Les Cahiers De La Photographie
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Les Cahiers De La Photographie
''Les Cahiers de la photographie'', published between 1981 and 1994 was a French magazine devoted to photography with the goal of promoting criticism of contemporary photography. Ethos ''Les Cahiers de la photographie'', modelled on the earlier Cahiers du Cinéma, ''Cahiers du cinèma'' and published by Laplume and the Association de critique contemporaine en photographie (ACCP), was a review of critical and theoretical works on contemporary photography, the first of this period in France from 1981 to 1990, earlier than and running contemporary with, ''La Recherche photographique'' which covered the full duration of photographic history. Context The magazine emerged in a lively decade for the medium and its critique, breaking with strong traditions of the Beaux Arts in France which had hindered photography's acceptance as a legitimate subject of art historical research until the late 1970s, when the first courses on the history of photography were commenced by Michel Frizot a ...
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Bernard Plossu
Bernard Plossu (born 1945) is a Vietnam-born French photographer. His work is held in the collections of the Museum of Fine Arts, Houston, Museum of Fine Arts and the Center for Creative Photography, both in Tucson, Arizona. Life and work Plossu was born in Da Lat, Vietnam and grew up in Paris. He traveled to Mexico for the first time in 1965 and photographed there extensively over many trips. Between 1974 and 1985, he was immersed in the Western United States, American west. He moved to the USA in 1977, married an American and lived in New Mexico. His characteristic style is the recording of encounters and feelings. Publications Books by Plossu *''Le Voyage mexicain: 1965–1966''. Contrejour, 1979. With an essay by Denis Roche. . **Images En Manœuvres, 2012. . *''Porquerolles, Port-Cros: Les iles''. 1998. *''L'Europe Du Sud Contemporaine''. 2000. *''Forget Me Not''. Tf, 2002. . *''Voyages Vers l'Italie'' = Voyages to Italy''. 2005. *''Passages Par Athenes''. 2006. *''Monet In ...
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Jean-Claude Lemagny
Jean-Claude Lemagny (born 24 December 1931–19 January 2023) was a French library curator and historian of photography; a specialist in contemporary photography, he contributed to the world of fine-art photography in several roles. Early life and education Born 24 December 1931 in Versailles, oldest of the three children of Paul Lemagny (a winner of the Prix de Rome) and Léonie Leloup, Jean-Claude Lemagny achieved a series of academic landmarks; a License in History and Geography, a Certificate in French Literature, a Certificate in Art of the Middle Ages, a Superior Studies Diploma in the History of Art, and an Aggregation in History, which is a prestigious professional qualification as a teacher. Bibliothèque nationale de France Qualified as an art historian, librarian and curator, in 1963 he was employed at the Bibliothèque nationale de France, first cataloguing art books and eighteenth century French engravings. Also a professor at L'Ecole du Louvre, he taught classes ...
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Luigi Ghirri
is a fictional character featured in video games and related media released by Nintendo. Created by Japanese video game designer Shigeru Miyamoto, Luigi is portrayed as the younger fraternal twin brother and sidekick of Mario, Nintendo's mascot. Luigi appears in many games throughout the ''Mario'' franchise, oftentimes accompanying his brother. Luigi first appeared in the 1983 Game & Watch game ''Mario Bros.'', where he is the character controlled by the second player. He would retain this role in many future games, including ''Mario Bros.'', ''Super Mario Bros.'', '' Super Mario Bros. 3'', ''Super Mario World'', among other titles. He was first available as a primary character in '' Super Mario Bros. 2''. In more recent appearances, Luigi's role became increasingly restricted to spinoffs, such as the ''Mario Party'' and '' Mario Kart'' series; however, he has been featured in a starring role in '' Luigi's Hammer Toss'', '' Mario is Missing'', '' Luigi's Mansion'', '' Luig ...
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André Rouillé
André Rouillé ( fr. ''André Rouillé'', born 1948) is a French historian and theorist of photography. He is professor at University Paris 8, author of a significant number of books on photography and contemporary art, and founder and editor-in-chief of ''Paris-Art'', the first French website devoted to contemporary culture. Biography In 1980, André Rouillé (being a math professor by that time) got a doctoral degree in historical sciences in University of Franche-Comté. His research changed a picture of genesis of photography. Later he wrote two books based on his thesis: ''L'Empire de la photographie, 1839-1870'' and ''La Photographie en France, 1816-1871. Textes et controverses''. In 1986–1997, Rouillé was editor-in-chief in famous ''La recherche photographique'' ("Photography Review"). In 2002, he created the ''Paris-Art'' website devoted to contemporary culture including art, photography, design, dance and literature.
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Robert Frank
Robert Frank (November 9, 1924 – September 9, 2019) was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled ''The Americans'', earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in ''The Guardian'' in 2014, said ''The Americans'' "changed the nature of photography, what it could say and how it could say it. nbsp;... it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage. Background and early photography career Frank was born in Zürich, Switzerland, the son of Rosa (Zucker) and Hermann Frank. His family was Jewish. Robert states in Gerald Fox's 2004 documentary ''Leaving Home, Coming Home'' that his mother, Rosa (other sources state her name as Regina), had a Swiss passpor ...
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Gilles Mora
Gilles Mora (born 1945) is a French photography historian and critic specialising in 20th century American photography, and photographer. He has edited books on Walker Evans, Edward Weston, W. Eugene Smith, Aaron Siskind and William Gedney, as well as published a book of his own photographs, ''Antebellum.'' Mora won the Prix Nadar in 2007 for the book ''La Photographie Américaine: 1958–1981: the Last Photographic Heroes.'' Mora launched the FRAC regional contemporary art fund in Bordeaux and oversaw photography at Éditions du Seuil. He was artistic director of Rencontres d'Arles and is currently exhibition curator at a museum in Montpellier, where he lives. He was co-founder of the magazine '' Les Cahiers de la photographie'' and founder of the journal ''L'Œuvre Photographique;'' both of which he was editor-in-chief of. Life and work Mora was born in Vélines, Dordogne, southwestern France. He was for a time professor at the Ecole Normale D'agen in Agen, southwestern France ...
