Le Retour D'un Aventurier
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Le Retour D'un Aventurier
''Le Retour d’un aventurier '' is a 1966 pop art film. In this African-style Western, director Moustapha Alassane delves into African mimicry. Synopsis A man returns home to his village with Western cowboy duds, and forms a gang with his old buddies. Getting into their role, the black cowboys spread panic throughout the village with brawls and robberies Robbery is the crime of taking or attempting to take anything of value by force, threat of force, or by use of fear. According to common law, robbery is defined as taking the property of another, with the intent to permanently deprive the perso .... External links * * 1966 films Nigerien drama films 1966 Western (genre) films {{Niger-film-stub ...
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Moustapha Alassane
Moustapha Alassane (1942–17 March 2015) was a Nigerien filmmaker. Biography Born in 1942 in N’Dougou (Niger), Moustapha Alassane graduated in mechanics. However, in the Rouch IRSH in Niamey he learned the cinematographic technique and thereafter became one of its main proponents. Jean Rouch provided for Alassane’s education and accommodation in Canada, where he met the famous Norman McLaren, who taught him about animation. He was the creator of the first animated films of the sub-Saharan Africa, also directing documentaries and fiction films. He was Head of Cinema Department at the Niamey University for 15 years. Moustapha Alassane directed, in 1962, two shorts inspired in traditional tales: ''Aoure'' and ''La Bague du roi Koda''. Representing African culture (e.g. in ''Deela ou el Barka le conteur'', 1969 and ''Shaki'', 1973), Alassane also employed moral satire (''F.V.V.A., femme, villa, voiture, argent'', 1972), denouncing the thirst for power for “new wealth” in ...
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Zalika Souley
Zalika Souley (7 October 1947 – 27 July 2021) was a Nigerien actress, the first sub-Saharan movie actress, and one of the pioneering actresses of African cinema. Life Aged 19, Zalika played the lead female role in Moustapha Alassane's 1966 film ''Le Retour d'un aventurier''. Most of her later work was for Oumarou Ganda: ''Cabascabo'' (1968), ''Le Wazzou polygame'' (1971), ''Saïtane'' (1972) and ''L'Exilé'' (1980). She also acted in Moustapha Alassane's ''Women Cars Villas Money'' (1972), in Yeo Kozoloa's '' Petanqui'' (1983) and Djingarey Maïga's ''Aube noire'' (1983). Zalika enjoyed the trappings of wealth and fame, achieving notoriety for public behaviour then considered provocative, such as dressing in trousers.Yaba Badoe Yaba Badoe (born 1955) is a Ghanaian-British documentary filmmaker, journalist and author. Career Yaba Badoe was born in Tamale, northern Ghana. She left Ghana to be educated in Britain at a very young age.Beti Ellerson"A Conversation with Y ...
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Djingarey Maïga
Djingarey Alhassane Maïga (born 17 October 1939), is a Mali-born Nigerien film director and actor. He is best known for the animation works such as ''Black Barbie''. He is also worked as a photographer, assistant director, assistant, camera operator. Personal life He was born on 17 October 1939 in Ouatagouna, Mali. After completing education, Maïga moved to Niamey, Niger. Career After moving to Niger, he worked as an electricity reader for the energy company "SAFELEC", which later became Compagnie Nigérienne d'Electricité (NIGELEC). In early 1960s, his passion towards cinema arose during the pioneering days of Nigerien film. In 1966, he got the opportunity to play the leading role in the western film ''Le retour d'un aventurier'' directed by Moustapha Alassane. After that, Maïga acted in many of Alassane's feature films such as ''FVVA: Femme'', ''Voiture'', ''Villa'', ''Argent'' (1972). When the films became popular, Maïga quit from his job at "SAFELEC" in 1971. Then he w ...
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Niger
) , official_languages = , languages_type = National languagesRépublique du Niger, "Loi n° 2001-037 du 31 décembre 2001 fixant les modalités de promotion et de développement des langues nationales." L'aménagement linguistique dans le monde
(accessed 21 September 2016)
, languages = , religion_ref = , religion_year = 2012 , religion = , demonym = Nigerien , capital = , coordinates ...
