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Letterer
A letterer is a member of a team of comic book creators responsible for drawing the comic book's text. The letterer's use of typefaces, calligraphy, letter size, and layout all contribute to the impact of the comic. The letterer crafts the comic's "display lettering": the story title lettering and other special captions and credits that usually appear on a story's first page. The letterer also writes the letters in the word balloons and draws in sound effects. Many letterers also design logos for the comic book company's various titles. History Origins By the time comic books came of age in the 1940s, the huge volume of work demanded by publishers had encouraged an assembly-line process, dividing the creative process into distinct tasks: writer, penciller, letterer, inker, and colorist. By the late 1940s, it became possible to make a living just lettering comic strips and comic books for artists, studios, and companies that didn't have the time or desire to do it in-ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspar Saladino
Gaspar Saladino (September 1, 1927 – August 4, 2016) was an American letterer and logo designer who worked for more than sixty years in the comic book industry, mostly for DC Comics. Eventually Saladino went by one name, "Gaspar," which he wrote in his trademark calligraphy. From 1966 to the 1990s he lettered many of the logos, titles, captions and balloons on DC Comics covers.Klein, Todd"Gaspar Saladino 1927-2016" Kleinletters.com (Aug. 7, 2016). Retrieved August 8, 2016. For a period in the 1970s, he was also "page-one letterer" for many Marvel Comics books. Biography Early life and education Saladino was born in Brooklyn, New York City, and attended Manhattan's School of Industrial Art. While in school Saladino did some comic-book inker, inking for Lloyd Jacquet's "Funnies, Inc.", one of several "packagers" of the time that produced outsourced comics for publishers entering the new medium. After graduating from high school, Saladino enlisted in the U.S. Army, which statio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Costanza
John Costanza (born August 14, 1943, in Dover, New Jersey) is an American comic book artist and letterer. He has worked for both DC Comics and Marvel Comics. He was the letterer during Alan Moore's acclaimed run on ''Swamp Thing''. The bulk of Costanza's art assignments have been for anthropomorphic animal comics and children-oriented material. Biography Costanza began his career in 1965, working as Joe Kubert's assistant on the syndicated newspaper strip ''Tales of the Green Berets''. Costanza soon started to work for comic books, both as an artist and a letterer. He started out with contributing to DC titles like ''G.I. Combat'' and ''House of Mystery'' in the period 1968-1971. He began freelancing for Marvel (exclusively as a letterer) in 1972, at first under the alias Jon Costa. He would soon become one of the company's premier letterers, working on flagship titles such as ''Fantastic Four'' and ''The Amazing Spider-Man'', and lettering special projects such as the Stan Lee/Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Rosen (comics)
Sam Rosen (died 1992), often credited as S. Rosen, was an American calligrapher best known as a letterer for Marvel Comics during the period fans and historians call the Silver Age of Comic Books. Along with letterer Artie Simek, Rosen lettered and helped design logos for virtually all Marvel Comics published during the 1960s. Rosen also moonlighted for other companies during this time: he was the (uncredited) letterer for the 1965-66 Archie Comics series '' The Mighty Crusaders''. Biography Sam Rosen began his career as a comic book letterer in New York City in 1940, working on writer-artist Will Eisner's '' The Spirit'', the seven-page lead feature in a comic-book style Sunday supplement syndicated to newspapers. During this period, he also worked for Fox Comics and Benjamin W. Sangor studio, a comic book packager. Credits for Rosen are hard to determine, as comic-book letterers did not begin to routinely receive published credit until the early 1960s. Beginning with his first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Schnapp
Ira Schnapp (October 10, 1894 – July 24, 1969) was a logo designer and letterer who brought his classic and art deco design styles to DC Comics (then National Comics) beginning with the redesign of the ''Superman'' logo in 1940. He did a great deal of logo and lettering work for the company in the 1940s. Around 1949, he joined the staff as their in-house logo, cover lettering and house-ad designer and letterer, and continued in that role until about 1967. Life and career Early life and immigration Schnapp was born in the small town of Sassow, then in the Kingdom of Galicia and Lodomeria, part of the Austro-Hungarian Empire. After World War II that area became part of Ukraine, and the town is now known as Sasiv. He was one of eight children, five born in Austria, three born after the family regrouped in New York City. Ira's father Max emigrated in 1895 and established himself in a grocery business. His oldest son Jacob followed in 1898. The rest of the family — mother Sadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Rosen
Joe Rosen (December 25, 1920 – October 12, 2009) was an American comic book artist, primarily known for his work as a letterer. Over the course of his career with Marvel Comics and DC Comics, Rosen lettered such titles as ''The Fantastic Four'', ''Captain America'', ''Daredevil'', ''Spider-Man'', ''G.I. Joe: A Real American Hero'', ''The Incredible Hulk'', ''The Further Adventures of Indiana Jones'', and ''X-Factor''. He also lettered the DC/Marvel intercompany crossover book ''Superman and Spider-Man''. Biography Rosen started his career in the production department of Fawcett Comics, where he worked from 1940 to 1943. He then joined DC Comics' production department, lettering at that publisher until the mid-1950s. By then he had established a prolific freelance career, including with Harvey Comics, where he was known as speedy, professional, and a "quiet fellow." Rosen lettered almost exclusively for Harvey throughout the rest of the 1950s. In the 1960s and early 1970s, Rosen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Oda
