Le Champo
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Le Champo
Le Champo, in full Le Champo – Espace Jacques-Tati, is an arthouse cinema in the Latin Quarter of Paris. It is notable for being a favorite haunt of important figures in French cinema history. History Situated on the corner of Rue des Écoles and Rue Champollion, the single-screen cinema opened in 1938, replacing a bookshop. In 1956, a second screen opened in the basement, replacing a cabaret theatre. Called Actua-Champo, this screen was dedicated to news broadcasts and had its own entrance. A single entrance was installed in the late 1970s. Plans to close the Champo in the early 2000s were cancelled following popular opposition. Le Champo was frequented by well-known French cineastes of the 1960s and 1970s. These included Claude Chabrol, who called it his "second university", and François Truffaut. Architecture The cinema is noted for its striking art-deco Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, ...
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Arthouse
An art film (or arthouse film) is typically an independent film, aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", containing "unconventional or highly symbolic content". Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholar David Bordwell describes art cinema as "a film genre, with its own distinct conventions". Art film producers usually present their films at special theaters (repertory cinemas or, in the U.S., art- ...
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Latin Quarter, Paris
The Latin Quarter of Paris (french: Quartier latin, ) is an area in the 5th and the 6th arrondissements of Paris. It is situated on the left bank of the Seine, around the Sorbonne. Known for its student life, lively atmosphere, and bistros, the Latin Quarter is the home to a number of higher education establishments besides the university itself, such as : * Paris City University (with the Faculté de Médecine de Paris) ; * Sorbonne University (with Sorbonne and Jussieu university campus) * PSL University (with the École Normale Supérieure - PSL and the École des Mines de Paris - PSL campuses) ; * the lycée Henri-IV, the lycée Louis-le-Grand and the lycée Saint-Louis, known as les trois lycées de la montagne * Panthéon-Assas University ; * Panthéon-Sorbonne University (with the École de droit de la Sorbonne) ; * the Collège de France ; * and the Schola Cantorum. Other establishments such as the École Polytechnique have relocated in recent times to mo ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Claude Chabrol
Claude Henri Jean Chabrol (; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (''nouvelle vague'') group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine ''Cahiers du cinéma'' before beginning his career as a film maker. Chabrol's career began with ''Le Beau Serge'' (1958), inspired by Hitchcock's ''Shadow of a Doubt'' (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in ''Les Biches'' (1968), '' La Femme infidèle'' (1969), and '' Le Boucher'' (1970) – all featuring Stéphane Audran, who was his wife at the time. Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career.< ...
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François Truffaut
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the Cinema of France, French film industry, having worked on over 25 films. Truffaut's film ''The 400 Blows'' (1959) is a defining film of the French New Wave movement, and has four sequels, ''Antoine et Colette'' (1962), ''Stolen Kisses'' (1968), ''Bed and Board (1970 film), Bed and Board'' (1970), and ''Love on the Run (1979 film), Love on the Run'' (1979). Truffaut's 1973 film ''Day for Night (film), Day for Night'' earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include ''Shoot the Piano Player'' (1960), ''Jules and Jim'' (1962), ''The Soft Skin'' (1964), ''The Wild Child'' (1970), ''T ...
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Art-deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in social ...
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