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Le Rossignol
, description = ''conte lyrique'' , librettist = , based_on = , premiere_date = , premiere_location = Palais Garnier, Paris ''The Nightingale'' (Russian: Соловей – ''Solovyei''; French: ''Le Rossignol'') is a Russian '' conte lyrique'' in three acts by Igor Stravinsky. The libretto, based on the 1843 tale " The Nightingale" by Hans Christian Andersen, was written by the composer and Stepan Mitusov. It was first performed on 26 May 1914 by the Ballets Russes at the Palais Garnier in Paris. Stravinsky had begun work on the opera in 1908, but put it aside for several years after he had received the commission from Sergei Diaghilev for the ballet ''The Firebird''. He completed it in 1914, after he had completed his other two major ballets for Diaghilev, ''Petrushka'' and ''The Rite of Spring''. Because the time between the writing of the first and second acts extended over six years, stylistically the work reflects Stravinsky's signific ...
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Charles Strouse
Charles Strouse (born June 7, 1928) is an American composer and lyricist best known for writing the music to such Broadway musicals as '' Bye Bye Birdie'', ''Applause'', and '' Annie''. Life and career Strouse was born in New York City, to Jewish parents, Ethel (née Newman) and Ira Strouse, who worked in the tobacco business. A graduate of the Eastman School of Music, he studied under Arthur Berger, David Diamond, Aaron Copland and Nadia Boulanger."Charles Strouse"
masterworksbroadway.com, retrieved December 11, 2017
Strouse's first Broadway was ''
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Le Chant Du Rossignol
''Le chant du rossignol'' (English: ''The Song of the Nightingale'') is a symphonic poem written by Igor Stravinsky in 1917. The score is adapted from his earlier work, '' Le rossignol'' (''The Nightingale''), an opera from 1914. The opera, based on Hans Christian Andersen's 1843 tale " The Nightingale", is set in three acts, told from the point of view of a Chinese fisherman. In the orchestral version, Stravinsky mostly uses music from acts two and three. Opera The opera ''Le rossignol'', the first act written in 1908 and the later two in 1913–14, was Stravinsky's first opera. The delay between writing the first and the latter acts was caused by his commissions to write ''The Firebird'', ''Petrushka'', and ''The Rite of Spring'' for impresario Sergei Diaghilev's Ballets Russes. After this lapse of time, during which Stravinsky established himself as a ballet composer, he was unsure of returning to ''Le rossignol'', and although he did finish it, he chose to also create a purel ...
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Aurelia Dobrovolska
Aurelia may refer to: People * Version of feminine given name Aurélie * Aurelia (mother of Caesar) * Aurelia gens, a Roman family * Aurelia Browder, American civil rights activist * Astrud Aurelia, American drag queen Science * ''Aurelia'' (cnidarian), genus of jellyfishes in the family Ulmaridae * Aurelia, synonym for chrysalis * Aurelia (crater), a crater on Venus * 419 Aurelia, an asteroid * Aurelia, a hypothetical Earth-sized planet orbiting a red dwarf star Places * Aurelia, medieval Latin name for Orléans * Aurelia, Iowa, a small city in the United States Arts and entertainment * The title character of Giraudoux's play ''The Madwoman of Chaillot'' * ''Aurelia'' (telenovela), a Mexican telenovela * "Aurelia", a hymn tune for "The Church's One Foundation" by Samuel Sebastian Wesley * "Aurélia", an 1855 novella by Gérard de Nerval * "Aurelia", a 1953 single by The Pelicans * "Aurelia", a track from the 2017 album '' AFI'' by AFI Other uses * Via Aurelia, an Anci ...
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Coloratura Soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ...
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Pierre Monteux
Pierre Benjamin Monteux (; 4 April 18751 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's '' The Rite of Spring'' and other prominent works including '' Petrushka'', '' The Nightingale'', Ravel's '' Daphnis et Chloé'', and Debussy's '' Jeux''. Thereafter he directed orchestras around the world for more than half a century. From 1917 to 1919 Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York. He conducted the Boston Symphony Orchestra (1919–24), Amsterdam Concertgebouw Orchestra (1924–34), Orchestre Symphonique de Paris (1929–38) and San Francisco Symphony (1936–52). In 1961, aged eighty-six, he accepted the chie ...
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Brooklyn Academy Of Music
The Brooklyn Academy of Music (BAM) is a performing arts venue in Brooklyn, New York City, known as a center for progressive and avant-garde performance. It presented its first performance in 1861 and began operations in its present location in 1908. The Academy is incorporated as a New York State not-for-profit corporation. It has 501(c)(3) status. Katy Clark became president in 2015 and left the institution in 2021. David Binder became artistic director in 2019. History 19th and early 20th centuries On October 21, 1858, a meeting was held at the Polytechnic Institute to measure support for establishing "a hall adapted to Musical, Literary, Scientific and other occasional purposes, of sufficient size to meet the requirements of our large population and worth in style and appearance of our city."
