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Les Amours De Ragonde
''Les amours de Ragonde'' (''The Loves of Ragonde'', original title: ''Le mariage de Ragonde et de Colin ou La Veillée de Village'') is an opera in three acts by Jean-Joseph Mouret with a libretto by Philippe Néricault Destouches. It was first performed at the Château de Sceaux in December, 1714. It is one of the first French comic operas. Performance history Mouret was in charge of the ''Grandes Nuits de Sceaux'', musical entertainments put on every fortnight by the Duchesse de Maine at her chateau at Sceaux. For the 13th night, in 1714, Mouret and his librettist wrote ''Le mariage de Ragonde et de Colin''. Comedy was something of a novelty in French opera and the work looks forward to the genre of '' opéra comique'' which would become popular in the mid-18th century. Mouret also parodied many famous scenes from the prestigious '' tragédies en musique'' by Jean-Baptiste Lully, including moments from '' Armide'', '' Atys'' and '' Alceste''. The next time the opera was he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platée
''Platée'' is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto ''Platée ou Junon jalouse'' (''Plataea, or Juno Jealous'') by Jacques Autreau (1657–1745) and had d'Orville modify it. The ultimate source of the story is a myth related by the Greek writer Pausanias in his ''Guide to Greece''. Rameau's first attempt at comic opera, the plot concerns an ugly water nymph who believes that Jupiter, the king of the gods, is in love with her. The work was initially called a ''ballet bouffon'', though it was later styled a ''comédie lyrique'', putting it in the same category as Rameau's ''Les Paladins''. It was written for the celebrations of the wedding of Louis, Dauphin of France, son of King Louis XV, to the Infanta María Teresa Rafaela of Spain, who, according to contemporary sources, like the title character was no beauty. Instead of getting the composer into trouble, the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Fouchécourt
file:JP Fouchécourt 03900.jpg, 2015 Jean-Paul Fouchécourt is a French people, French tenor, mostly as an opera singer. He was born on 30 August 1958 at Blanzy in the Bourgogne, Burgundy region. He is best known for singing French Baroque music, especially the parts called in French ''haute-contre'', written for a very high tenor voice with no falsetto singing. Life and career Specialist in French Baroque repertory, Jean-Paul Fouchécourt has gained his international reputation with his portrayal of the title role ''Platée'' by Rameau, Arnalta in ''l’Incoronazione di Poppea'' by Monteverdi, the four servants in the ''Tales of Hoffmann'' by Offenbach and le Mari in the ''Mamelles de Tirésias'' by Poulenc. He combines excellent musicality with a strong stage presence. After studying the classical saxophone and conducting, Jean-Paul Fouchécourt decided to become a singer after a workshop with Cathy Berberian in 1982. He began his career with Les Arts Florissants (ensemble), Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charivari
Charivari (, , , alternatively spelled shivaree or chivaree and also called a skimmington) was a European and North American folk custom in which a mock parade was staged through a community accompanied by a discordant mock serenade. Since the crowd aimed to make as much noise as possible by beating on pots and pans or anything that came to hand these parades are often referred to as rough music. Parades were of three types. In the first, and generally most violent form, a wrongdoer or wrongdoers might be dragged from their home or place of work and paraded by force through a community. In the process they were subject to the derision of the crowd, they might be pelted and frequently a victim or victims were dunked at the end of the proceedings. A safer form involved a neighbour of the wrongdoer impersonating the victim whilst being carried through the streets. The impersonator was obviously not themselves punished and often cried out or sang ribald verses mocking the wrongdoer. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert (bass)
