaning humankind; in God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his helpmate; in Adam and Eve eat the fruit of the tree of knowledge and God condemns Adam to labour on the earth for his food and to return to it on his death; deals with the birth of Adam's sons, and lists his descendants from Seth to Noah. The Genesis creation myth was adopted by both Christianity and Islam, and the name of Adam accordingly appears in the Christian scriptures and in the Quran. He also features in subsequent folkloric and mystical elaborations in later Judaism, ...
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Hakon Jarl (Smetana)
''Hakon Jarl'' (Op. 16) is a symphonic poem in C minor composed by Bedřich Smetana between 1860 and 1861. It is based on the historical tragedy of the same name by the Danish poet and playwright Adam Oehlenschläger. The play's protagonist and namesake is Håkon Jarl who ruled Norway in the late 10th century. Background and performance history ''Hakon Jarl'' is the third and last of Smetana's so-called "Swedish" symphonic poems, composed during the years he spent in Gothenburg (1857–1861). His visit to Franz Liszt at Weimar in the summer of 1857, where he heard Liszt's ''Faust Symphony'' and ''Die Ideale'', caused a material reorientation of Smetana's orchestral music and suggested to him a means for expressing literary subjects by a synthesis between music and text, rather than by simple musical illustration. These insights are reflected in ''Hakon Jarl'' and the first two symphonic poems he wrote in Gothenburg: ''Richard III'' (1858), and ''Wallenstein's Camp'' (1859) ...
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