Liar (The Jesus Lizard Album)
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Liar (The Jesus Lizard Album)
''Liar'' is the third studio album by American alternative rock band The Jesus Lizard, released in 1992 by Touch and Go Records. The album is considered to be among the band's best work: according to Mark Deming of AllMusic, "''Liar'' isn't quite the wildest or weirdest album the Jesus Lizard ever made, but it may well be the strongest, and perhaps the best." The artwork is "Allegory of Death" by painter Malcolm Bucknall, who also provided art for the album '' Down'' and the "Puss/Oh, the Guilt" split single with Nirvana. ''Liar'' was ranked as the 58th best album of the 1990s by the online music magazine ''Pitchfork A pitchfork (also a hay fork) is an agricultural tool with a long handle and two to five tines used to lift and pitch or throw loose material, such as hay, straw, manure, or leaves. The term is also applied colloquially, but inaccurately, to th ...''. Track listing References External linksTouch and Go Records page on the album 1992 albums The Jesus ...
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The Jesus Lizard
The Jesus Lizard is an American rock band formed in 1987 in Austin, Texas and based in Chicago, Illinois. They were "a leading noise rock band in the American independent underground… hoturned out a series of independent records filled with scathing, disembowelling, guitar-driven pseudo-industrial noise, all of which received positive reviews in underground music publications and heavy college-radio play." After a brief run as a recording-only project based in Austin, founding vocalist David Yow, bassist David Wm. Sims, and guitarist Duane Denison relocated to Chicago, Illinois, in 1989, where they found kindred spirits in recording engineer Steve Albini and Touch and Go Records. With the addition of drummer Mac McNeilly, they began performing live, eventually attracting an international audience with their powerful live show. Drummer Jim Kimball replaced McNeilly late in 1996, and was himself replaced by Brendan Murphy two years later, with McNeilly returning to drums for ...
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