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Le Testament De La Tante Caroline
''Le testament de la tante Caroline'' (''Aunt Caroline's Will'') is an opéra bouffe or operetta by composer Albert Roussel and librettist Nino (pseudonym of Michel Veber). The original production was in Czech (prepared by Julie Reisserová) and in three acts, but the work was later revised into a one act operetta in 1964. The operetta tells the story of a family who is caught in a difficult set of circumstances surrounding the contents of a will and the dispersal of a vast fortune. The work premiered in Olomouc on 14 November 1936.Richard Langham Smith: "Le testament de la tante Caroline", ''Grove Music Online'' ed. L. Macy (Accessed February 08, 2009)(subscription access)/ref> History ''Le testament de la tante Caroline'' was composed by Roussel in 1932-1933. The comic operetta was a departure from his earlier works which were all of a serious nature. Roussel acknowledged that the works of composers Arthur Honegger and Jacques Ibert had influenced him to pursue writing a comic op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Bouffe
Opéra bouffe (, plural: ''opéras bouffes'') is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name. Opéras bouffes are known for elements of comedy, satire, parody and farce. The most famous examples are ''La belle Hélène'', '' Barbe-bleue'' (''Bluebeard''), '' La Vie parisienne'', ''La Périchole'' and ''La Grande-Duchesse de Gérolstein ''La Grande-Duchesse de Gérolstein'' (''The Grand Duchess of Gerolstein'') is an opéra bouffe (a form of operetta), in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy. The s ...''. Sources * Bartlet, M. Elizabeth C.: "Opéra bouffe" Stanley Sadie (ed.), ''The New Grove Dictionary of Opera'' (London, 1992). {{DEFAULTSORT:Opera Bouffe Opera genres Opera terminology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Albert Roussel
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1936 Operas
Events January–February * January 20 – George V of the United Kingdom and the British Dominions and Emperor of India, dies at his Sandringham Estate. The Prince of Wales succeeds to the throne of the United Kingdom as King Edward VIII. * January 28 – Britain's King George V state funeral takes place in London and Windsor. He is buried at St George's Chapel, Windsor Castle * February 4 – Radium E (bismuth-210) becomes the first radioactive element to be made synthetically. * February 6 – The IV Olympic Winter Games open in Garmisch-Partenkirchen, Germany. * February 10– 19 – Second Italo-Ethiopian War: Battle of Amba Aradam – Italian forces gain a decisive tactical victory, effectively neutralizing the army of the Ethiopian Empire. * February 16 – 1936 Spanish general election: The left-wing Popular Front coalition takes a majority. * February 26 – February 26 Incident (二・二六事件, ''Niniroku Jiken''): The Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvation Army
Salvation (from Latin: ''salvatio'', from ''salva'', 'safe, saved') is the state of being saved or protected from harm or a dire situation. In religion and theology, ''salvation'' generally refers to the deliverance of the soul from sin and its consequences."Salvation." ''Oxford English Dictionary'' (2nd ed.). Oxford University Press. 1989. "The saving of the soul; the deliverance from sin and its consequences." The academic study of salvation is called ''soteriology''. Meaning In Abrahamic religions and theology, ''salvation'' is the saving of the soul from sin and its consequences. It may also be called ''deliverance'' or ''redemption'' from sin and its effects. Depending on the religion or even denomination, salvation is considered to be caused either only by the grace of God (i.e. unmerited and unearned), or by faith, good deeds (works), or a combination thereof. Religions often emphasize that man is a sinner by nature and that the penalty of sin is death (physical death, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Hérent
René Hérent (born Cambrai 16 May 1897, died Paris January 1966) was a French tenor whose career was centred on the Opéra-Comique in Paris, where he played supporting roles for many years, and left several recordings.Kutsch KJ, Riemens L. René Hérent. In : ''Unvergängliche Stimmen: Sängerlexikon.'' Francke Verlag, Bern and Munchen, 1982. Life and career Hérent made his debut on 17 August 1918 as Guillot de Morfontaine in Massenet's ''Manon''. At the Opéra-Comique he created many roles, either in Paris or world premieres, including Mercure in ''Amphytrion 38'', the dancing master in ''Ariadne auf Naxos'', Un valet in ''Don Quichotte'', le vieillard and la rainette in ''L'enfant et les sortilèges'', Mémucan-Aman in ''Esther de Carpentras'', Ouf 1er in '' L'étoile'', Prince de Chabran in ''Femme nue'', Vašek in '' La fiancée vendue'', Galipot in ''Frasquita'', Lubin in ''Georges Dandin'', Betto in ''Gianni Schicchi'', Mouzzafer in ''Le Hulla'', Madame Poiretapée in ''Mes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanély Revoil
Fanély Revoil, born Marseille 25 September 1906, died Annonay 31 January 1999, was a French singer who had a major career in opera and operetta between the 1930s and 1989.’L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 22.03.10. She was married to theater director Robert Ancelin from 1937 to 1942. Career After starting work as a secretary Revoil followed courses in singing and acting at the Marseille Conservatoire, making her debut in Montpellier in 1928 in ''Gillette de Narbonne'' (which also marked her farewell to the stage in 1957), then appeared in Mulhouse in '' Comtesse Maritza'', before joining the company in Le Havre, singing in operettas from both the Paris and Vienna traditions (including the French premiere of ''Frasquita''), as well as in '' Carmen''.Gourret J. ''Dictionnaire des cantatrices de l'Opera de Paris.'' Editions Albatros, Paris, 1987. In 1933, she made her fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madeleine Sibille
Madeleine Sibille (25 February 1895 – 19 July 1984) was a French operatic dramatic soprano. Sibille was born in Paris. She spent much of her career performing at the Opéra-Comique, making her debut there as Mercédès in '' Carmen'' on 11 January 1920. She created the roles of Milena in Félix Fourdrain's opera ''La Griffe'' at the premiere on 5 November 1923, Vatleen in Rabaud's opera '' L'appel de la mer'' (1924), Béatrice in Rousel's operetta '' Le testament de la tante Caroline'' (1937), la femme du matelos in ''Le pauvre matelot'' (1927), Comtesse Feodora in ''La peau de chagrin'' (1929), as well as taking part in the first performances at the Opéra-Comique of ''The Coronation of Poppea'', ''L'Enfant et les Sortilèges'' and ''Tristan und Isolde''. Sibille also sang Santuzza in Mascagni's ''Cavalleria rusticana ''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
