La Morte D'Orfeo
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La Morte D'Orfeo
' (''The Death of Orpheus'') is an opera in five acts by the Italian composer Stefano Landi. Dedicated to Alessandro Mattei, ''familiaris'' of Pope Paul V, it may have been first performed in Rome in 1619. The work is styled a ''tragicomedia pastorale'' (pastoral tragicomedy). The libretto, which may be by the composer himself, is in part inspired by ''La favola d'Orfeo'' (1484) by Angelo Poliziano. Unlike Monteverdi's ''L'Orfeo'' and the earliest Florentine operas on the subject ('' Euridice'' by Peri and Caccini), Landi's opera contains comic elements and deals with a different episode from the life of the mythical singer. Roles Synopsis After Orpheus has failed to save his wife Eurydice from the underworld, he renounces wine and the love of women. This offends the god Bacchus who urges his female followers, the Maenads, to kill Orpheus. The enraged Maenads tear him apart. The gods want the dead Orpheus to join them on Olympus but Orpheus wants to be reunited with Eurydice in ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Aurora (mythology)
Aurōra () is the Latin word for dawn, and the goddess of dawn in Roman mythology and Latin poetry. Like Greek ''Eos'' and Rigvedic ''Ushas'', ''Aurōra'' continues the name of an earlier Indo-European dawn goddess, '' Hausos''. Name Aurōra stems from Proto-Italic ''*ausōs'', and ultimately from Proto-Indo-European ''*haéusōs'', the "dawn" conceived as divine entity. It has cognates in the goddesses Ēṓs, Uṣas, Aušrinė, Auseklis and Ēastre. Roman mythology In Roman mythology, Aurōra renews herself every morning and flies across the sky, announcing the arrival of the Sun. Her parentage was flexible: for Ovid, she could equally be ''Pallantis'', signifying the daughter of Pallas, or the daughter of Hyperion. She has two siblings, a brother ( Sol, the Sun) and a sister (Luna, the Moon). Roman writers rarely imitated Hesiod and later Greek poets by naming Aurōra as the mother of the Anemoi (the Winds), who were the offspring of Astraeus, the father of the stars. A ...
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John Elwes (tenor)
John Joseph Elwes (original name John Hahessy) (born 20 October 1946), is an English tenor singer. Born in Lewisham, London he was Head Chorister in the choir of Westminster Cathedral, London. His musical and vocal education were furthered by the eminent harpsichordist George Malcolm, the then Director of Music. Under the name of John Hahessy ( his father was from Carrick-on-Suir, Co.Waterford, Ireland ) he had considerable success as a boy soprano - from BBC broadcasts and recordings with Decca to concerts with such conductors as Benjamin Britten. He made the 1st recording of Benjamin Britten's Canticle " Abraham and Isaac", singing the role of Isaac, accompanied by the composer. Britten later dedicated his "Corpus Christi Carol" to him. He went on to study at the Royal College of Music, and made his stage debut as a tenor in 1968 at The Proms. John Elwes is particularly well known for his sensitive and musical performances. His repertoire is extensive ranging from Monteverdi, ...
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Lethe
In Greek mythology, Lethe (; Ancient Greek: ''Lḗthē''; , ), also referred to as Lemosyne, was one of the five rivers of the underworld of Hades. Also known as the ''Ameles potamos'' (river of unmindfulness), the Lethe flowed around the cave of Hypnos and through the Underworld where all those who drank from it experienced complete forgetfulness. Lethe was also the name of the Greek spirit of forgetfulness and oblivion, with whom the river was often identified. In Classical Greek, the word ''lethe'' (λήθη) literally means "oblivion", "forgetfulness", or "concealment". It is related to the Greek word for "truth", ''aletheia'' (ἀλήθεια), which through the privative alpha literally means "un-forgetfulness" or "un-concealment". Infernal river Lethe, the river of forgetfulness, is one of the five rivers of the Greek underworld; the other four are Acheron (the river of sorrow), Cocytus (the river of lamentation), Phlegethon (the river of fire) and Styx (the river t ...
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Hades
Hades (; grc-gre, ᾍδης, Háidēs; ), in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth, long the province of Gaia, available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard dog of the underworld, standing to his side. The Etruscan god Aita and the Roman gods Dis Pater and Orcus were eventually taken as equivalent to Hades and merged into Pluto, a Latinisation of Plouton ( grc-gre, , Ploútōn), itself a euphemistic title often given to Had ...
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Mount Olympus
Mount Olympus (; el, Όλυμπος, Ólympos, also , ) is the highest mountain in Greece. It is part of the Olympus massif near the Thermaic Gulf of the Aegean Sea, located in the Olympus Range on the border between Thessaly and Macedonia, between the regional units of Larissa and Pieria, about southwest from Thessaloniki. Mount Olympus has 52 peaks and deep gorges. The highest peak, Mytikas (Μύτικας ''Mýtikas''), meaning "nose", rises to . It is one of the highest peaks in Europe in terms of topographic prominence. In Greek mythology, Olympus is the home of the Greek gods, on Mytikas peak. The mountain has exceptional biodiversity and rich flora. It has been a National Park, the first in Greece, since 1938. It is also a World Biosphere Reserve. Every year, thousands of visitors admire its fauna and flora, tour its slopes, and climb its peaks. Organized mountain refuges and various mountaineering and climbing routes are available. The usual starting point for cli ...
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Maenad
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ...
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Anemoi
In ancient Greek religion and myth, the Anemoi (Greek: , 'Winds') were wind gods who were each ascribed a cardinal direction from which their respective winds came (see Classical compass winds), and were each associated with various seasons and weather conditions. They were the progeny of the goddess of the dawn Eos and her husband Astraeus. Etymology The earliest attestation of the word in Greek and of the worship of the winds by the Greeks, are perhaps the Mycenaean Greek word-forms , , , , i.e. 'priestess of the winds'. These words, written in Linear B, are found on the KN Fp 1 and KN Fp 13 tablets. Mythology The Anemoi are minor gods and are subject to the god Aeolus. They were sometimes represented as gusts of wind, and at other times were personified as winged men. They were also sometimes depicted as horses kept in the stables of the storm god Aeolus, who provided Odysseus with the Anemoi in the ''Odyssey''. The Spartans were reported to sacrifice a horse to ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ...
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Eurydice
Eurydice (; Ancient Greek: Εὐρυδίκη 'wide justice') was a character in Greek mythology and the Auloniad wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Etymology Several meanings for the name ''Eurydice'' have been proposed such as "true judgement" or "profound judgement" from the Greek: ''eur dike''. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the latter etymological meaning. Adriana Cavarero, in the book ''Relating Narratives: Storytelling and Selfhood'', wrote that "the etymology of Eurydice seems rather to indicate, in the term ''eurus'', a vastness of space or power, which, joining to ''dike'' nd thus ''deiknumi'', to show designates her as 'the one who judges with breadth' or, perhaps, 'she who shows herself amply'". In some accounts, she was instead called Agriope, which means "savage face". Mythology Marriage to Orpheus, death and afterlife Eurydice was the Auloniad wife of musicia ...
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Charon (mythology)
In Greek mythology, Charon or Kharon (; grc, Χάρων) is a psychopomp, the ferryman of Hades, the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Some mortals, heroes, and demigods were said to have descended to the underworld and returned from it as living beings. T ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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