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Léon Beauvallet
Léon Beauvallet, full name Pierre-Léon-Charles Beauvallet, (22 August 1828 – 22 March 1885) was a 19th-century French actor, playwright and novelist. Author of numerous plays, most of them written in collaboration, as well as feuilletons published in ''Le Passe-Temps'' before publication in print, he is best known for being part of the troupe who accompanied Rachel Félix to the United-States and Cuba in 1855. The account he gave of this odyssey, first published in ''Le Figaro'' under the title ''Rachel et le Nouveau-Monde'', had some success and was translated into English upon its release in 1856. Léon Beauvallet was Pierre-François Beauvallet's son and Frantz Beauvallet's father, both dramatists. Works Theatre *''Le Roi de Rome'', drama in 5 acts and 10 tableaux, with Charles Desnoyer, Théâtre de l'Ambigu-Comique, 13 June 1850 *''Les Femmes de Gavarni'', « scènes de la vie parisienne », 3 actes and a masquerade mingled with couplets, with Théodore Barrière a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10th Arrondissement Of Paris
The 10th arrondissement of Paris (''Xe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as ''dixième'' ("10th arrondissement of Paris" = "dixième arrondissement de Paris"). The arrondissement, called Entrepôt (warehouse), is situated on the right bank of the River Seine. The arrondissement contains two of Paris's six main railway stations: the Gare du Nord and the Gare de l'Est. Built during the 19th century, these two termini are among the busiest in Europe. The 10th arrondissement also contains a large portion of the Canal Saint-Martin, linking the northeastern parts of Paris with the River Seine. Geography The land area of the arrondissement is 2.892 km2 (1.117 sq. miles, or 715 acres), and it had a 1999 population of 89,695. The 10th arrondissement is often referred to as ''l'Entrepôt''. Like all Parisian arrondissements, it is divided into four quartiers (districts):All demogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Bouvier
Alexis Bouvier (15 January 1836 –18 May 1892) was a 19th-century French novelist and playwright. Biography Born into a working-class family, Alexis Bouvier began his professional life as a sculptor in bronze until 1863, while taking care to educate himself in order to fill gaps in his poor formation. He quickly showed writing ambitions. His early works are short stories depicting street scenes or workshops, folk songs and operettas for neighboring theaters and singing cafes. Some have been very successful such as ''Les Trois Lettres d'un marin'' or ' sung in particular by . ''Le Figaro'', through Hippolyte de Villemessant, always looking for new products for his paper, gave him a chance from 1863. Literary realism was then in vogue and Alexis Bouvier wrote dramatic short stories that allowed him to tell about social misery and the lives of the unhappy and disinherited he knew. He liked to remind of his plebeian origin and used these stories to better evoke it. To support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Déjazet
The Théâtre Déjazet is a theatre on the boulevard du Temple (popularly known as the 'boulevard du crime’) in the 3rd arrondissement of Paris, France. It was founded in 1770 by Comte d'Artois who later was crowned Charles X. It was then closed down and not reopened until 1851. At that time it became a café-concert called the Folies-Mayer, on the site of a former ''jeu de paume'' (tennis court). It was converted into the Folies-Concertantes in 1853, and reopened as the Folies-Nouvelles on 21 October 1854.Lecomte 1905p. 28 Under the direction of the operetta composer Hervé from 1854 to 1856, it became a theatre for one-act ''spectacles-concerts'' with premieres of Hervé's ''La Perle de l'Alsace'' (1854), ''Un Compositeur toqué'' (1854), ''La Fine fleur de l'Andalousie'' (1854), ''Agamemnon, ou Le Chameau à deux bosses'' (1856), and ''Vadé au cabaret'' (1856). Several of Auguste Pilati's works received their first performance at the Théâtre des Folies-Nouvelles, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul De Kock
