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La Grande-Duchesse De Gérolstein
''La Grande-Duchesse de Gérolstein'' (''The Grand Duchess of Gerolstein'') is an opéra bouffe (a form of operetta), in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy. The story is a satirical critique of unthinking militarism and concerns a spoiled and tyrannical young Grand Duchess who learns that she cannot always get her way. The opera premiered in Paris in 1867 and starred Hortense Schneider in the title role. Thereafter, it was heard in New York, London and elsewhere, and it is still performed and recorded. Background Offenbach's career was at its height in the 1860s with the premieres of some of his most popular and enduring works, such as ''La Belle Hélène'' (1864) and '' La Vie parisienne'' (1866). With the original production of the latter still running, Offenbach and his librettists hurried to prepare a new opera, ''La Grande-Duchesse de Gérolstein'', to play during the Paris Exposition ('' Ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Land, Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Joseph I Of Austria
Franz Joseph I or Francis Joseph I (german: Franz Joseph Karl, hu, Ferenc József Károly, 18 August 1830 – 21 November 1916) was Emperor of Austria, King of Hungary, and the other states of the Habsburg monarchy from 2 December 1848 until his death on 21 November 1916. In the early part of his reign, his realms and territories were referred to as the Austrian Empire, but were reconstituted as the dual monarchy of the Austro-Hungarian Empire in 1867. From 1 May 1850 to 24 August 1866, Franz Joseph was also President of the German Confederation. In December 1848, Franz Joseph's uncle Emperor Ferdinand abdicated the throne at Olomouc, as part of Minister President Felix zu Schwarzenberg's plan to end the Revolutions of 1848 in Hungary. Franz Joseph then acceded to the throne. Largely considered to be a reactionary, he spent his early reign resisting constitutionalism in his domains. The Austrian Empire was forced to cede its influence over Tuscany and most of its claim to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Matthews
Julia Matthews (14 December 1842 – 19 May 1876) was an English-born actress and singer who was popular on the stage, particularly in Melbourne. Matthews was born in London in 1842. She received a marriage proposal from Robert O'Hara Burke shortly before the Burke and Wills expedition. Matthews died aged just 33, in St. Louis, Missouri. She was played by Greta Scacchi in ''Burke & Wills'' (1985) and by Nicole Kidman Nicole Mary Kidman (born 20 June 1967) is an American and Australian actress and producer. Known for her work across various film and television productions from several genres, she has consistently ranked among the world's highest-paid act ... in '' Wills & Burke'' (1985). It has been claimed that the film actress Jessie Matthews (1907–1981) was a descendant. References External linksPortraitat National Portrait Gallery {{DEFAULTSORT:Matthews, Julia 1842 births 1876 deaths 19th-century Australian actresses 19th-century English actresses Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lamb Kenney
Charles Lamb Kenney (29 April 1821 – 25 August 1881) was a journalist, dramatist and miscellaneous writer. He was the second son of the dramatist James Kenney. After working as a clerk in the General Post Office in London, he joined the staff of ''The Times'', to which paper he contributed dramatic criticism. In 1856, having been called to the bar, he became secretary to Ferdinand de Lesseps, and in 1857 he published ''The Gates of the East'' in support of the projected construction of the Suez Canal. Kenney wrote the words for a number of light operas, and was the author of several popular songs, the best known of which were "Soft and Low" (1865) and "The Vagabond" (1871). He also published a ''Memoir'' of MW Balfe (1875), and translated the ''Correspondence'' of Balzac. He included Thackeray and Dickens among his friends in a literary ''côterie'' in which he enjoyed the reputation of a wit and an accomplished writer of ''vers de société''. Kenney died in 1881 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, makin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Geistinger
Marie Charlotte Cäcilie Geistinger (1836–1903) was a celebrated Austrian actress and operatic soprano, known as the "Queen of Operetta". She frequently appeared in works by Jacques Offenbach, Johann Strauss II and Franz von Suppé. She achieved particular acclaim for performing Rosalinda in the première of ''Die Fledermaus'' at the Theater an der Wien in 1874. In 1881, her debut at the Thalia Theatre in New York was well received. Early life Born in Graz on 26 July 1836, Geistinger was the daughter of the Russian court actors Nikolaus Geistinger, an opera singer, and his wife Charlotte, who was the granddaughter of the Brunswick court actor Karl Grassmann. Well educated, she was given a sound introduction to music by K. M. Wolf in Vienna. From 1844, she appeared in children's roles in Graz. She made her official début in August 1850 at the Max-Schaiger Theatre in Munich. Career Apart from appearing in the title role of Johann Wilhelm Christern's ''Die falsche Pepita'' at V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Hopp
Julius Hopp (18 May 1819 – 28 August 1885) was an Austrian composer, conductor, arranger and translator. Life and career Born in Graz, Empire of Austria, the son of the actor and poet Friedrich Hopp, Lucius became known in the 1860s and 1870s through his adaptations of Jacques Offenbach's operettas, which were mainly performed in the Theater an der Wien, where Hopp was Kapellmeister. He composed parodies, antics and folk plays and appeared as a translator of French operas and operettas. In particular Hopp's ''sparkling adaptations'' of the operettas of Jacques Offenbach (1819-1880) ensured the success of these works on Viennese soil and brought ''riches'' to theatre entrepreneurs whereby Hopp, due to his modesty, but not entirely through his own fault,. did not enjoy that ''shower of gold''.. Of Hopp's own works - despite their richness of melody - ''Das Donauweibchen'' and ''Morilla'' were only moderate successes. "Margaret and Mitten," on the other hand, had countless perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the . History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera ''The Magic Flute'' (1791). Schikaneder's troupe had already b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antimilitarism
Antimilitarism (also spelt anti-militarism) is a doctrine that opposes war, relying heavily on a critical theory of imperialism and was an explicit goal of the First and Second International. Whereas pacifism is the doctrine that disputes (especially between countries) should be settled without recourse to violence, Paul B. Miller defines anti-militarism as "ideology and activities...aimed at reducing the civil power of the military and ultimately, preventing international war". Cynthia Cockburn defines an anti-militarist movement as one opposed to " military rule, high military expenditure or the imposition of foreign bases in their country". Martin Ceadel points out that anti-militarism is sometimes equated with pacificism—general opposition to war or violence, except in cases where force is deemed necessary to advance the cause of peace.Martin Ceadel, 'Thinking about peace and war''. Oxford, Oxford University Press, 1987. , p. 101. Distinction between antimilitarism and pac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
