La Colonie (Art Space)
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La Colonie (Art Space)
La Colonie was an independent cultural venue located in a former textile factory in the 10th arrondissement of Paris, near the Gare du Nord train station. It was founded by French artist Kader Attia and restaurateur Zico Selloum in 2016. It closed in March 2020 as a result of the COVID-19 pandemic. History La Colonie opened on 17 October 2016, to commemorate the 55th anniversary of the Paris Massacre of 1961, in which hundreds of National Liberation Front Algerians demonstrating for Algerian independence were killed by the French National Police. In March 2020, La Colonie closed in response to the COVID-19 pandemic. Because La Colonie was dependent on revenue generated by its ground floor bar and café, it did not recover financially from the closure and has remained closed. Founder Kader Attia has indicated that the venue will persist but in a smaller, more affordable space in the Paris suburbs. Programming La Colonie was a multi-use space and functioned as a café and a ...
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Art Center
An art centre or arts center is distinct from an art gallery or art museum. An arts centre is a functional community centre with a specific remit to encourage arts practice and to provide facilities such as theatre space, gallery space, venues for musical performance, workshop areas, educational facilities, technical equipment, etc. In the United States, "art centers" are generally either establishments geared toward exposing, generating, and making accessible art making to arts-interested individuals, or buildings that rent primarily to artists, galleries, or companies involved in art making. In Britain, the Bluecoat Society of Arts was founded in Liverpool in 1927 following the efforts of a group of artists and art lovers who had occupied Bluecoat Chambers since 1907. Most British art centres began after World War II and gradually changed from mainly middle-class places to 1960s and 1970s trendy, alternative centres and eventually in the 1980s to serving the ''whole'' communi ...
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Colonialism
Colonialism is a practice or policy of control by one people or power over other people or areas, often by establishing colonies and generally with the aim of economic dominance. In the process of colonisation, colonisers may impose their religion, language, economics, and other cultural practices. The foreign administrators rule the territory in pursuit of their interests, seeking to benefit from the colonised region's people and resources. It is associated with but distinct from imperialism. Though colonialism has existed since ancient times, the concept is most strongly associated with the European colonial period starting with the 15th century when some European states established colonising empires. At first, European colonising countries followed policies of mercantilism, aiming to strengthen the home-country economy, so agreements usually restricted the colony to trading only with the metropole (mother country). By the mid-19th century, the British Empire gave up me ...
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Buildings And Structures In The 10th Arrondissement Of Paris
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Defunct Art Museums And Galleries In Paris
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ...
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Contemporary Art Galleries In France
Contemporary history, in English-language historiography, is a subset of modern history that describes the historical period from approximately 1945 to the present. Contemporary history is either a subset of the late modern period, or it is one of the three major subsets of modern history, alongside the early modern period and the late modern period. In the social sciences, contemporary history is also continuous with, and related to, the rise of postmodernity. Contemporary history is politically dominated by the Cold War (1947–1991) between the Western Bloc, led by the United States, and the Eastern Bloc, led by the Soviet Union. The confrontation spurred fears of a nuclear war. An all-out "hot" war was avoided, but both sides intervened in the internal politics of smaller nations in their bid for global influence and via proxy wars. The Cold War ultimately ended with the Revolutions of 1989 and the dissolution of the Soviet Union in 1991. The latter stages and ...
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Artist-run Centres
Canadian artist-run centres (ARC or ARCs) are galleries and art spaces developed by artists in Canada since the 1960s. Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Most centres follow the not-for-profit arts organization model, do not charge admission fees, pay artists for their contributions (exhibitions, presentations, performances) are non-commercial and de-emphasize the selling of artwork. Origins The centres were created originally in response to a lack of opportunity to present contemporary work, especially in the 1960s and 1970s experimental art practices such as performance, installation, conceptual art and video in Canada and with the desire to network with other artists nationally and internationally. The early artist-run centres in Canada were critical of the commodification of traditional art forms exhibited in mainstream galleries and institutions which did not show emerging and experimental works, interdisciplinar ...
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2016 Establishments In France
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Hi ...
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Samia Henni
Samia Henni is a writer, historian, educator, and curator. She teaches history of architecture and urban development at Cornell University. Her work focuses on the intersection of the built and destroyed environments with colonial practices and military operations from the early 19th century up to the present days. Life Samia Henni studied at the École polytechnique d'architecture et d'urbanisme in Algiers; Accademia di Architettura di Mendrisio, Università della Svizzera Italiana; The Berlage Institute in Rotterdam; and at Goldsmiths, University of London and has received her Ph.D. from ETH Zurich. Before joining Cornell, she has taught in various universities such as Princeton University, ETH Zurich, the University of Zurich, and the University of Applied Sciences in Geneva. She was the inaugural Albert Hirschman Chair (2021-22) for Identity Passions Between Europe and the Mediterranean at the Institute for Advanced Study (IMéRA) in Marseille; a Visiting Professor (Fal ...
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ILiana Fokianaki
iLiana Fokianaki is a Greek curator, writer, theorist, educator and former journalist based in Athens and Rotterdam. In May 2022, she was announced as the curator of the 13th edition of the annual festival Survival Kit, organised by the Latvian Center for Contemporary Art, in Riga. The festival entitled ‘The Little Bird Must Be Caught’, "is an exhibition with many questions, embracing them in a cascade of visually, sonically and vocally very strong works, each proposing a different mode of resistance to racially, ecologically and extractively oppressive governances She is the founder and director of contemporary art institution State of Concept in Athens, where she curated solo exhibitions of artists such as Laure Prouvost, the research agency Forensic Architecture, Croatian artist Sanja Iveković, Dutch collective Metahaven, the film collective Rojava Film Commune. The exhibition of the Rojava Film Commune Fokianaki curated, titled "Forms of Freedom", was featured in Art For ...
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Cultural Appropriation
Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures. Fourmile, Henrietta (1996). "Making things work: Aboriginal and Torres Strait Islander Involvement in Bioregional Planning" in ''Approaches to bioregional planning. Part 2. Background Papers to the conference; 30 October – 1 November 1995, Melbourne''; Department of the Environment, Sport and Territories. Canberra. pp. 268–269: "The esternintellectual property rights system and the (mis)appropriation of Indigenous knowledge without the prior knowledge and consent of Indigenous peoples evoke feelings of anger, or being cheated" According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cu ...
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Agora
The agora (; grc, ἀγορά, romanized: ', meaning "market" in Modern Greek) was a central public space in ancient Greek city-states. It is the best representation of a city-state's response to accommodate the social and political order of the polis. The literal meaning of the word "agora" is "gathering place" or "assembly". The agora was the center of the athletic, artistic, business, social, spiritual and political life in the city. The Ancient Agora of Athens is the best-known example. Origins Early in Greek history (13th–4th centuries BC), free-born citizens would gather in the agora for military duty or to hear statements of the ruling king or council. Later, the agora also served as a marketplace, where merchants kept stalls or shops to sell their goods amid colonnades. This attracted artisans who built workshops nearby. From these twin functions of the agora as a political and a commercial spot came the two Greek verbs , ''agorázō'', "I shop", and , ''agoreúō'', ...
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