Les Fées Du Rhin
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Les Fées Du Rhin
''Die Rheinnixen'' (French: ''Les fées du Rhin''; English ''The Rhine Nixies'') is a romantic opera in four acts by Jacques Offenbach. The original libretto by Charles-Louis-Étienne Nuitter was translated into German by . The Elves' Song from ''Die Rheinnixen'' was later used in ''The Tales of Hoffmann'', where it became the "Barcarolle" (''Belle nuit, ô nuit d'amour'') in the 'Giulietta' act; Conrad's drinking song was also re-used in the same act. Performance history The first performance was given in a truncated form (owing to the illness of the tenor Alois Ander) on 4 February 1864 at the Hoftheater in Vienna (Theater am Kärntnertor). The first full performance was given in concert at the Corum, Montpellier, on 30 July 2002 with Regina Schörg (Armgard), Nora Gubisch (Hedwig), Piotr Beczała (Franz), Dalibor Jenis (Conrad), and Peter Klaveness (Gottfried), and the Orchestre National de Montpellier, conducted by Friedemann Layer, which was recorded. The first fully stag ...
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Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, ...
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Ljubljana
Ljubljana (also known by other historical names) is the capital and largest city of Slovenia. It is the country's cultural, educational, economic, political and administrative center. During antiquity, a Roman city called Emona stood in the area. Ljubljana itself was first mentioned in the first half of the 12th century. Situated at the middle of a trade route between the northern Adriatic Sea and the Danube region, it was the historical capital of Carniola, one of the Slovene-inhabited parts of the Habsburg monarchy. It was under Habsburg rule from the Middle Ages until the dissolution of the Austro-Hungarian Empire in 1918. After World War II, Ljubljana became the capital of the Socialist Republic of Slovenia, part of the Socialist Federal Republic of Yugoslavia. The city retained this status until Slovenia became independent in 1991 and Ljubljana became the capital of the newly formed state. Name The origin of the name ''Ljubljana'' is unclear. In the Middle Ages, both ...
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Kreuznach
Bad Kreuznach () is a town in the Bad Kreuznach district in Rhineland-Palatinate, Germany. It is a spa town, most well known for its medieval bridge dating from around 1300, the Alte Nahebrücke, which is one of the few remaining bridges in the world with buildings on it.Brückenhäuser, Alte Nahebrücke, Neustadt , Bad Kreuznach
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www.romantic-germany.info
(in English). Retrieved 14 June 2018
The town is located in the Nahe River wine region, renowned both nationally and internati ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Franz Von Sickingen
Franz von Sickingen (2 March 14817 May 1523) was an Imperial Knight who, with Ulrich von Hutten, led the so-called "Knights' Revolt," and was one of the most notable figures of the early period of the Protestant Reformation. Sickingen was nicknamed "the last knight" (''der letzte Ritter''), an epithet he shared with his contemporaries Chevalier de Bayard and Emperor Maximilian. Early life Franz von Sickingen was born on 2 March 1481 at Ebernburg Castle in the Palatinate of the Holy Roman Empire to Schweickhardt von Sickingen and his wife Margarethe Puller von der Hohenburg. Franz was married to Hedwig von Flersheim (d. 1515). Having fought for the emperor Maximilian I against Venice in 1508, he inherited large estates on the Rhine, and increased his wealth and reputation by numerous private feuds, in which he usually posed as the friend of the oppressed. In 1513, Sickingen took up the quarrel of Balthasar Schlör, a citizen who had been driven out of Worms, and attacke ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Cottbus
Cottbus (; Lower Sorbian: ''Chóśebuz'' ; Polish: Chociebuż) is a university city and the second-largest city in Brandenburg, Germany. Situated around southeast of Berlin, on the River Spree, Cottbus is also a major railway junction with extensive sidings/depots. Although only a small Sorbian minority lives in Cottbus itself, the city is considered as the political and cultural center of the Sorbs in Lower Lusatia. Spelling Until the beginning of the 20th century, the spelling of the city's name was disputed. In Berlin, the spelling "Kottbus" was preferred, and it is still used for the capital's ("Cottbus Gate"), but locally the traditional spelling "Cottbus" (which defies standard German-language rules) was preferred, and it is now used in most circumstances. Because the official spelling used locally before the spelling reforms of 1996 had contravened even the standardized spelling rules already in place, the (german: Ständiger Ausschuss für geographische Namen) stre ...
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Marc Minkowski
Marc Minkowski (born 4 October 1962) is a French conductor of classical music, especially known for his interpretations of French Baroque works, and is the current general director of Opéra national de Bordeaux. His mother, Mary Anne (Wade), is American, and his father was Alexandre Minkowski, a Polish-French professor of pediatrics and one of the founders of neonatology. Marc Minkowski is a Chevalier du Mérite. Life and career Marc Minkowski was born in Paris. His maternal grandmother, Edith Wade, was a violinist. He began his musical career as a bassoonist for René Clemencic's Clemencic Consort and Philippe Pierlot's Ricercar Consort. In 1982, Minkowski formed "Les Musiciens du Louvre", an orchestra dedicated to showcasing French Baroque music which has championed works by Marin Marais (opera '' Alcyone''), Jean-Joseph Mouret (opera ''Les amours de Ragonde''), Marc-Antoine Charpentier, Jean-Baptiste Lully (opera '' Phaëton'' at Opéra National de Lyon) and Jean-Phili ...
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