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La Villanella Rapita
''La villanella rapita'' (''The Abducted Country Girl'') is an ''opera giocosa'' in two acts by Francesco Bianchi. The libretto was by Giovanni Bertati. Performance history The opera was first performed at the Teatro San Moisè in Venice in the autumn of 1783. It was then given at the Eszterháza Theater in Süttör on 29 August 1784. It was also produced at the Little Theatre in the Haymarket in London under on 27 February 1790. A pasticcio with the same title, with some music by Bianchi as well as Paisiello, Guglielmi, Giacomo Gotifredo Ferrari, Sarti and Soler was performed at Théâtre Feydeau in Paris on 5 June 1789. Mozart additions Mozart contributed a vocal quartet, "Dite almeno in che mancai?", K. 479, and a vocal terzet, "Mandina amabile", K. 480, for a performance at the Burgtheater in Vienna on 1785. (The former work was first heard in public on 5 November, and the latter on 28 November.) The singers involved were Vincenzo Calvesi Vincenzo Calvesi ( fl. 1777 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Feydeau
The Théâtre Feydeau (), a former Parisian theatre company, was founded in 1789 with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was therefore initially named the Théâtre de Monsieur. It began performing in the Salle des Tuileries, located in the north wing of the Tuileries Palace, then moved to the Salle des Variétés at the Foire Saint-Germain, and finally, beginning in 1791, settled into its own custom-built theatre, the Salle Feydeau located on the rue Feydeau. The company was renamed Feydeau after the royal family was arrested during the French Revolution.Johnson 1992. The company first presented Italian opera by composers such as Giovanni Battista Pergolesi, Giuseppe Sarti, and Giovanni Paisiello and later French plays, vaudevilles, and ''opéras comiques'', as well as symphonic concerts, and was especially famous for the quality of its orchestra and realistic stagings. The Italian Luigi Cherubini was the house composer,Willis 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1783 Operas
Events January–March * January 20 – At Versailles, Great Britain signs preliminary peace treaties with the Kingdom of France and the Kingdom of Spain. * January 23 – The Confederation Congress ratifies two October 8, 1782, treaties signed by the United States with the United Netherlands. * February 3 – American Revolutionary War: Great Britain acknowledges the independence of the United States of America. At this time, the Spanish government does not grant diplomatic recognition. * February 4 – American Revolutionary War: Great Britain formally declares that it will cease hostilities with the United States. * February 5 – 1783 Calabrian earthquakes: The first of a sequence of five earthquakes strikes Calabria, Italy (February 5–7, March 1 & 28), leaving 50,000 dead. * February 7 – The Great Siege of Gibraltar is abandoned. * February 26 – The United States Continental Army's Corps of Engineers is disbanded. * March 5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Francesco Bianchi
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celeste Coltellini
Celeste Coltellini (26 November 1760 - 24 July 1828) was an Italian soprano. She was a well-known singer of opera buffa in Europe in the late 18th century. Born in Livorno, Celeste was the daughter of a librettist, Marco Coltellini. In 1780, she made her debut at Teatro alla Scala in Milan, performing in three operas: Giovanni Valentini's ''Le nozze in contrasto'', Giacomo Rust's ''Gli antiquari in Palmira'' and Giovanni Paisiello's ''La Frascatana'', singing in mezzo-soprano register. She then sang at Teatro San Carlo in Naples, where she had the opportunity to meet Emperor Joseph II, who later invited her to perform in Vienna. When her voice changed to soprano, she accepted the Emperor's invitation. In 1785, she went to Vienna with her mother, and stayed there for a year. In Vienna, she made her debut singing Domenico Cimarosa’s ''Contadina di spirito''. She returned to Vienna again in 1788, but stayed just for a few months. She was seen with Mozart Wolfgang A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Calvesi
Vincenzo Calvesi ( fl. 1777–1811) was an Italian operatic tenor and impresario. A skillful lyric tenor, he began his career performing in opera houses in Italy during the 1770s. He was active in Dresden in 1782 to 1783 and then spent most of his time performing in Vienna from 1785 to 1794. He is best remembered today for creating the role of Ferrando in the world premiere of Wolfgang Amadeus Mozart's '' Così fan tutte'' in 1790. That same year the Viennese publication ''Grundsätze zur Theaterkritik'' described him as "one of the best tenors from Italy…with a voice naturally sweet, pleasant and sonorous." He was later active in Rome as an impresario up until 1811. Life and career Calvesi was born in Rome, the son of Bernhard Calvesi, a papal chamberlain. His date of birth, his musical education, and the details of his youth are now unknown. The first definite account of the singer was in 1777 for a series of performances in operas in Rome. He actively performed in comic oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history) ''Encyclopedia of Austria'', Aeiou Project, 1999 The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances. History The original Burgtheater was set up in a |
