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Lennie Tristano (album)
''Lennie Tristano'', also known as ''Tristano'', is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. The final five songs are concert recordings. Originally released as Tristano's Atlantic Records debut, the album was released on CD in 1994 by Rhino Records in combined form with Tristano's 1960 follow-up, '' The New Tristano'', and as part of a collection, ''The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh'', in 1997. It was subsequently re-issued in original form and track-list order by Warner Jazz (2002), Rhino (2003) and Collectables (2004). In 1997, ''The New York Times'' dubbed the album a masterpiece. AMG describes the album as "gorgeous... with a beautiful juxtaposition between the first half and the second half between the rhythmic and intervallic genius of Tristano as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lennie Tristano
Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano's innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded. Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gitler
Ira Gitler (December 18, 1928 – February 23, 2019) was an American jazz historian and journalist. The co-author of ''The Biographical Encyclopedia of Jazz'' with Leonard Feather—the most recent edition appeared in 1999—he wrote hundreds of liner notes for jazz recordings beginning in the early 1950s and wrote several books about jazz and ice hockey, two of his passions.Manhattan School of MusicFaculty: Mr. Ira Gitler. Retrieved Oct. 16, 2008. Jazz Gitler was born at Brooklyn, New York into a Jewish family and grew up listening to swing bands in the late 1930s and 1940s, before discovering the new music of Charlie Parker and Dizzy Gillespie. In the early 1950s, he worked as a producer of recording sessions for the Prestige label. He is credited with coining the term "sheets of sound" in the late 1950s, to describe the playing of John Coltrane. Gitler was the New York editor of ''Down Beat'' magazine during the 1960s and wrote for ''Metronome Magazine'', ''JazzTimes'', ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Shapiro
Ted Shapiro (October 31, 1899 – May 26, 1980) was a United States popular music composer, pianist, and sheet music publisher. Early life Shapiro was born on October 31, 1899 in New York City. He became a Tin Pan Alley songwriter and accompanied notable star vaudeville singers of the day, including Nora Bayes and Eva Tanguay. Shapiro was hired as accompanist and music director for Sophie Tucker; replacing the "Five Kings of Syncopation" on her 1922 tour to London. Shapiro worked with Tucker until her death in 1966, appearing at the piano on stage with her, exchanging banter and wisecracks between songs. Shapiro also wrote a number of songs for Tucker. Popular compositions Ted Shapiro became a member of ASCAP in 1924. His biggest hits were the holiday standard "Winter Weather" from 1941, and " If I Had You", first published in 1928, which continues to be covered by new recording artists and used in movie soundtracks into the 21st century. His other successful tunes and songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Had You (1928 Song)
"If I Had You" is a 1928 song by "Irving King" (Jimmy Campbell and Reg Connelly) with Ted Shapiro. Early hit versions in 1929 were by Rudy Vallée and Al Bowlly. Many other artists have recorded the song over the years. References See also *List of 1920s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one m ... 1920s jazz standards 1928 songs Songs written by Jimmy Campbell and Reg Connelly Songs written by Ted Shapiro Jazz compositions in B-flat major Al Bowlly songs {{1920s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haven Gillespie
James Lamont Gillespie (February 6, 1888 – March 14, 1975) pen name Haven Gillespie, was an American Tin Pan Alley composer and lyricist. He was the writer of "You Go to My Head", "Honey", "By the Sycamore Tree", "That Lucky Old Sun", " Breezin' Along With The Breeze", " Right or Wrong," " Beautiful Love", "Drifting and Dreaming", and "Louisiana Fairy Tale" (Fats Waller's recording of which was used as the first theme song in the PBS Production of ''This Old House''), each song in collaboration with other people such as Beasley Smith, Ervin R. Schmidt, Richard A. Whiting, Wayne King, and Loyal Curtis. He also wrote the seasonal standard "Santa Claus Is Comin' to Town". Life and career Gillespie was one of nine children of Anna (Reilley) and William F. Gillespie. The family was poor and lived in the basement of a house on Third Street between Madison Avenue and Russell Street in Covington, Kentucky. Gillespie dropped out of school in grade four and could not find a job. His ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Go To My Head
"You Go to My Head" is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Melody and lyrics Alec Wilder terms Coots' melody a "minor masterpiece". According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.” Gillespie's lyrics begin: ''"You go to my head and you linger like a haunting refrain"''. Recordings, use in film, and performances Larry Clinton re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Strachey