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Subjectivity
Subjectivity in a philosophical context has to do with a lack of objective reality. Subjectivity has been given various and ambiguous definitions by differing sources as it is not often the focal point of philosophical discourse.Bykova, Marina F. (February 2018). "On the Problem of Subjectivity: Editor's Introduction". ''Russian Studies in Philosophy''. 56: 1-5 - via EBSCOhost. However, it is related to ideas of consciousness, agency, personhood, philosophy of mind, reality, and truth. Three common definitions include that subjectivity is the quality or condition of: * Something being a '' subject'', narrowly meaning an individual who possesses conscious experiences, such as perspectives, feelings, beliefs, and desires. Solomon, Robert C. "Subjectivity," in Honderich, Ted. ''Oxford Companion to Philosophy (Oxford University Press, 2005), p.900. * Something being a ''subject'', broadly meaning an entity that has agency, meaning that it acts upon or wields power over some other en ...
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Alain Bergala
Alain Bergala (; born 8 August 1943), is a French film critic, essayist, screenwriter and director. Biography Former writer for ''Cahiers du cinéma'', he is best known as a specialist in the works of Jean-Luc Godard. He taught at the University of Paris III: Sorbonne NouvelleHis page at the site of the University of Paris III: Sorbonne Nouvellebr> and at La Fémis. In 2000, he became the cinema counsellor of Jack Lang with whom he worked regarding the arts in education. He directed his first feature film in 1982. Filmography * 1983: ''Faux fuyants'' (co-director : Jean-Pierre Limosin) * 1987: ''Où que tu sois'' * 1995: ''Cesare Pavese'' (part of the series- ''Un siècle d'écrivains ''Un siècle d'écrivains'' ("a century of writers") was a French series of television documentary films aired on France 3 between 1995 and 2001. A total of 257 documentaries were made, each focusing on a writer active during the 20th century. The ...'') * 1997: ''Fernand Léger, les motifs ...
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Camera Lucida (book)
''Camera Lucida: Reflections on Photography'' (french: La chambre claire) is a short book published in 1980 by the French literary theorist and philosopher Roland Barthes. It is simultaneously an inquiry into the nature and essence of photography and a eulogy to Barthes' late mother. The book investigates the effects of photography on the spectator (as distinct from the photographer, and also from the object photographed, which Barthes calls the "spectrum"). In a deeply personal discussion of the lasting emotional effect of certain photographs, Barthes considers photography as asymbolic, irreducible to the codes of language or culture, acting on the body as much as on the mind. The book develops the twin concepts of ''studium'' and ''punctum'': ''studium'' denoting the cultural, linguistic, and political interpretation of a photograph, ''punctum'' denoting the wounding, personally touching detail which establishes a direct relationship with the object or person within it. ''C ...
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Rosalind E
Rosalind or Rosalinde is a girls' name derived from the Germanic ''hros'', which meant horse, and ''lind'' which meant ''soft'' or ''tender'': People *Rosalind Ashford (born 1943), American singer, member of Martha and the Vandellas *Rosalind Blauer (1943–1973), Canadian economist * Rosalind Brett, writer of romance novels *Rosalind Cash (1938–1995), American singer and actress *Rosalind Chao (born 1957), American actress born in Anaheim, California * Rosalind Creasy (born 1939), American landscape designer and author * Rosalind Franklin (1920–1958), British physical chemist and crystallographer who made very important contributions to the understanding of the fine structures of coal and graphite, DNA and viruses * Rosalind Hackett, American historian *Rosalind Halstead (born 1984), British actress *Rosalind Hamilton, Duchess of Abercorn (1869–1958), British aristocrat *Rosalind Heywood (1895–1980), British psychical researcher * Rosalind Hicks (1919–2005), British li ...
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Michel Foucault
Paul-Michel Foucault (, ; ; 15 October 192625 June 1984) was a French philosopher, historian of ideas, writer, political activist, and literary critic. Foucault's theories primarily address the relationship between power and knowledge, and how they are used as a form of social control through societal institutions. Though often cited as a structuralist and postmodernist, Foucault rejected these labels. His thought has influenced academics, especially those working in communication studies, anthropology, psychology, sociology, criminology, cultural studies, literary theory, feminism, Marxism and critical theory. Born in Poitiers, France, into an upper-middle-class family, Foucault was educated at the Lycée Henri-IV, at the École Normale Supérieure, where he developed an interest in philosophy and came under the influence of his tutors Jean Hyppolite and Louis Althusser, and at the University of Paris (Sorbonne), where he earned degrees in philosophy and psychology. Aft ...
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On Photography
''On Photography'' is a 1977 collection of essays by Susan Sontag. It originally appeared as a series of essays in the ''New York Review of Books'' between 1973 and 1977. Contents In the book, Sontag expresses her views on the history and present-day role of photography in capitalist societies as of the 1970s. Sontag discusses many examples of modern photography. Among these, she contrasts Diane Arbus's work with that of Depression-era documentary photography commissioned by the Farm Security Administration. She also explores the history of American photography in relation to the idealistic notions of America put forth by Walt Whitman and traces these ideas through to the increasingly cynical aesthetic notions of the 1970s, particularly in relation to Arbus and Andy Warhol. Sontag argues that the proliferation of photographic images had begun to establish within people a "chronic voyeuristic relation to the world." Among the consequences of this practice of photography is that ...
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