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Laurent Campellone
Laurent Campellone (born January 23, 1972) is a French Conductor (music), conductor. Known around the world for his expertise in the French opera of the Romantic era music, Romantic era, he is often compared to Michel Plasson. Critics consider him today as "one of the best defenders in the world" of this repertoire. He is currently the General Manager of the Tours Opera, Opéra de Tours. Biography Studies Campellone first studied violin, tuba, percussion and singing. While completing his Philosophy studies, he trained as a conductor at the Conservatoire Frédéric Chopin in Paris. In 2001, he was awarded, by unanimous vote, the First Prize at the 8th edition of the EU Young Conductors international Competition, in Spoleto, Italy. Guest conductor Campellone has conducted over 300 different orchestra and lyric works in prestigious opera houses and with renowned orchestras, amongst which the Bolshoi Theatre, Bolshoi of Moscow, where he made his debut in 2012 with a new prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tours Opera
The Tours Opera (, ) is an opera company in Tours, France. It is housed in the , which is its main performance venue. The company administers a choir and the Orchestre Symphonique région Centre-Val de Loire/Tours. Laurent Campellone is its general manager since 2020. History In 1791, during the selling of the biens nationaux, citizen Bucheron acquired the Cordeliers' Church and transformed it into a 800 seats theatre that opened in 1796. At the beginning, both operas (Mozart, Rossini…) and plays (Molière, Marivaux...) where performed. As numerous projects for a new municipal venue were abandoned due to a lack of resources, the city decided to buy Bucheron's theater in 1867. Leon Rohard supervised the renovation and achieved a modern building that burned to the ground eleven years after the inauguration. Following a competition in which Charles Garnier (architect), Charles Garnier was a member of the jury, Jean-Marie Hardion and Stanislas Loison were commissioned by the muni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Symphony Orchestra
The Brazilian Symphony Orchestra ( pt, Orquestra Sinfônica Brasileira, OSB) is a Brazilian orchestra. Founded in 1940, it is located at Avenida Rio Branco, downtown Rio de Janeiro. It is one of the country's foremost orchestras, performing more than 5,000 concerts since its inauguration. History The creation of the OSB was an idea of three teachers of the National School of Music - Djalma Soares, Antão Soares and Antônio Leopardi. Excited by the NBC Orchestra tour of Brazil, under the direction of Arturo Toscanini, they sought the maestro José Siqueira to take the initiative. With the support of corporate and political personalities and with special publicity in the newspaper O Globo, the OSB emerged as a corporation in 1940. The inaugural concert was on Thursday, 11 July 1940, a date chosen in honor of the composer Carlos Gomes. As their first artistic director was nominated the Hungarian conductor exiled in Brazil, Eugen Szenkar. Members Directors * Eugen Szenkar (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Reine De Saba
''La reine de Saba'' (''The Queen of Sheba'') is a grand opera in four or five acts by Charles Gounod to a libretto by Jules Barbier and Michel Carré inspired by Gérard de Nerval's ''La Reine de Saba'', in '' Le voyage en Orient''. It was premiered at the Salle Le Peletier by the Paris Opera on February 28, 1862. The magnificent first production was directed by Eugène Cormon, with costumes designed by Alfred Albert and Paul Lormier, and scenery by Édouard Desplechin (Act I), Charles-Antoine Cambon and Joseph Thierry (Acts II and IV, scene 2), Hugues Martin (Act III), and Joseph Nolau and Auguste Alfred Rubé (Act IV, scene 1). Roles Synopsis Act 1 ''The workshop of Adoniram in Jerusalem'' Adoniram, sculptor and architect of Soliman's temple, prays to Tubal-cain, who was the first metal-worker according to the Bible, for help in his latest monumental project, the forging of an enormous bowl, a "sea of bronze" (Air: ''"Inspirez-moi, race divine!''"). Three of Adoniram's wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyeucte (opera)
'' Polyeucte'' () is an ''opéra'' by Charles Gounod based on the play about Saint Polyeuctus by Pierre Corneille. The libretto by Jules Barbier and Michel Carré is more faithful to its source than ''Les martyrs'', Scribe's adaptation for Donizetti, and Gounod hoped to express "the unknown and irresistible powers that Christianity has spread among humanity". The subject had occupied Gounod for some ten years. An initial delay was caused by a fire which destroyed the theatre of the Paris Opéra, the Salle Le Peletier, in October 1873. Further delay came about because the first draft remained in the hands of the jealous Georgina Weldon when Gounod left England in 1874 to return to Paris. He had to resort to a lawsuit before resigning himself to recomposing the work from memory, although towards the end of that endeavor, Weldon did return it. The opera finally premiered at the Opéra's new house, the Palais Garnier on 7 October 1878, in stage sets designed by Jean Émile Daran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariane (Massenet)
''Ariane'' is an opera in five acts by Jules Massenet to a French libretto by Catulle Mendès after Greek mythology (the tale of Ariadne). It was first performed at the Palais Garnier in Paris on 31 October 1906, with Lucienne Bréval in the title role. History Although not a proper sequel, as Ariane dies in both pieces, Massenet's later opera, ''Bacchus'' is a companion to ''Ariane'', containing a number of common characters and the same librettist. ''Ariane'' has never maintained popularity and belongs to Massenet's later works that were considered outmoded for their date of composition. The piece did, however, inspire this quote from the great French composer Gabriel Fauré: "''Ariane'', a noble, great and moving work..." The opera was performed during Massenet's life-time, then was dropped from the repertoire, receiving only limited revivals in 1937 (21 February and 27 August 1937) at the Paris Opéra. Recently it has received performances in a new production at the Mass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sapho (Massenet)
("lyric play", an opera in a declamatory style) in five acts. The music was composed by Jules Massenet to a French libretto by Henri Cain and Arthur Bernède, based on the novel (1884) of the same name by Alphonse Daudet. It was first performed on 27 November 1897 by the Opéra Comique at the Théâtre Lyrique on the Place du Châtelet in Paris with Emma Calvé as Fanny Legrand. A charming and effective piece, the success of which is highly dependent on the charisma of its lead soprano, it has never earned a place in the standard operatic repertory. Performance history In its first production in 1897 ''Sapho'' was presented in a heavily truncated form of four tableaux, due to the limited availability of Calvé, as well as the approaching death of Daudet (who was a close friend of Massenet), and the acting deficiencies of the tenor Leprestre, who was playing the romantic lead role of Jean Gaussin. In this initial run at the Opéra-Comique, the opera received 42 performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival De Musique De La Chaise-Dieu
The La Chaise-Dieu Music Festival is a classical music festival that takes place every year at the end of August. It is essentially devoted to sacred music and takes place mainly in the Abbey of La Chaise-Dieu. In 2016, the Festival celebrated its 50th anniversary. History Georges Cziffra (1921–1994), the famous Hungarian pianist, is at the initiative of a festival in La Chaise-Dieu, after having discovered the abbey church and its organ, during a private stay at the home of Dr. Georges Mazoyer and his wife Suzanne. Accompanied by his son, György Cziffra (1942–1981), a conductor, he gave several recitals and concerts from 1966 onwards. It was Suzanne Mazoyer who, while travelling by car, saw Abbey of La Chaise-Dieu and told her husband: this is where the festival should be held. The mechanism of the abbey church organ was then in ruins and Master Cziffra agreed, on the proposal of the Mazoyer couple, to give some concerts and to donate the fees received to the reconstructi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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