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Lady Rokujō
is a fictional character in '' The Tale of Genji'' (''Genji Monogatari''). She is a mistress of the novel's protagonist, Hikaru Genji, with whom she becomes infatuated with and jealous of his other lovers. Her jealousy subconsciously causes her ''ikiryō'' (wandering spirit) to become a Shiryo (also known as a ''Yūrei'') that attacks and murders multiple other mistresses and wives of Genji. Lady Rokujō is a relatively minor character in the novel. She appears in chapters Kiritsubo, Hana no En, Sakaki, Miotsukushi and Wakana. Outside of these chapters, Lady Rokujō has little mention or influence on the novel. Lady Rokujō is also the protagonist of two Nōh dramas. In ''Nonomiya'' ("The Shrine in the Fields")'','' Lady Rokujō pretends to be a village woman who tells a traveling monk of Lady Rokujō’s story. In ''Aoi no Ue'' ("Lady Aoi"), Lady Rokujō possesses Genji's wife, Lady Aoi, out of jealousy, causing Lady Aoi to fall ill. ''Aoi no Ue'' was later adapted into a mode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokusai Aoinoue
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azusa Yumi
An is a sacred bow (''yumi'') used in certain Shinto rituals in Japan, as well as a Japanese musical bow, made from the wood of the Japanese or Japanese cherry birch tree (''Betula grossa''). Playing an ''azusa yumi'' forms part of some Shinto rituals; in Japan, it is believed that merely the twanging of the bowstring will frighten ghosts and evil spirits away from a house. In Japanese poetry, the word ''azusa yumi'' functions as a makurakotoba ("pillow word", a kind of epithet). The story is told in Japanese mythology that a golden bird perched on the bow of Emperor Jimmu, the great-grandson of the sun goddess Amaterasu, and the first human ruler of Japan. This was seen as an extremely good omen; Jimmu's bow developed the power to dispel evil by the mere plucking of its string. His bow was made of ''azusa'' wood, specifically the ''Betula grossa'' or Japanese cherry birch. See also * Apotropaic magic * Amulet * Talisman * Omamori ( 御守 or お守り) * Ofuda ( 御札/ お ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kami
are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the spirits of venerated dead people. Many ''kami'' are considered the ancient ancestors of entire clans (some ancestors became ''kami'' upon their death if they were able to embody the values and virtues of ''kami'' in life). Traditionally, great leaders like the Emperor could be or became ''kami''. In Shinto, ''kami'' are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. ''Kami'' are believed to be "hidden" from this world, and inhabit a complementary existence that mirrors our own: . To be in harmony with the awe-inspiring aspects of nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinto
Shinto () is a religion from Japan. Classified as an East Asian religion by scholars of religion, its practitioners often regard it as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners ''Shintoists'', although adherents rarely use that term themselves. There is no central authority in control of Shinto, with much diversity of belief and practice evident among practitioners. A polytheistic and animistic religion, Shinto revolves around supernatural entities called the . The are believed to inhabit all things, including forces of nature and prominent landscape locations. The are worshiped at household shrines, family shrines, and ''jinja'' public shrines. The latter are staffed by priests, known as , who oversee offerings of food and drink to the specific enshrined at that location. This is done to cultivate harmony between humans and and to solicit the latter's blessing. Other common rituals include the dances, rites of pass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murasaki
''Murasaki'' refers to the heroine of '' The Tale of Genji'' (), after whom the book's author, Murasaki Shikibu, was named by her contemporaries. She was a lady in waiting at the Imperial Court of Japan, around the year 1000. Murasaki Shikibu's given name remains unknown to this day. The word Shikibu is actually no name, but refers to the rank of her father, who was in the Emperor's service as provincial governor. The Name Murasaki The name remained a pseudonym, as due to court manners of the author's time (the Heian period, 794–1185), it was considered unacceptably familiar and vulgar to freely address people by either their personal or family names; within the novel, the character herself, too, is unnamed, as most of the book's characters are never identified by any name, but by their rank and title (in the case of male persons), the rank and title of their male relatives (in the case of female persons), or after the name of their habitation (in the case of the great cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ise Grand Shrine
The , located in Ise, Mie Prefecture of Japan, is a Shinto shrine dedicated to the sun goddess Amaterasu. Officially known simply as , Ise Jingū is a shrine complex composed of many Shinto shrines centered on two main shrines, and . The Inner Shrine, Naikū (also officially known as "Kōtai Jingū"), is located in the town of Uji-tachi, south of central Ise, and is dedicated to the worship of Amaterasu, where she is believed to dwell. The shrine buildings are made of solid cypress wood and use no nails but instead joined wood. The Outer Shrine, ''Gekū'' (also officially known as "Toyouke Daijingū"), is located about six kilometers from Naikū and dedicated to Toyouke-Ōmikami, the god of agriculture, rice harvest and industry. Besides Naikū and Gekū, there are an additional 123 Shinto shrines in Ise City and the surrounding areas, 91 of them connected to Naikū and 32 to Gekū. Purportedly the home of the Sacred Mirror, the shrine is one of Shinto's holiest and most imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian-kyō
Heian-kyō was one of several former names for the city now known as Kyoto. It was the official capital of Japan for over one thousand years, from 794 to 1868 with an interruption in 1180. Emperor Kanmu established it as the capital in 794, moving the Imperial Court there from nearby Nagaoka-kyō at the recommendation of his advisor Wake no Kiyomaro and marking the beginning of the Heian period of Japanese history. According to modern scholarship, the city is thought to have been modelled after the urban planning for the Tang dynasty Chinese capital of Chang'an (modern-day Xi'an).. It remained the chief political center until 1185, when the samurai Minamoto clan defeated the Taira clan in the Genpei War, moving administration of national affairs to Kamakura and establishing the Kamakura shogunate. Though political power would be wielded by the samurai class over the course of three different shogunates, Heian remained the site of the Imperial Court and seat of Imperial p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady Aoi
''The Lady Aoi'' is a play written by Yukio Mishima in 1954 which appears in his ''Five Modern Noh Plays''. It modernizes the noh drama ''Aoi no Ue''. English Version Donald Keene has translated this play into English. Notable productions Bahram Beyzai produced this play in Persian in Tehran Tehran (; fa, تهران ) is the largest city in Tehran Province and the capital of Iran. With a population of around 9 million in the city and around 16 million in the larger metropolitan area of Greater Tehran, Tehran is the most popul ... in 1998. References Plays by Yukio Mishima 1954 plays {{1950s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yukio Mishima
, born , was a Japanese author, poet, playwright, actor, model, Shintoist, Nationalism, nationalist, and founder of the , an unarmed civilian militia. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968, but the award went to his countryman and benefactor Yasunari Kawabata. His works include the novels and , and the autobiographical essay . Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of Japanese literature, traditional Japanese and modern Western literature, Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", according to author Andrew Rankin. Mishima's political activities made him a controversial figure, which he remains in modern Japan. From his mid-30s, Mishima's Right-wing politics, right-wing ideology was increasingly revealed. He was proud of the traditional culture and spirit of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
