La Petite Mariée
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La Petite Mariée
''Le petite mariée'' (The Little Bride) is a three-act opéra-bouffe, with music by Charles Lecocq and libretto by Eugène Leterrier and Albert Vanloo. It was first performed at the Théâtre de la Renaissance, Paris on 21 December 1875. The opera, set in 16th-century Italy, depicts the farcical complications after the hero is caught ''in flagrante'' with the local grandee's wife. The piece was well received and ran for more than 200 performances. It was subsequently staged in London, New York, Berlin and Vienna, but has not gained a permanent place in the operatic repertoire. Background In the early 1870s Lecocq had come from relative obscurity to supplant Jacques Offenbach as Paris's favourite composer of comic opera. Andrew Lamb"Lecocq, (Alexandre) Charles" ''Grove Music Online'', Oxford University Press. Retrieved 20 September 2018 His ''La fille de Madame Angot'', first seen in Brussels in 1872 and then in Paris the following year, had broken box-office records, and his o ...
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Alphonsine
Alphonsine (pseudonym for Jeanne Benoit) (1829 – 10 July 1883) was a French actress. She made her theatrical debut at the Gymnase-Enfantin, an entertainment venue formerly located near the Passage de l'Opéra (Galerie du Baromètre, leading to the Salle Le Peletier) in the 9th arrondissement of Paris. She was described as "one of the most original artistes of our time". She appeared at the Théâtre des Délassements-Comiques, Théâtre des Variétés and the Théâtre du Palais-Royal. A widow of the painter Victor Margaine, she was buried at Père Lachaise Cemetery."Les obsèques de la regrettée Alphonsine......"
''Le Figaro'', 14 July 1883, p 4


Theatres

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Operas By Charles Lecocq
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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