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Lalezar Ensemble
The Lalezar Ensemble is a musical ensemble which performs Ottoman classical music. It is based in Istanbul, and is "spearheading" the revival of Ottoman music. Female vocalist Selma Sagbas stands in for the male castrati who were traditional from the 16th-19th centuries while the kanun, a Turkish board zither, is also featured. Releases They released a four volume series on the Traditional Crossroads label: *''Music of the Sultans, Sufis & Seraglio, Vol. 1 - Sultan Composers'' ::Consisting of songs and pieces composed by imperial sultans, including Murad IV, Selim III, and Mehmed VI, over five centuries. *''Music of the Sultans, Sufis & Seraglio, Vol. 2 - Music of the Dancing Boys'' ::Consisting of songs sung originally sung by köçek dancers, cross-dressed young male entertainers. *''Music of the Sultans, Sufis & Seraglio, Vol. 3 - Minority Composers'' ::Consisting of songs and pieces composed by Armenian, Greek, and Jewish composers, including relatively recent pieces. *''Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo ( harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-dress
Cross-dressing is the act of wearing clothes usually worn by a different gender. From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and self-express oneself. Cross-dressing has played an important part in society due to the nature of sociology. Sociology dictates that social norms are an inherent part of society and, thus, there are expected norms for each gender relating to style, color, type of clothing and more. Thus, cross-dressing allows individuals to express themselves by acting beyond guidelines, views, or even laws defining what type of clothing is expected and appropriate for each gender. The term "cross-dressing" refers to an action or a behavior, without attributing or implying any specific causes or motives for that behavior. Cross-dressing is not synonymous with being transgender. Terminology The phenomenon of cross-dressing is seen throughout recorded history, being referred to as far back as the Hebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Hagopian
Harold G. Hagopian is an American violinist, entrepreneur, record producer and founder of Traditional Crossroads world music record label in 1993. Biography Hagopian is the son of Armenian-American oud virtuoso Richard Hagopian. His paternal grandparents fled the Armenian genocide and settled in California. He was raised on the family’s grape farm in Fresno where he discovered his love for music at a very young age. He was playing the drum along with his father at the age of 4 and continued his interest in music until he found his passion in violin playing at just 5 years old. Hagopian graduated from The Juilliard School in 1988 with a B.M. in classical violin. Career Musician During his undergraduate studies, Hagopian performed with the Juilliard orchestra. He also went to Russia where he practiced violin with local musicians in a Haydn quartet. In 1994, he performed with the Tulare County Symphony in California. The late Alan Hovhaness had written a violin concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Şarkı
A ''şarkı'' is an art song in Ottoman classical music which forms one of the movements of a ''fasıl The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', ''peşrev'', '' kâr'', '' beste'', '' ağır semâ'î'', '' y ...'' (suite). It is performed with an '' usul'' (metric structure). This kind of song is rarely performed today. In modern Turkish, ''şarkı'' is the common word for any song, Turkish or foreign. Turkish music Vocal music Turkish words and phrases Musical forms {{song-stub tr:Şarkı (edebiyat) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition (''beste'', ''şarkı'', ''peşrev'', ''âyin'', etc.) or a spontaneous composition (''gazel'', ''taksim'', recitation of ''Kuran-ı Kerim'', ''Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Comparison in use in Turkish classical to folk music Turkish Classical Music and Turkish Folk Music are both based on modal systems. Makam is the name of the scale in classical music, while Ayak is the name of the scale in folk music. Makam and Ayak are similar; following are some examples: Yahyalı Kerem Ayağı : Hüseyni Makamı Garip Ayağı : Hicaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisation
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals. Engineering Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, or the use of a knife in place of a screwdriver to turn a screw. Engineering improvisations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasil (music)
Fasil (or Fasıl, Faisal) often refers to Fasilides (1603–1667), and it may also refer to: Music * ''Fasıl'', a suite in Ottoman classical music People with the name Fasil Given name * Fasilides (1603–1667), the former Emperor of Ethiopia * Faisal Al-Dakhil (born 1957), Kuwaiti footballer * Fasil Assefa (born 1984), Ethiopian painter * Fasil Bizuneh (born 1980), German-born American long-distance runner * Fasil Gerbremichael (born 2000), Ethiopian footballer Surname * Serkalem Fasil (born 1978), Ethiopian journalist and newspaper publisher * Fahadh Faasil (born 1982), Indian actor and film producer Places * Fasıl, Beypazarı, a neighborhood in Turkey * Fasıl, Bolu, a village in Turkey * Fasil Ghebbi, fortress in Gondar, Ethiopia Sports * Fasil Kenema S.C. Fasil Kenema Sport Club (Amharic: ፋሲል ከነማ ስፖርት ክለብ), also known as Fasil City, is a professional Ethiopian football club based in Gondar, Amhara Region. They play in the Ethiopi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köçek
The ''köçek'' (plural in Turkish) was typically a very handsome young male slave or a Romani dancer (''rakkas''), who usually cross-dressed in feminine attire, and was employed as an entertainer. Roots The Persian word ''kuchak'' derives itself from Turkish ''küçük'' meaning "little", "small", or "young". In the Crimean Tatar language, the word ''köçek'' means "baby camel". The culture of the ''köçek'', which flourished from the 17th to the 19th century, had its origin in the customs in Ottoman palaces, and in particular in the harems. Its genres enriched both the music and the dance of the Ottomans. The support of the Sultans was a key factor in its development, as the early stages of the art form was confined to palace circles. From there the practice dispersed throughout the Empire by means of independent troupes. Culture A ''köçek'' would begin training around the age of seven or eight after he was circumcised and would be considered accomplished afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Classical Music
Ottoman music ( tr, Osmanlı müziği) or Turkish classical music ( tr, Türk sanat müziği) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called ''makam'', ''dastgah'' or ''echos'', are a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents respectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehmed VI
Mehmed VI Vahideddin ( ota, محمد سادس ''Meḥmed-i sâdis'' or ''Vaḥîdü'd-Dîn''; tr, VI. Mehmed or /; 14 January 1861 – 16 May 1926), also known as Şahbaba () among the Osmanoğlu family, was the 36th and last Sultan of the Ottoman Empire, reigning from 4 July 1918 until 1 November 1922, when the Ottoman Empire was dissolved after World War I and replaced by the Republic of Turkey on 29 October 1923. The brother of Mehmed V, he became heir to the throne in 1916, after the suicide of Abdülaziz's son, Şehzade Yusuf Izzeddin, as the eldest male member of the House of Osman. He acceded to the throne after the death of Mehmed V. He was girded with the Sword of Osman on 4 July 1918 as the thirty-sixth ''padishah''. His father was Sultan Abdulmejid I, and his mother was Gülistu Kadın (1830–1865). She was of Georgian- Abkhazian origin, the daughter of Prince Tahir Bey Chachba, who was originally named Fatma Chachba. After her death, Mehmed was adopted by Şay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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