Albert may refer to: Companies * Albert (supermarket), a supermarket chain in the Czech Republic * Albert Heijn, a supermarket chain in the Netherlands * Albert Market, a street market in The Gambia * Albert Productions, a record label * Albert Computers, Inc., a computer manufacturer in the 1980s Entertainment * ''Albert'' (1985 film), a Czechoslovak film directed by František Vláčil * ''Albert'' (2015 film), a film by Karsten Kiilerich * ''Albert'' (2016 film), an American TV movie * ''Albert'' (Ed Hall album), 1988 * "Albert" (short story), by Leo Tolstoy * Albert (comics), a character in Marvel Comics * Albert (''Discworld''), a character in Terry Pratchett's ''Discworld'' series * Albert, a character in Dario Argento's 1977 film ''Suspiria'' Military * Battle of Albert (1914), a WWI battle at Albert, Somme, France * Battle of Albert (1916), a WWI battle at Albert, Somme, France * Battle of Albert (1918), a WWI battle at Albert, Somme, France People * Albert (given n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Bourbonnois
Mademoiselle () is a French courtesy title, abbreviated Mlle, traditionally given to an unmarried woman. The equivalent in English is "Miss". The courtesy title "Madame" is accorded women where their marital status is unknown. From around 1970 onwards, the use of the title "Mademoiselle" was challenged in France, particularly by feminist groups who wanted it banned. A circular from François Fillon, then Prime Minister, dated 21 February 2012, called for the deletion of the word "Mademoiselle" in all official documents. On 26 December 2012, the Council of State approved the deletion. See also *Fräulein ''Fräulein'' ( , ) is the German language honorific for unmarried women, comparable to Miss in English and Mademoiselle in French. Description ''Fräulein'' is the diminutive form of ''Frau'', which was previously reserved only for marrie ..., a similar German term References French words and phrases Women's social titles Honorifics {{France-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Antoine Bérard
Jean Antoine is a French given name. Notable people with the name include: * Jean-Antoine Alavoine (1778–1834), French architect * Jean Antoine de Baïf (1532–1589), French poet * Jean-Antoine Carrel (1829–1891), Italian mountain climber * Jean-Antoine Chaptal (1756–1832), French chemist, physician and politician * Jean-Antoine Constantin (1756–1844), French painter * Jean-Antoine Courbis (1752–1795), French lawyer and revolutionary * Jean-Antoine Dubois (1765–1848), French Catholic missionary in India * Jean-Antoine Gleizes (1773–1843), French writer and advocate of vegetarianism * Jean-Antoine Gros (1740–1790), French painter * Jean-Antoine Houdon (1741–1828), French neoclassical sculptor * Jean-Antoine Lépine (1720–1814), French watchmaker * Jean-Antoine Letronne (1787–1848), French archaeologist * Jean-Antoine Marbot (1754–1800), French general and politician * Jean-Antoine Morand (1727–1794), French architect and urban planner * Jean-Antoine Nollet ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Pierre Jélyotte
Pierre Jélyotte (13 April 1713 – 11 September 1797) was a French operatic tenor, particularly associated with works by Rameau, Lully, Campra, Mondonville and Destouches. Life and career Born Pierre Grichon in Lasseube, he studied in Toulouse (voice, harpsichord, guitar, violin, composition) and made his stage debut in Paris as a singer at the Concert Spirituel in 1733. That same year, he made his debut at the Opéra de Paris, in ''Les fêtes grecques et romaines'', by François Colin de Blamont. He thereafter created several roles in opera by Jean-Philippe Rameau, such as; ''Hippolyte et Aricie'', ''Les Indes galantes'', '' Dardanus'', and ''Zoroastre'', as well as in opera by Jean-Baptiste Lully, André Campra, and André Cardinal Destouches. In all he sang some 150 roles, sometimes dressed as a woma He often appeared at Court in Fontainebleau, where he sang Daphnis in ''Daphnis et Alcimadure'' by Jean-Joseph de Mondonville, and Colin in ''Le devin du village'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haute-contre
The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century. History This voice was predominantly used in male solo roles, typically heroic and amatory ones, but also in comic parts, even ''en travesti'' (see apropos the portrait reproduced below and representing Pierre Jélyotte made up for the female title role of Rameau's ''Platée''). Lully wrote 8 out of 14 leading male roles for the voice; Charpentier, who was an haute-contre himself, composed extensively for the voice-part, as did Rameau and, later, Gluck. The leading ''hautes-contre'' of the ''Académie Royale de Musique'' that created the main roles of Lully's operas, at the end of the seventeenth century, were Bernard Clédière (who started off as a ''taille'', a lower Tenor voice type) and Louis Gaulard Dumesny. Notable ''hautes-contre'' of the eighteent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