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Movie
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write thei ...
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African People
The population of Africa has grown rapidly over the past century and consequently shows a large youth bulge, further reinforced by a low life expectancy of below 50 years in some African countries. Total population as of 2020 is estimated at more than 1.3 billion, with a growth rate of more than 2.5% p.a. The total fertility rate (births per woman) for Sub-Saharan Africa is 4.7 as of 2018, the highest in the world according to the World Bank. The most populous African country is Nigeria with over 206 million inhabitants as of 2020 and a growth rate of 2.6% p.a. Population Genetics History Alternative Estimates of African Population, 0–1998 AD (in thousands) Source: Maddison and others. (University of Groningen). Shares of Africa and World Population, 0–2018 AD (% of world total) Source: Maddison and others (University of Groningen) and others. Vital Statistics 1950–2021AD Registration of vital events in most of Africa is incomplete. The website Our World in ...
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Mimicry
In evolutionary biology, mimicry is an evolved resemblance between an organism and another object, often an organism of another species. Mimicry may evolve between different species, or between individuals of the same species. Often, mimicry functions to protect a species from predators, making it an anti-predator adaptation. Mimicry evolves if a receiver (such as a predator) perceives the similarity between a mimic (the organism that has a resemblance) and a model (the organism it resembles) and as a result changes its behaviour in a way that provides a selective advantage to the mimic. The resemblances that evolve in mimicry can be visual, acoustic, chemical, tactile, or electric, or combinations of these sensory modalities. Mimicry may be to the advantage of both organisms that share a resemblance, in which case it is a form of mutualism; or mimicry can be to the detriment of one, making it parasitic or competitive. The evolutionary convergence between groups is driven by th ...
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Cowboy
A cowboy is an animal herder who tends cattle on ranches in North America, traditionally on horseback, and often performs a multitude of other ranch-related tasks. The historic American cowboy of the late 19th century arose from the '' vaquero'' traditions of northern Mexico and became a figure of special significance and legend.Malone, J., p. 1. A subtype, called a wrangler, specifically tends the horses used to work cattle. In addition to ranch work, some cowboys work for or participate in rodeos. Cowgirls, first defined as such in the late 19th century, had a less-well documented historical role, but in the modern world work at identical tasks and have obtained considerable respect for their achievements. Cattle handlers in many other parts of the world, particularly South America and Australia, perform work similar to the cowboy. The cowboy has deep historic roots tracing back to Spain and the earliest European settlers of the Americas. Over the centuries, differences ...
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Gang (group)
A gang is a group or society of associates, friends or members of a family with a defined leadership and internal organization that identifies with or claims control over territory in a community and engages, either individually or collectively, in illegal, and possibly violent, behavior. Definition The word "gang" derives from the past participle of Old English ''gan'', meaning "to go". It is cognate with Old Norse ''gangr'', meaning "journey." It typically means a group of people, and may have neutral, positive or negative connotations depending on usage. History In discussing the banditry in American history, Barrington Moore, Jr. suggests that gangsterism as a "form of self-help which victimizes others" may appear in societies which lack strong "forces of law and order"; he characterizes European feudalism as "mainly gangsterism that had become society itself and acquired respectability through the notions of chivalry". The 17th century saw London "terrorized by a s ...
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Black Cowboys
Black cowboys in the American West accounted for up to an estimated 25% of cowboys "who went up the trail" from the 1860s to 1880s and substantial but unknown percentage in the rest of the ranching industry, estimated to be at least 5000 workers according the latest research. Typically former slaves or born into the families of former slaves, many black men had skills in cattle handling and headed West at the end of the Civil War. Though the industry generally treated black men equally to white men in terms of pay and responsibilities, discrimination persisted, though to a lesser extent than in other industries of the time; historian Kenneth Porter (1994) describes the employment composition of trail parties as: "...A trailherd outfit of about a dozen men would on the average consist of seven or eight whites, including the trail boss, three Negroes—one of whom was probably the cook, while another might be the horse wrangler, and the third would simply be a trail hand—and o ...
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