La Princesse De Navarre
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La Princesse De Navarre
''La princesse de Navarre'' (''The Princess of Navarre'') is a ''comédie-ballet'' by Voltaire, with music by Jean-Philippe Rameau, first performed on 23 February 1745 at La Grande Ecurie, Versailles. Performance history It was commissioned to celebrate the marriage of the Infanta Maria Teresa Rafaela of Spain to Louis, Dauphin of France. ''La princesse de Navarre'' opened the wedding festivities, while another new Rameau opera, ''Platée'', closed them. The piece takes the form of a ''comédie-ballet'', effectively a play with a large amount of incidental music, recalling the collaborations of Molière and Lully in the 17th century. Voltaire was a great admirer of Rameau, even considering him too good a composer for such a task. Nevertheless, Rameau wrote around an hour of music for the play, including an overture and three ''divertissements'' (musical interludes which ended each act). Little of it has much bearing on the main action of the drama which concerns the complicate ...
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Portrait Of Jean-Philippe Rameau - Joseph Aved
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ...
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Les Fêtes De Ramire
''Les fêtes de Ramire'' (''The Celebrations of Ramiro '') is an opera in the form of a one-act ''acte de ballet'' by Jean-Philippe Rameau with a libretto by Voltaire, first performed on 22 December 1745 at the Palace of Versailles. Voltaire wrote a new libretto to make use of music taken from his and Rameau's ''comédie-ballet'' ''La princesse de Navarre'', which had been performed earlier in 1745. Since both Rameau and Voltaire were busy writing a new opera, '' Le temple de la Gloire'', the Duke of Richelieu entrusted the job of fitting the music to the new libretto and adjusting the verse accordingly to Jean-Jacques Rousseau. Rousseau, who had not yet won his reputation as a major thinker, was an aspiring musician. In his later autobiographical ''Confessions'', Rousseau wrote he had worked hard on the task but Madame de la Pouplinière, Richelieu's mistress and an ardent champion of Rameau, rejected his efforts out of hand and sent the opera back to Rameau to revise. Rousseau cl ...
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1745 Operas
Events January–March * January 7 – War of the Austrian Succession: The Austrian Army, under the command of Field Marshal Károly József Batthyány, makes a surprise attack at Amberg and the winter quarters of the Bavarian Army, and scatters the Bavarian defending troops, then captures the Bavarian capital at Munich * January 8 – The Quadruple Alliance treaty is signed at Warsaw by Great Britain, Austria, the Dutch Republic and the Duchy of Saxony. * January 20 – Less than two weeks after the disastrous Battle of Amberg leaves Bavaria undefended, the electorate's ruler (and Holy Roman Emperor) Karl VII Albrecht dies from gout at the age of 47, leaving the duchy without an adult to lead it. His 17-year-old son, Maximilian III Joseph, signs terms of surrender in April. * February 22 – The ruling white colonial government on the island of Jamaica foils a conspiracy by about 900 black slaves, who had been plotting to seize control and ...
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Works By Voltaire
Works may refer to: People * Caddy Works (1896–1982), American college sports coach * Samuel Works (c. 1781–1868), New York politician Albums * '' ''Works'' (Pink Floyd album)'', a Pink Floyd album from 1983 * ''Works'', a Gary Burton album from 1972 * ''Works'', a Status Quo album from 1983 * ''Works'', a John Abercrombie album from 1991 * ''Works'', a Pat Metheny album from 1994 * ''Works'', an Alan Parson Project album from 2002 * ''Works Volume 1'', a 1977 Emerson, Lake & Palmer album * ''Works Volume 2'', a 1977 Emerson, Lake & Palmer album * '' The Works'', a 1984 Queen album Other uses * Microsoft Works, a collection of office productivity programs created by Microsoft * IBM Works, an office suite for the IBM OS/2 operating system * Mount Works, Victoria Land, Antarctica See also * The Works (other) * Work (other) Work may refer to: * Work (human activity), intentional activity people perform to support themselves, others, or the community ** ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By Jean-Philippe Rameau
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Cuthbert Girdlestone
Cuthbert Morton Girdlestone (17 September 1895 – 10 December 1975) was a British musicology, musicologist and literary scholar. Born in Bovey Tracey, Devon, he was educated at University of Cambridge, Cambridge and the University of Paris, Sorbonne, and thereafter took up the chair in French in Armstrong College, Newcastle, Armstrong College, later to be King's College in Newcastle upon Tyne, Newcastle in 1926, a position he held until 1960. His most famous publications are his much-reprinted study of the Mozart Piano Concertos (1939, published originally in French) and his biography of Jean-Philippe Rameau (1957). Books *Girdlestone, Cuthbert. ''Mozart et ses concertos pour piano.'' Paris, Fischbacher. 1939. **Girdlestone, Cuthbert. ''Mozart and His Piano Concertos''. New York: Dover Publications, 1964. "An unabridged and corrected republication of the second (1958) edition of the work first published in 1948 by Cassell & Company, Ltd., London, under the title Mozart’s Piano ...
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Pyrenees
The Pyrenees (; es, Pirineos ; french: Pyrénées ; ca, Pirineu ; eu, Pirinioak ; oc, Pirenèus ; an, Pirineus) is a mountain range straddling the border of France and Spain. It extends nearly from its union with the Cantabrian Mountains to Cap de Creus on the Mediterranean Sea, Mediterranean coast. It reaches a maximum altitude of at the peak of Aneto. For the most part, the main crest forms a divide between Spain and France, with the microstate of Andorra sandwiched in between. Historically, the Crown of Aragon and the Kingdom of Navarre extended on both sides of the mountain range. Etymology In Greek mythology, Pyrene (mythology), Pyrene is a princess who eponym, gave her name to the Pyrenees. The Greek historiography, Greek historian Herodotus says Pyrene is the name of a town in Celts, Celtic Europe. According to Silius Italicus, she was the virgin daughter of Bebryx, a king in Narbonensis, Mediterranean Gaul by whom the hero Hercules was given hospitality during his ...
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Performance 1745 Of La Princesse De Navarre By Rameau - NGO3p859
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Management science In the work place, job performance is the hypothesized conception or requirements of a role. There are two types of job performances: contextual and task. Task performance is dependent on cognitive ability, while contextual performance is dependent on personality. Task performance relates to behavioral roles that are recognized in job descriptions and remuneration systems. They are directly related to organizational performance, whereas contextual performances are value-based and add additional behavioral roles that are not recognized in job descriptions and covered by compensation; these are extra roles that are indirectly related to organizational performance. Citizenship performance, like contextual performance, relates to a set of individual activity/co ...
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Alcalde
Alcalde (; ) is the traditional Spanish municipal magistrate, who had both judicial and administrative functions. An ''alcalde'' was, in the absence of a corregidor, the presiding officer of the Castilian '' cabildo'' (the municipal council) and judge of first instance of a town. ''Alcaldes'' were elected annually, without the right to reelection for two or three years, by the ''regidores'' (council members) of the municipal council. The office of the ''alcalde'' was signified by a staff of office, which they were to take with them when doing their business. A woman who holds the office is termed an ''Alcaldesa''. In New Spain (Mexico), ''alcaldes mayores'' were chief administrators in colonial-era administrative territories termed ''alcaldías mayores''; in colonial-era Peru the units were called ''corregimientos''. ''Alcalde'' was also a title given to Indian officials inside the Spanish missions, who performed a large variety of duties for the Franciscan missionaries. M ...
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Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ...
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