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La Favorite
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Favourite
A favourite (British English) or favorite (American English) was the intimate companion of a ruler or other important person. In post-classical and early-modern Europe, among other times and places, the term was used of individuals delegated significant political power by a ruler. It was especially a phenomenon of the 16th and 17th centuries, when government had become too complex for many hereditary rulers with no great interest in or talent for it, and political institutions were still evolving. From 1600 to 1660 there were particular successions of all-powerful minister-favourites in much of Europe, particularly in Spain, England, France and Sweden. The term is also sometimes employed by writers who want to avoid terms such as "royal mistress", "friend", "companion", or "lover" (of any gender). Several favourites had sexual relations with the monarch (or the monarch's spouse), but the feelings of the monarch for the favourite ran the gamut from simple faith in the favourite's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Desplechin
Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for grands opéras and theatre plays of the romantic era, and closely collaborated with great composers such as Meyerbeer, Verdi, Gounod and Wagner. His workshop was taken over by Eugène Carpezat and Jean-Baptiste Lavastre. Students * Jean-Baptiste Lavastre Jean-Baptiste Lavastre (24 August 1839 – 24 April 1891) was a French landscape painter and scenic designer. Biography A student of Édouard Desplechin as soon as 1854 when he was only fifteen (and then his associate from 1864 to 1870), J ... (1839–1891). References Bibliography * Jean-Maxime Levêque, ''Édouard Desplechin, le décorateur du grand opéra à la française (1802-1871)'', L’Harmattan, collection « Univers musical », 2008, 198 p. {{DEFAULTSOR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Diéterle
Jules Diéterle (8 February 1811 – 22 April 1889) was a 19th-century French architect, also a draftsman, painter, painter on porcelain, sculptor and theatre decorator. Biography Born in Paris, Diéterle, son of Jean Georges Diéterle,Frenchized first names. They are Johann Georg Dieterle (without accent) or Dieterlen. Johann Georg Dieterle was born on 31 March 1774 in Baiersbronn, Ortslage Heselbach, Landkreis Freudenstadt, Baden-Württemberg, Germany. He applied for French citizenship twice: on 2 February 1833 and 15 July 1841. Source: Archives nationales, documents references, BB/11/344, file n°985 X2 and BB/11/450, file n°4537 X3. piano maker, and Marie-Antoinette TerrassonJean Georges Diéterle and Marie-Antoinette Terrasson were married in Paris on 25 Prairial year 11 (14 June 1803) and the religious ceremony took place at the Sainte-Marguerite church. The marriage contract was signed in front of Me Louis Claude Laisné on 21 June 1803 (year XI). Source: Archives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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