Jack Strachey (25 September 1894 – 27 May 1972) was an English composer and songwriter Born John Francis Strachey in London on 25 September 1894, he began writing songs in the 1920s for the theatre and the music hall, scoring his first success with songs he had written for Frith Shephard's long running musical revue ''Lady Luck'' which opened at The Carlton Theatre in April 1927 where it ran for 324 performances. In the 1930s, he began to collaborate with Eric Maschwitz and in 1936 Strachey, Maschwitz (using the pen name Holt Marvell), and Harry Link co-wrote "These Foolish Things (Remind Me of You)", which was to provide a top ten hit for five separate artists in 1936. Benny Goodman was among the five artists to record the song in 1936, and it has been widely covered since - by Billie Holiday, Thelonious Monk and Bryan Ferry among others. Under the title "Ces Petites Choses", it was also a hit in France for Dorothy Dickson. Strachey scored another success in 1940 (this time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holt Marvell
Albert Eric Maschwitz OBE (10 June 1901 – 27 October 1969), sometimes credited as Holt Marvell, was an English entertainer, writer, editor, broadcaster and broadcasting executive. Life and work Born in Edgbaston, Birmingham, England, and descendant of a traditional German family, Maschwitz was educated at Arden House preparatory school, Henley in Arden, Repton School and Gonville and Caius College, Cambridge. As a lyricist, Maschwitz wrote, often credited to his pseudonym "Holt Marvell," the screenplays of several successful films in the 1930s and 1940s, but is perhaps best remembered for his lyrics to 1940s popular songs such as "A Nightingale Sang in Berkeley Square" (music by Manning Sherwin) and "These Foolish Things" (music by Jack Strachey, reinterpreted in 1973 by Bryan Ferry on his first solo album of the same name). According to the ''Oxford Dictionary of National Biography'', Maschwitz had a brief romantic liaison with British cabaret singer Jean Ross, and their rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Link
Harry Link (born John Harry Linkey, January 25, 1896, Philadelphia – July 5, 1956, New York City) was an American vaudeville actor and songwriter. He wrote and co-wrote several well-known jazz standards. Career Link studied at the Wharton School of Business but was already publishing songs by his late teens; in 1914, he co-wrote "Along Came Ruth" with Irving Berlin. He attempted a career in acting, appearing in the 1916 film ''The Masked Rider'', but had little luck and soon gave it up for a sustained career in music publishing. In 1929, he co-wrote "I've Got a Feeling I'm Falling" with Billy Rose and Fats Waller. Waller turned the song into a hit; Louis Armstrong recorded the tune, as did many others. Link and Waller also co-wrote "Gone" with Andy Razaf and "I Hate to Leave You Now" with Dorothy Dick ''(née'' Dorothy Dickenshied; 1895–1986), whom Link married in 1916 in Philadelphia. Armstrong also recorded a version of "I Hate to Leave You Now". Link and Dick went on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
These Foolish Things
"These Foolish Things (Remind Me of You)" is a standard with lyrics by Eric Maschwitz, writing under the pseudonym Holt Marvell, and music by Jack Strachey, both Englishmen. Harry Link, an American, sometimes appears as a co-writer; his input was probably limited to an alternative "middle eight" (bridge) which many performers prefer. It is one of a group of "Mayfair songs", like "A Nightingale Sang in Berkeley Square". Maschwitz wrote the song under his pen name, Holt Marvell, at the behest of Joan Carr for a late-evening revue broadcast by the BBC. The copyright was lodged in 1936. According to the ''Oxford Dictionary of National Biography'', British cabaret singer Jean Ross, with whom Maschwitz had a youthful liaison, was the muse for the song. Creation Although Maschwitz's wife Hermione Gingold speculated in her autobiography that the haunting jazz standard was written for either herself or actress Anna May Wong, Maschwitz himself contradicted such claims. Maschwitz inste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Ind
Peter Ind (20 July 1928 – 20 August 2021) was a British jazz double bassist and record producer. Early life Ind was born in Middlesex. His father was a builder. Ind began to learn the violin at the age of eight and played in his school orchestra. He soon found that he preferred the piano and played gigs from the age of 14 around his home in Uxbridge. At this point, he played mostly popular dance numbers of the time. He was influenced during World War II by radio broadcasts of American big bands. By the age of 16, his income, supplemented by a variety of day jobs, was greater than that of his father. Feeling that he lacked a technical understanding of music, Ind took evening classes in piano and classical harmony at London's Trinity College of Music in the period 1944–46. He transitioned to playing the bass because he liked its sound and thought that his piano technique was limited. He had bass lessons from 1947 with Tim Bell, who "introduced me to what was then a revolutiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