Ben Oda (December 21, 1915 – November 1984) was a Japanese-American letterer for comic books and comic strips. He graduated from Chouinard Art Institute and began his career as an apprentice at Walt Disney Studios.''DC Profiles Number 56: Ben Oda'', appearing in ''Jonah Hex #33'', February 1980 During World War II, Oda was a paratrooper for the 442nd Combat Team. Oda lettered for two major comic strip syndicates: the Chicago Tribune Syndicate and King Features Syndicate. Comic strips lettered by Oda include '' Apartment 3-G'', ''Big Ben Bolt'', ''Dondi'', ''The Dropouts'', ''Flash Gordon'', ''Johnny Hazard'', ''Little Orphan Annie'', '' Miss Peach'', ''On Stage'', ''The Phantom'', ''Prince Valiant'', '' Rip Kirby'', '' The Spirit'' and ''Steve Canyon''. He entered the comics industry after World War II; some of his earliest lettering was for Hillman Periodicals' '' Airboy'' and '' Real Clue Crime Stories'', which connected him with the Simon & Kirby team. In the 1950s, his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Book Creator
developed specialized terminology. Some several attempts have been made to formalize and define the terminology of comics by authors such as Will Eisner, Scott McCloud, R. C. Harvey and Dylan Horrocks. Much of the terminology in English is under dispute, so this page will list and describe the most common terms used in comics. Comics "Comics" is used as a non-count noun, and thus is used with the singular form of a verb, in the way the words "politics" or "economics" are, to refer to the medium, so that one refers to the "comics industry" rather than the "comic industry". "Comic" as an adjective also has the meaning of "funny", or as pertaining to comedians, which can cause confusion and is usually avoided in most cases ("comic strip" being a well-entrenched exception). "Comic" as a singular noun is sometimes used to refer to individual comics periodicals, what are known in North America as "comic books". "Underground comix" is a term first popularized by cartoonists in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon D'Agostino
John P. D'Agostino Sr., generally credited as Jon D'Agostino (June 13, 1929November 28, 2010) was an Italian-American comic-book artist best known for his Archie Comics work. As well, under the pseudonym Johnny Dee, he was the letterer for the lead story in the Marvel Comics landmark ''The Amazing Spider-Man'' No. 1 (March 1963), as well as other seminal Marvel comics. D'Agostino is not the French comics artist Tony D'Agostino, a.k.a. Tony Dagos, whose early work was signed "D'Agostino". He is also not the concurrent early-Marvel letterer John Duffy a.k.a. John Duffi. Biography Early career Jon D'Agostino was born in Cervinara, Italy, the son of Pasquale and Annunziata Pitanello D'Agostino."Archie Artist Jon D'Agostino Passes Away at 81" |
George Roussos
George Roussos (; August 20, 1915 – February 19, 2000), also known under the pseudonym George Bell, was an American comic book artist best known as one of Jack Kirby's Silver Age inkers, including on landmark early issues of Marvel Comics' ''Fantastic Four''. Over five decades, he created artwork for numerous publishers, including EC Comics, and he was a staff colorist for Marvel Comics. Biography Early life and career George Roussos was born in Washington, D.C., the son of Greek-Americans William and Helen Roussos. After he and his sisters Helen and Alice were orphaned as children, George was sent to live at the Brooklyn Orphan Asylum in New York City, and attended Public School 125 in the Woodside neighborhood of Queens. Roussos was influenced by the art of cartoonist Frank Miller in the aviation comic strip ''Barney Baxter, Barney Baxter in the Air''. Other influences included Chester Gould, Stan Kaye, Robert Fawcett and Hal Foster. "I had no schooling [in art] except the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Robinson
Sherrill David Robinson (January 1, 1922 – December 7, 2011), known as Jerry Robinson, was an American comic book artist known for his work on DC Comics' Batman line of comics during the 1940s. He is best known as the co-creator of Robin and the Joker and for his work on behalf of creators' rights. He was inducted into the Comic Book Hall of Fame in 2004. Early life Jerry Robinson was born the youngest of five children in Trenton, New Jersey. His mother Mae was a bookkeeper born in Lower Manhattan. His father Benjamin Robinson was an entrepreneur who emigrated from Western Russia, near the Baltic states, in 1895. The couple opened the first theater in Trenton. Ben Robinson immigrated to the United States to avoid conscription in the Russian Empire, which would have lasted 25 years, and antisemitism in Russia. He was of Jewish background. He attended Columbia University for 2.5 years before leaving to focus on comics. Career 1939–1943 Robinson was a 17-year-old journa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inker
The inker (sometimes credited as the finisher or embellisher) is one of the two line artists in traditional comic book production. The penciller creates a drawing, the inker outlines, interprets, finalizes, retraces this drawing by using a pencil, nib (pen), pen or a brush. Inking was necessary in the traditional printing process as presses could not reproduce pencilled drawings. "Inking" of text is usually handled by another specialist, the letterer, the application of colors by the colorist. As the last hand in the production chain before the colorist, the inker has the final word on the look of the page, and can help control a story's mood, pace, and readability. Workflow While inking can involve tracing pencil lines in a literal sense, it also requires interpreting the pencils, giving proper weight to the lines, correcting mistakes, and making other creative choices. The look of a penciler's final art can vary enormously depending on the inker. A pencil drawing can have an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Comics
''Action Comics'' is an American comic book/ magazine series that introduced Superman, one of the first major superhero characters. The publisher was originally known as National Allied Publications, and later as National Comics Publications and as National Periodical Publications, before taking on its current name of DC Comics. Its original incarnation ran from 1938 to 2011 and stands as one of the longest-running comic books with consecutively numbered issues. The second volume of ''Action Comics'' beginning with issue #1 ran from 2011 to 2016. ''Action Comics'' returned to its original numbering beginning with issue #957 (Aug. 2016). Publication history The Golden Age Jerry Siegel and Joe Shuster saw their creation, Superman (also known as Kal-El, originally Kal-L), launched in ''Action Comics'' #1 on April 18, 1938 (cover dated June), an event which began the Golden Age of Comic Books. Siegel and Shuster had tried for years to find a publisher for their Superman char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