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Aix-en-Provence Festival
The Festival d'Aix-en-Provence is an annual international music festival which takes place each summer in Aix-en-Provence, principally in July. Devoted mainly to opera, it also includes concerts of orchestral, chamber, vocal and solo instrumental music. Establishment The first festival took place in July 1948. It was founded by Countess Lily Pastré, who covered the entire costs in 1948.Le Salon de Lily, Hommage à la Comtesse Pastré, mécène
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Robert Lepage
Robert Lepage (born December 12, 1957) is a Canadian playwright, actor, film director, and stage director. Early life Lepage was raised in Quebec City. At age five, he was diagnosed with a rare form of alopecia, which caused complete hair loss over his whole body."History meets personal history for Robert Lepage"
'''', November 12, 2010.
He also struggled with in his teens as he came to terms with being
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Canadian Opera Company
The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs in its own opera house, the Four Seasons Centre for the Performing Arts. For forty years until April 2006, the COC had performed at the O'Keefe Centre (now known as Meridian Hall). History Nicholas Goldschmidt and Herman Geiger-Torel founded the organization in 1950 as the Royal Conservatory Opera Company. Geiger-Torel became the COC's artistic director in 1956 and its general director in 1960. The company was renamed the Canadian Opera Association in 1960, and the Canadian Opera Company in 1977. Geiger-Torel retired from the general directorship in 1976. Lotfi Mansouri was the COC's general director from 1976 to 1988. In 1983, the COC introduced surtitles (supertitles) to their productions, the first company to use them in an opera house. Productions included Joan Sutherland's ...
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Erin Morley
Erin Morley (born October 11, 1980) is an American operatic soprano. Early years Morley was born in Salt Lake City, Utah to David Palmer, a former singer in the Tabernacle Choir, and Elizabeth Palmer, a current concertmaster of the Salt Lake Symphony.Burger, David"Salt Lake City native and Brighton High grad Erin Morley wins big opera prize" ''The Salt Lake Tribune'', 15 April 2013. Retrieved on 29 March 2021. Her first professional singing engagements were with the Utah Symphony with Joseph Silverstein and with the Tabernacle Choir on their worldwide broadcast ''Music & the Spoken Word'' under the baton of Craig Jessop. Morley obtained her undergraduate voice degree from Eastman School of Music, her Master of Music voice degree from the Juilliard School, and her Artist Diploma from the Juilliard Opera Center. Morley also trained at the Opera Theatre of Saint Louis, the Ravinia Festival Steans Institute, and the Wolf Trap Opera Company. Career Morley has performed in New York ...
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Brenda Rae
Brenda Rae is an American operatic soprano who has performed leading roles in opera houses internationally. She was a resident artist at the Frankfurt Opera from 2008 through 2017. She is a featured performer on the Naxos Records 2015 recording of Milhaud's ''L'Orestie d'Eschyle'', which was nominated for the Grammy Award for Best Opera Recording. Life and career Born and raised in Appleton, Wisconsin, Rae is a graduate of the University of Wisconsin–Madison (Bachelor of Music, 2004) and the Juilliard School (Master of Music, 2006). In the summer of 2008, Rae attended the conservatory program at the Music Academy of the West, before joining the Ensemble of the Oper Frankfurt. While a student at Juilliard she portrayed roles in several productions of the Juilliard Opera Center, including Mary Shrike in the world premiere of Lowell Liebermann's ''Miss Lonelyhearts'' (2006), Eurydice in Offenbach's ''Orpheus in the Underworld'' (2006), Arminda in Mozart's '' La finta giardiniera'' ...
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Anthony Michaels-Moore
Anthony Michaels-Moore (born 8 April 1957) is an English operatic baritone and the first British winner of the Luciano Pavarotti International Voice Competition (Philadelphia, 1985). Michaels-Moore has since performed in many of the world's major opera houses across Europe, the Americas, and Asia. He has distinguished himself as a specialist in Verdi and Puccini roles, most renowned for his portrayals of Falstaff, Nabucco, Rigoletto, Simon Boccanegra, Iago in ''Otello'', Germont in ''La traviata'', Sharpless in ''Madama Butterfly'', and Scarpia in ''Tosca''. In addition to the standard repertoire, he has sung and recorded the baritone roles of some of the less-known 19th Century Italian operas, as well as the popular English art song cycles by Stanford and Vaughan Williams. Michaels-Moore currently lives in Santa Fe, New Mexico. He is the first opera singer to provide the voice of Zozobra when he performed the role of old man gloom for the 96th Burning of Zozobra on September 4 ...
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