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Le Convenienze Ed Inconvenienze Teatrali
''Le convenienze ed inconvenienze teatrali'' (''Conventions and Inconveniences of the Stage''), also known as ''Viva la mamma'' and ''Viva la Diva'', is a dramma giocoso, or opera, in two acts by Gaetano Donizetti. The Italian libretto was written by Domenico Gilardoni, adapted from Antonio Simeone Sografi's plays ''Le convenienze teatrali'' (1794) and ''Le inconvenienze teatrali'' (1800). The title refers to the '' convenienze'', which were the rules relating to the ranking of singers (''primo'', ''secondo'', ''comprimario'') in 19th-century Italian opera, and the number of scenes, arias etc. that they were entitled to expect. Performance history 19th century The opera was originally a one-act ''farsa'' based on ''Le convenienze teatrali''; this version premiered at the Teatro Nuovo in Naples on 21 November 1827. Donizetti revised it and added recitatives and material from ''Le inconvenienze teatrali''; this final version premiered at the Teatro alla Cannobiana in Milan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buxton Festival
The Buxton Festival is an annual summer festival of opera, music and (since 2000) a literary series, held in Buxton, Derbyshire, England since its beginnings in July 1979. The 2020 festival would have run but was cancelled due to the Covid-19 crisis. The 2023 Buxton International Festival will run 6–23 July. Origins of the present-day Festival The origins of the Festival date to September 1937, when an annual drama festival was first held (running until 1942) in conjunction with the London-based Old Vic Theatre Company under Lilian Baylis. In addition to plays at the Buxton Opera House, the festival ran a summer school at the adjoining Playhouse Theatre. The Festival as it exists today came about because of the inspiration in the 1970s to encourage the restoration of the Buxton Opera House, a classic Frank Matcham building. The conductor Anthony Hose (then Head of Music at Welsh National Opera) and Malcolm Fraser (then lecturing in opera at the Royal Northern College of Music i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Mysliveček
Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. His closeness to the Mozart family resulted in frequent references to him in the Mozart correspondence. Biography Mysliveček was born in Prague, one of twin sons of a prosperous mill owner, and studied philosophy at Charles-Ferdinand University before following in the footsteps of his father. No documentation exists to support claims that he was actually born in H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romolo Ed Ersilia
''Romolo ed Ersilia'' ("Romulus and Ersilia") is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in Innsbruck in 1765 with music by Johann Adolf Hasse. The drama was one of Metastasio's last, shortest, and least popular. Mysliveček's setting of 1773 was the only other one known to have been produced during the remainder of the eighteenth century. It includes significant alterations, in particular the introduction of new arias that augment the importance of certain characters and the re-ordering of existing arias. The alterations are not attributable. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as ''opera seria''. In Mysliveček's day, the opening aria, "Questa è la bella face," the duet that concludes the first act, and the quartet that concludes the second act were famed for their brilliance. Performance hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolf Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of ''opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romolo Ed Ersilia (Hasse)
''Romolo ed Ersilia'' is a three-act opera composed by Johann Adolph Hasse to an Italian-language libretto by Pietro Metastasio. The opera was commissioned by Empress Maria Theresa to celebrate the marriage of her son Leopold to Maria Luisa of Spain. The opera was first performed on 6 August 1765, the day after their wedding, in the court theatre of the Imperial Palace in Innsbruck. The opera received its first performance in modern times in 2011 during the Innsbruck Festival of Early Music.Innsbruck Festival of Early Music Opera ArchivesRomolo ed Ersilia/ref> The opera is loosely based on The Rape of the Sabine Women, an episode in the legendary history of Rome, traditionally dated to 750 BC. The opera's main protagonists are Romolo (Romulus, the founder and ruler of Rome) and Ersilia ( Hersilia, who became the wife of Romulus). The same libretto was set eight years later by Josef Mysliveček and again titled ''Romolo ed Ersilia''. The libretto also formed the basis for a 178 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Galli
Vincenzo Galli (1798 – 23 November 1858) was an Italian opera singer and impresario. Considered an outstanding ''basso buffo'' singer, he created many roles on Italian stages, including in two of Donizetti's operas: Ivano in '' Otto mesi in due ore'' and Cesare Salzapariglia in ''Le convenienze ed inconvenienze teatrali''. Luigi Ricci composed the role of Michelotto in his opera ''Chiara di Rosembergh'' specifically for Galli's voice. Life and career Galli was born in Rome, the younger brother of Filippo Galli, an even more famous bass. Vincenzo was sometimes referred to as "il Galli minore" (the minor Galli).Campi, Paola (1998)"Galli, Filippo" ''Dizionario Biografico degli Italiani'', Vol. 51. Treccani. Online version retrieved 6 September 2014 . He made his stage debut at the Teatro Argentina in Rome in 1819 as Eugaro in Giuseppe Nicolini's '' Giulio Cesare nelle Gallie'' and his La Scala debut in 1824 as Giorgio in Rossini's ''Torvaldo e Dorliska'' with his brother Filippo as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Badiali
Cesare Badiali was an Italian baritone opera singer. He was born in Bologna in 1810 and died on 17 November 1865. He debuted in Trieste in 1827. Biography Badiali was born in Bologna in 1810. During his childhood, his family moved to Imola. Here, young Badiali began to study double bass and lute, using his new skills to perform in the churches of Imola and occasionally elsewhere as an amateur singer. As he moved into his adulthood, he abandoned music for a more secure job as a tax collector, as soon he would take a wife and desire a family. However, while in Bologna for pleasure in 1827, the famed Giovanni Tadolini discovered his talents and encouraged him to make a career out of his voice, as did his future manager Bassi. Initially, Badiali turned down Bassi's offer and returned to Imola. Bassi offered a new contract of fifteen hundred francs, which was enough to convince him to leave and work in Trieste. He debuted at the Teatro Comunale, playing the high priest of the Israeli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
