|
Lakshminarasimha Temple, Haranhalli
The Lakshminarasimha temple at Haranhalli, sometimes referred to as Lakshmi Narasimha temple of Haranhalli, is one of two major historic Hindu temples that have survived in Haranhalli, Karnataka, India. It is triple-shrine temple dedicated to Vishnu, while the other – Someshvara Temple, Haranhalli few hundred meters to the east – is dedicated to Shiva. Both temples reflect a Vesara-style Hoysala architecture, share similar design ideas and features, and were completed in the 1230s by three wealthy brothers – Peddanna Heggade, Sovanna and Kesanna.Foekema (1996), pp. 67–70 According to the inscriptions found near the temple and in the village, the temple was originally dedicated to and named after Kesava – also Vishnu, but over its history was renamed as the Lakshminarasimha temple. The temple is notable for its artwork and for including architectural features typically found in late Chalukya and early Hoysala periods. The Lakshminarasimha temple is a protected monu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karnataka
Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnataka'' in 1973. The state corresponds to the Carnatic region. Its capital and largest city is Bengaluru. Karnataka is bordered by the Lakshadweep Sea to the west, Goa to the northwest, Maharashtra to the north, Telangana to the northeast, Andhra Pradesh to the east, Tamil Nadu to the southeast, and Kerala to the southwest. It is the only southern state to have land borders with all of the other four southern Indian sister states. The state covers an area of , or 5.83 percent of the total geographical area of India. It is the sixth-largest Indian state by area. With 61,130,704 inhabitants at the 2011 census, Karnataka is the eighth-largest state by population, comprising 31 districts. Kannada, one of the classical languages of India, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshminarayana Temple, Hosaholalu
The Lakshminarayana Temple is a 13th-century Hindu temple with Hoysala architecture in Hosaholalu, Mandya district of Karnataka, India. Dedicated to Vishnu, this three-shrine monument is notable for its finely carved plinth (''adhisthana'') with panels of the ''Ramayana'', the ''Mahabharata'' and the ''Bhagavata Purana''. It has one of the most beautifully embellished Hoysala tower projection (''sukanasa'') that integrates the Dravida motifs with asta-bhadra Bhumija motifs from central India. Also notable are polish and jewelry-like carvings inside the temple's ''mandapa''. Location and date The town of Hosaholalu is about southeast of Hassan and northwest of the heritage city of Mysore, the cultural capital of Karnataka state.Foekema (1996), pp. 71-72 The temple was built by King Vira Someshwara of the Hoysala Empire in 1250 C.E. It lacks a foundation inscription. The dating of the temple is based on the style of the sculptures and architecture that compares closely with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aedicula
In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. Aediculae are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes'', a temple building or dwelling place. The Latin word has been Anglicised as "aedicule" and as "edicule". Classical aediculae Many aediculae were household shrines (lararia) that held small altars or statues of the Lares and Di Penates. The Lares were Roman deities protecting the house and the family household gods. The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eaves
The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural style, such as the Chinese dougong bracket systems. Etymology and usage According to the ''Oxford English Dictionary'', ''eaves'' is derived from the Old English (singular), meaning "edge", and consequently forms both the singular and plural of the word. This Old English word is itself of Germanic origin, related to the German dialect ''Obsen'', and also probably to ''over''. The Merriam-Webster dictionary lists the word as ''eave'' but notes that it is "usually used in plural". Function The primary function of the eaves is to keep rain water off the walls and to prevent the ingress of water at the junction where the roof meets the wall. The eaves may also protect a pathway around the building from the rain, prevent erosion of the footin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalasha
A kalasha, also spelled kalash or kalasa, also called ghat or ghot ( sa, कलश , Telugu: కలశము Kannada: ಕಳಶ literally "pitcher, pot"), is a metal (brass, copper, silver or gold) pot with a large base and small mouth, large enough to hold a coconut. Sometimes "kalasha" also refers to such a pot filled with water and topped with a coronet of mango leaves and a coconut. This combination is often used in Hindu rites and depicted in Hindu iconography. The entire arrangement is called Purna-Kalasha (), Purna-Kumbha (), or Purna-ghata (). Each of these names literally means "full or complete vessel" when the pot is referred to as the Kalasha (to avoid confusion, this article will refer to the pot as Kalasha and the entire arrangement as Purna-Kalasha). Sometimes the Kalasha is filled with coins, grain, gems, gold, or a combination of these items instead of water. The coronet of 5, 7, or 11 mango leaves is placed such that the tips of the leaves touch water in the Kal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmi Narasimha
Lakshmi Narasimha () is an iconographical depiction of Narasimha, the fourth avatar of Vishnu, with his consort Lakshmi, the goddess of prosperity. It is one of the five iconographical forms of Narasimha, among Jvala Narasimha, Gandaberunda Narasimha, Ugra Narasimha, and Yoga Narasimha. Legend In an alternate iteration of the legend of Narasimha, after he slays Hiranyakashipu, his fury is still unabated. The deity is enraged that his virtuous devotee, Prahlada, is traumatised by the violent deeds of his own father. Despite the fact that the devas sing his praises and extol his glories, he remains unpacified. The devas proceed to pray to Lakshmi, who appears before her consort. She soothes Narasimha, assuring him that both his devotee and the world had been saved. Hearing his wife's words, the deity is pacified, and his appearance also becomes more benign. As a result, Lakshmi Narasimha is venerated as a representation of gentleness and peace. Iconography Narasimha is depicte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keshava
Keshava (Sanskrit: ') is an epithet of Vishnu in Hindu tradition. Keshava means Parabrahman, according to Hindu scriptures. The name appears as the 23rd and 648th names in the Vishnu Sahasranama of the Mahabharata. Keshava is also venerated by those persons wanting to avert bad luck or ill-omens. His consort is Keerti (Lakshmi). Etymology Keshava means "the one with beautiful long (unshorn) hair" or "killer of the Keshi demon". According to the Padma Purana, the name refers to Krishna's long, beautiful, looking unshorn hair. Referring to Sangraha Ramayana of Narayana Panditacharya, Authors Meenakshi Bharat and Madhu Grover says that "The name Keshava refers to Vishnu. The letter 'Ka' refers to Brahma and 'Isha' refers to Shiva. The word Keshava refers to one who animates both Brahma and Shiva". Literature A verse from the Vishnu Sahasranama mentions Keshava: In Bhagavad Gita, Arjuna uses the name KeshavaMaharishi Mahesh Yogi on the Bhagavad-Gita, a New Translat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopal (Krishna)
Gopala Krishna ( sa, गोपालकृष्ण, translit=Gopālakṛṣṇa, lit=cow-protector Krishna) refers to a form of the Hinduism, Hindu deity Krishna, as featured in the Harivamsa, Harivamsha and the Puranas. The narratives of Gopala Krishna are set in the cowherd settlement of the Braj, Vraja region called Gokul, Gokulam, where he is raised by his foster-parents, Nanda (Hinduism), Nanda and Yashoda. Historically one of the earliest forms of worship in Krishnaism, it is believed to be a key element of the early history of the worship of Krishna. This tradition is considered separate from the associated traditions of Bala Krishna and Radha Krishna, that led to amalgamation under Bhagavatism at a later stage of historical development. Literature The Bhagavata Purana, speculated to have been composed in South India during the 9th-10th centuries CE, as well as the Harivamsa, Harivamsha, a text that supplements the Mahabharata, are the primary sources that describe the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestibule (architecture)
A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule ( la, vestibulum) was a partially enclosed area between the interior of the house and the street. Ancient usage Ancient Greece Vestibules were common in ancient Greek temples. Due to the construction techniques available at the time, it was not possible to build large spans. Consequently, many entranceways had two rows of columns that supported the roof and created a distinct space around the entrance. In ancient Greek houses, the prothyru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.JPG "Click for more on -> Relief")
.jpg "Click for more on -> Gopal (Krishna)")
.jpg "Click for more on -> Vestibule (architecture)")