Largo Al Factotum
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Largo Al Factotum
"" (Make way for the factotum) is an aria from ''The Barber of Seville'' by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of operatic singing. The term "factotum" refers to a general servant and comes from Latin where it literally means "do everything". Music \addlyrics \new Staff \with Because of the constant singing of eighth notes in meter at an allegro vivace tempo, the piece is often noted as one of the most difficult baritone arias to perform. This, along with the tongue-twisting nature of some of the lines, insisting on Italian superlatives (always ending in " ''-issimo''"), have made it a ''pièce de résistance'' in which a skilled baritone has the chance to highlight all of his qualities. The aria is written in C major. The voice range covers D3 to G4 (optional A4), with a very high tessitura. For this reason, a few dramatic tenors have also sung t ...
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Riccardo Stracciari
Riccardo Stracciari (June 26, 1875 – October 10, 1955) was a leading Italian baritone. His repertoire consisted mainly of Italian operatic works, with Rossini's Figaro and Verdi's Rigoletto becoming his signature roles during a long and distinguished career which stretched from 1899 to 1944. Life and career Born in Casalecchio di Reno near Bologna, Italy, Stracciari first sang in an operetta chorus during 1894. He then entered the Bologna Conservatory, undertaking vocal studies with Umberto Masetti. He made his professional debut in 1899, at the Teatro Communale in Bologna, in Pesori's sacred work ''La risurrezione di Christo''. The following year he made his operatic debut as Marcello in Puccini's ''La bohème'' in Rovigo. After appearing in various Italian opera houses, he made his debut at Italy's leading operatic venue, La Scala, Milan, in 1904. Stracciari's career quickly became international, with debuts at the Royal Opera House in London in 1905, followed by hi ...
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Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ...
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Porky Pig
Porky Pig is an animated character in the Warner Bros. ''Looney Tunes'' and ''Merrie Melodies'' series of cartoons. He was the first character created by the studio to draw audiences based on his celebrity, star power, and the animators created many critically acclaimed shorts featuring the character. Even after he was supplanted by later characters, Porky continued to be popular with moviegoers and, more importantly, the Warners directors, who recast him in numerous everyman and sidekick roles. He is known for his signature line at the end of many shorts, "Th-th-th-that's all, folks!" This slogan (without stuttering) had also been used by both Bosko and Buddy (Looney Tunes), Buddy and even Beans (Looney Tunes), Beans at the end of Looney Tunes cartoons. In contrast, the Merrie Melodies series used the slogan: ''So Long, Folks!'' until the mid-1930s when it was replaced with the same one used on the ''Looney Tunes'' series (when Bugs Bunny was the closing character, he would break ...
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Notes To You
''Notes to You'' is a 1941 Warner Bros. ''Looney Tunes'' cartoon directed by Friz Freleng. The short was released on September 20, 1941, and stars Porky Pig. This cartoon was remade in 1948, as '' Back Alley Oproar'', with Elmer Fudd in Porky's role and Sylvester as the musical cat. Along with ''All This and Rabbit Stew'', the film was completed and shipped on September 2, 1941. Plot When Porky tries to go to sleep, a cat starts singing ''Largo al factotum'' from ''The Barber of Seville'' in his back yard. Porky then starts throwing objects at the cat and finally hits him with a vase. The cat starts singing ''When Irish Eyes Are Smiling'' at Porky, and Porky throws a book at him, causing the cat to yowl in pain. Porky attempts to return to bed only for the cat to throw the book back and continue the song, as Porky closes the window in retaliation. Porky's phone rings and he answers it; the caller is revealed to be the cat finishing the song. Furious, Porky grabs a shotgun and ...
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Hungarian Rhapsody No
Hungarian may refer to: * Hungary, a country in Central Europe * Kingdom of Hungary, state of Hungary, existing between 1000 and 1946 * Hungarians, ethnic groups in Hungary * Hungarian algorithm, a polynomial time algorithm for solving the assignment problem * Hungarian language, a Finno-Ugric language spoken in Hungary and all neighbouring countries * Hungarian notation, a naming convention in computer programming * Hungarian cuisine Hungarian or Magyar cuisine is the cuisine characteristic of the nation of Hungary and its primary ethnic group, the Magyars. Traditional Hungarian dishes are primarily based on meats, seasonal vegetables, fruits, bread, and dairy products. ..., the cuisine of Hungary and the Hungarians See also * * {{disambiguation Language and nationality disambiguation pages ...
