|
Limite
''Limite'' (, Portuguese for "limit" or "border") is a film by Brazilian director and writer Mário Peixoto (1908–1992), filmed in 1930 and first screened in 1931. Cited by some as the greatest of all Brazilian films, this 120-minute, silent, and experimental feature by novelist and poet Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of many, including Sergei Eisenstein, Georges Sadoul, and Walter Salles. In 2015, it was voted number 1 on the Abraccine Top 100 Brazilian films list. It's considered to be a cult film.http://www.cinelatino.com.fr/sites/default/files/lesdocs/cinemas_damerique_latine_n16_2008.pdf Plot In August 1929, Peixoto was in Paris, on a summer break from his studies in England, when he saw a photograph by André Kertész. The picture of two handcuffed male hands around the neck of a woman who was gazing at the camera became the 'generative' or 'Protean' image for ''Limite,'' in which a man and two women are lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limite (1931)
''Limite'' (, Portuguese for "limit" or "border") is a film by Brazilian director and writer Mário Peixoto (1908–1992), filmed in 1930 and first screened in 1931. Cited by some as the greatest of all Brazilian films, this 120-minute, silent, and experimental feature by novelist and poet Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of many, including Sergei Eisenstein, Georges Sadoul, and Walter Salles. In 2015, it was voted number 1 on the Abraccine Top 100 Brazilian films list. It's considered to be a cult film.http://www.cinelatino.com.fr/sites/default/files/lesdocs/cinemas_damerique_latine_n16_2008.pdf Plot In August 1929, Peixoto was in Paris, on a summer break from his studies in England, when he saw a photograph by André Kertész. The picture of two handcuffed male hands around the neck of a woman who was gazing at the camera became the 'generative' or 'Protean' image for ''Limite,'' in which a man and two women are lost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mário Peixoto
Mário Rodrigues Breves Peixoto (; March 3, 1908 – February 3, 1992) was a Brazilian film director, mainly known for his only film '' Limite'', a silent experimental film filmed in 1930 and premiered in Rio de Janeiro on 17 May 1931. Peixoto wrote, directed and took up a minor role in the film. Its musical score includes Erik Satie, Claude Debussy, Alexander Borodin, Igor Stravinsky, Sergei Prokofiev and César Franck. The single-handed achievement of a member of the well-to-do élite of 1920s Brazil, ''Limite'' became over the years almost a myth — its only copy being almost lost during the 1950s, were it not restored thanks to the personal efforts of two 1970s critics — and the object of various legends, many of them put into circulation by Peixoto himself. One such legend referred to a bogus complimentary article about the film ("A film from South America"), that had supposedly been written by Sergei Eisenstein and published, in English translation, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraccine Top 100 Brazilian Films
In 2015, the (Abraccine) published a list with the 100 best Brazilian films ever according to the votes of its members. This poll was the basis for a book named ''The 100 Best Brazilian Films'', published in 2016. The idea of the ranking and the book was suggested by publisher Letramento, with whom Abraccine and television network Canal Brasil co-released the book. The ranking was done based on individual lists done by Abraccine's 100 critics, who initially mentioned 379 films. The full list was first made available to the public on 26 November 2015, and the book was released on 1 September 2016. The list covers almost all decades between the 1930s and the 2010s, the only exception being the 1940s. A 1931 film, Mário Peixoto's ''Limite'', is the oldest one and also the first ranked, while the most recent work is from 2015, Anna Muylaert's ''The Second Mother (2015 film), The Second Mother''. The ''chanchada'' (1930–50s musical comedies) is represented by Carlos Manga's ''O Homem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
