|
Ligeia Siren
''Ligeia Siren'' is a chalk drawing by Dante Gabriel Rossetti (DGR) that was completed in 1873. The painting depicts a siren, a creature from classic Greek mythology, that also appear in tales such as Homer's ''Odyssey'' or Virgil's ''Georgics''. The drawing is predominantly inspired from Rossetti's own 1869 libretto ''The Doom of the Sirens'' with which Ligeia is one of the female leads. Instead of depicting the traditional encounter of the siren with her victims entranced by her beauty and powers of music, doomed to a terrible fate, as in '' The Siren'' (1900) by John William Waterhouse or '' Ulysses and the Sirens'' (1909) by Herbert James Draper. Rossetti depicts a timeless moment, where contrary to his depiction of her in his libretto, she appears tranquil and relatively innocuous to her intended victims in the background. In his extremely detailed documentation of his brother's life and works, William Michael Rossetti documented DGR writing of ''Ligeia Siren'' as "certai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence, ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from '' The Girlhood of Mary Virgin'' (1849) and ''Astarte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boatmen And Siren
A sailor, seaman, mariner, or seafarer is a person who works aboard a watercraft as part of its crew, and may work in any one of a number of different fields that are related to the operation and maintenance of a ship. The profession of the sailor is old, and the term ''sailor'' has its etymological roots in a time when sailing ships were the main mode of transport at sea, but it now refers to the personnel of all watercraft regardless of the mode of transport, and encompasses people who operate ships professionally, be it for a military navy or civilian merchant navy, as a sport or recreationally. In a navy, there may be further distinctions: ''sailor'' may refer to any member of the navy even if they are based on land; while Seaman (rank), ''seaman'' may refer to a specific enlisted rank. Professional mariners Seafarers hold a variety of professions and ranks, each of which carries unique responsibilities which are integral to the successful operation of an ocean-going vesse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Dante Gabriel Rossetti
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Augustus Howell
Charles Augustus Howell (10 March 1840 – 21 April 1890) was an art dealer and alleged blackmailer who is best known for persuading the poet Dante Gabriel Rossetti to dig up the poems he buried with his wife Elizabeth Siddal. His reputation as a blackmailer inspired Arthur Conan Doyle's Sherlock Holmes story "The Adventure of Charles Augustus Milverton".Basbenes, Nicholas A. '' A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books'', p.15-16." Life Howell was born in Porto, Portugal to an English father, Alfred William Hervey Howell, and a Portuguese mother. He claimed to have aristocratic Portuguese ancestry and would wear a red ribbon of the Portuguese Order of Christ, which he proclaimed to be an inherited family order.G. G. Williamson, ''Murray Marks and His Friends'', p.118 He moved to Britain in his youth, allegedly after having been caught cheating at cards.Samuel C. Chew, ''Swinburne'', Little, Brown, and Company, Boston: 1929, p.67. In 1858 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Graham (Glasgow MP)
William Graham (1817 – 16 July 1885), Liberal MP for Glasgow, was a Scottish politician, wine merchant, cotton manufacturer and port shipper. He is remembered as a patron of Pre-Raphaelite artists like Edward Burne-Jones and Dante Gabriel Rossetti and a collector of their works. Art collector Graham's father was the founder of a firm, and in 1810 W & J Graham & Co diversified its business interests when it began importing wines from Portugal. Graham's became one of Britain's most prominent port shippers. Graham was a moderate Liberal, who was elected on 14 July 1865 with Robert Dalglish (1808–1880) in Glasgow. He was re-elected in 1868 with Dalglish and George Anderson (1819–1896) in the party's great Glasgow triumph in the general election of 1868 when Glasgow's electoral representation was raised from two to three MPs. Graham was a friend and patron of Edward Burne-Jones since 1856. Graham bought several of Burne-Jones's works and the 1886 sale of his collection allow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecce Ancilla Domini
''Ecce Ancilla Domini'' (Latin: "Behold the handmaiden of the Lord"), or ''The Annunciation'', is an oil painting by the English artist Dante Gabriel Rossetti, first painted in 1850 and now in Tate Britain in London. The Latin title is a quotation from the Vulgate text of the first chapter of the Gospel of Saint Luke, describing the Annunciation, where Mary accepts the message brought to her by the Angel Gabriel that she would give birth to a child (Jesus) by God. The title is more correctly ''Ecce Ancilla Domini!'', but many sources ignore the exclamation mark. Composition Rossetti deliberately used a limited colour range for this oil painting. The predominance of white, symbolic of virginity, is complemented by vibrant blue (a colour associated with Mary, though notably not used in his '' The Girlhood of Mary Virgin'' in 1849) and red, for Christ's blood. Lilies are traditionally the symbol of Mary in Italian Renaissance art, but they are also considered funereal flowers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes (artist), Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerism, Mannerist artists who succeeded Raphael and Michelangelo. The Broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physiognomy
Physiognomy (from the Greek , , meaning "nature", and , meaning "judge" or "interpreter") is the practice of assessing a person's character or personality from their outer appearance—especially the face. The term can also refer to the general appearance of a person, object, or terrain without reference to its implied characteristics—as in the physiognomy of an individual plant (see plant life-form) or of a plant community (see vegetation). Physiognomy as a practice meets the contemporary definition of pseudoscience and it is so regarded among academic circles because of its unsupported claims; popular belief in the practice of physiognomy is nonetheless still widespread. The practice was well-accepted by ancient Greek philosophers, but fell into disrepute in the Middle Ages while practised by vagabonds and mountebanks. It revived and was popularised by Johann Kaspar Lavater, before falling from favor in the late 19th century. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The School Of Giorgione
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Pater
Walter Horatio Pater (4 August 1839 – 30 July 1894) was an English essayist, art critic and literary critic, and fiction writer, regarded as one of the great stylists. His first and most often reprinted book, ''Studies in the History of the Renaissance'' (1873), revised as ''The Renaissance: Studies in Art and Poetry'' (1877), in which he outlined his approach to art and advocated an ideal of the intense inner life, was taken by many as a manifesto (whether stimulating or subversive) of Aestheticism. Early life Born in Stepney in London's East End, Walter Pater was the second son of Richard Glode Pater, a physician who had moved to London in the early 19th century to practise medicine among the poor. Dr Pater died while Walter was an infant and the family moved to Enfield. Walter attended Enfield Grammar School and was individually tutored by the headmaster. In 1853 he was sent to The King's School, Canterbury, where the beauty of the cathedral made an impression that would r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Sir Joshua Reynolds")
.png "Click for more on -> The School Of Giorgione")