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Swain
Swain, Swains or Swain's may refer to: Places * Swain Islands, Antarctica * Swain's Island (Newfoundland and Labrador), Canada * Swains Island, an atoll in the Tokelau chain, American Samoa * Swain County, North Carolina, United States * Swains Lake, New Hampshire, United States Other uses * Swain (surname) * Swain (horse), a European Thoroughbred racehorse * Swain School of Design, a former non-profit educational institution now part of the University of Massachusetts Dartmouth See also * Sweyn Sweyn is a Scandinavian masculine given name which may refer to: Kings: * Sweyn Forkbeard (960–1014), King of Denmark, England, and Norway as Sweyn I * Sweyn or Svein Knutsson (c. 1016–1035), King of Norway as Sweyn II * Sweyn II of Denmark (10 ...
, a Scandinavian given name {{disambiguation, geo ...
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Natalia Macfarren
Sir George Alexander Macfarren (2 March 181331 October 1887) was an English composer and musicologist. Life George Alexander Macfarren was born in London on 2 March 1813 to George Macfarren, a dancing-master, dramatic author and journalist, who later became the editor of the ''Musical World'', and Elizabeth Macfarren, ''née'' Jackson.Brown (2004). At the age of seven, Macfarren was sent to Dr. Nicholas's school in Ealing, where his father was dancing-master; the school numbered among its alumni John Henry, Cardinal Newman and Thomas Henry Huxley.Banister (1891), 10. His health was poor, however, and his eyesight weak, so much so that he was given a large-type edition of the Bible and had to use a powerful magnifying-glass for all other reading. He was withdrawn from the school in 1823 to undergo a course of eye treatment. The treatment was unsuccessful, and his eyesight progressively worsened until he became totally blind in 1860. However, his blindness had little effect on hi ...
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Piano–vocal Score
A vocal score or piano–vocal score is a music score of an opera, or a vocal or choral composition written for orchestral accompaniment, such as an oratorio or cantata. In a piano–vocal score, the vocal parts are written out in full, but the accompaniment is reduced and adapted for keyboard (usually piano). The music is usually reduced to two staves; however, more staves, a second keyboardist (piano four hands), or a second keyboard part can be added, as needed. There are two main types of piano–vocal scores. The first kind consists of those scores created by a composer in the process of composing, usually as a harmonic map or "sketch" of the piece to be later orchestrated. The second category includes scores that are arrangements or transcriptions made after the completion of the work, usually by someone other than the composer. Piano–vocal scores are generally created to enable a conductor or choir leader to rehearse the singers with a piano accompanist before th ...
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Cockaigne
Cockaigne or Cockayne () is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. Specifically, in poems like ''The Land of Cockaigne'', it is a land of contraries, where all the restrictions of society are defied (abbots beaten by their monks), sexual liberty is open (nuns flipped over to show their bottoms), and food is plentiful (skies that rain cheese). Writing about Cockaigne was commonplace in Goliard verse. It represented both wish fulfillment and resentment at scarcity and the strictures of asceticism. Etymology While the first recorded uses of the word are the Latin ''Cucaniensis'' and the Middle English ''Cokaygne'', one line of reasoning has the name tracing to Middle French ''(pays de) cocaigne'' "(land of) plenty", ultimately adapted or derived from a word for a small sweet cake sold to children at a fai ...
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Cesare Sterbini
Cesare Sterbini (1784 – 19 January 1831) was an Italian writer and librettist. Possessing a deep knowledge of classical and contemporary culture, philosophy, linguistics, he was fluent in Greek, Latin, Italian, French and German. He is best known as the librettist for two operas by Gioachino Rossini: ''Torvaldo e Dorliska'' (1815) and ''The Barber of Seville'' (1816). An official in the Pontifical Administration, he also set poetry to music as an amateur. He wrote the libretto to the opera '' Il Contraccambio'' to the music of Giacomo Cordella in 1819, and the opera '' Isaura and Ricciardo'' to the music of Francesco Basili in 1820.Cesare Sterbini http://www.treccani.it/enciclopedia/cesare-sterbini_%28Dizionario-Biografico%29/ He died in Rome on 19 January 1831. Libretti *''Paolo e Virginia'', cantata, music by Vincenzo Migliorucci (1812) *''Torvaldo e Dorliska'', dramma semiserio, music by Gioachino Rossini (1815). *''The Barber of Seville'', opera buffa, music by Gioac ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a ''lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum an ...
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