Charles Paul de Kock (May 21, 1793 in Passy, Paris – April 27, 1871 in Paris) was a French novelist. Although one of the most popular writers of his day in terms of book sales, he acquired a literary reputation for low-brow output in poor taste. In 2021 Brad Bigelow wrote: "Today, if we set aside over-priced print on demand reprints of his ancient editions, the works of Paul de Kock haven't seen a new English edition (or translation) in at least a century." Biography His father, Jean Conrad de Kock, a banker of Dutch extraction, was guillotined in Paris 24 March 1794, a victim of the Reign of Terror. His mother, Anne-Marie Perret, née Kirsberger, was a widow from Basel. Paul de Kock began life as a banker's clerk. For the most part he resided on the Boulevard St. Martin in Paris, where he was born and lived out his life, rarely leaving the city. He began to write for the stage very early and composed many operatic libretti. His first novel, ''L'Enfant de ma femme'' (181 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De Cluny
The théâtre de Cluny or théâtre Cluny was an entertainment venue located at 71 boulevard Saint-Germain in the 5th arrondissement of Paris, inaugurated in 1864 and closed in 1989. Productions (selection) * 1869 : ''Le Juif Polonais'', opera in three acts * 1870 : ''Père et mari'', 3-act prose drama, 21 June * 1879 : ''Claudie'' by George Sand, 17 September * 1888 : ''Le Docteur Jojo'' by Albert Carré, 16 March * 1888 : ''Le Gant rouge'', by Edmond Rostand, one-act comedy, 24 August * 1893 : '' Boubouroche'' by Georges Courteline, September * 1917 : ''Chantecoq'' by Arthur Bernède and Aristide Bruant, 10 October * 1901 : ''La Dame du commissaire'', comedy in three acts, 20 April * 1923 : ''Judex'' by Arthur Bernède after the movie ''Judex'' by Louis Feuillade and Arthur Bernède, 14 August * 1929 : ''Ma veuve s'amuse'' by José de Bérys and Benjamin Rabier Bibliography *Philippe Chauveau, ''Les Théâtres parisiens disparus (1402-1986)'', éd. de l'Amandier, Pari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Royal Du Parc
The Royal Park Theatre (french: Théâtre royal du Parc, nl, Koninklijk Parktheater) is a theatre in Brussels, Belgium. It is located at 3, Rue de la Loi/Wetstraat, on the edge of Brussels Park, facing the Belgian House of Parliament (Palace of the Nation). It is served by Brussels Central Station, as well as by the metro stations Parc/Park (on lines 1 and 5) and Arts-Loi/Kunst-Wet (on lines 2 and 6). History Early history Built in 1782 to plans by the Belgian-Austrian architect Louis Montoyer, the Park Theatre was at first an annex to the Theatre of La Monnaie. The brothers Alexandre and Herman Bultos exploited both theatres at the same time, with the Park Theatre used for plays featuring young actors, as a sort of drama school for La Monnaie. In 1807, under the French regime, it was closed by Napoleon's decree on the theatres, but re-opened in 1814, and was occupied by a British company for a year then a Dutch company for a few months. From 1819, the City of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Féerie
''Féerie'', sometimes translated as "fairy play", was a French theatrical genre known for fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. ''Féeries'' blended music, dancing, pantomime, and acrobatics, as well as magical transformations created by designers and stage technicians, to tell stories with clearly defined melodrama-like morality and an extensive use of supernatural elements. The genre developed in the early 19th century and became immensely popular in France throughout the nineteenth century, influencing the development of burlesque, musical comedy and film. Style ''Féeries'' used a fairy-tale aesthetic to combine theatre with music, dances, mime, acrobatics, and especially spectacular visual effects created by innovative stage machinery, such as trap doors, smoke machines, and quickly changeable sets. Songs always appeared, usually featuring new lyrics to familiar melodies. Transformation scenes, in which a sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Jeunes-Artistes
The Théâtre des Jeunes-Artistes was an 18th-century Parisian entertainment venue, now defunct, inaugurated in 1790 at 52 rue de Bondy (modern rue René-Boulanger) in the 10th arrondissement of Paris. It had a capacity of 520 spectators.Wild 1989, pp. 212–215. History Built on the site of the former Théâtre des Variétés-Amusantes on the northwest corner of the intersection of the rue de Bondy with the rue de Lancry, the theatre was inaugurated on 26 June 1790 under the name Théâtre Français Comique et Lyrique. It took the name Jeunes-Artistes in 1794 under the direction of Jacques Robillon who set up a troupe of child actors modeled on that of the Théâtre de l'Ambigu-Comique, which faced it (the idea was again taken over by Louis Comte and his Théâtre des Jeunes-Élèves in 1820). Despite the great success it enjoyed, the theatre was closed following the Napoleonic decree of 8 August 1807 on the limitation of Parisian theaters. See also * List of former or d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Folies-Dramatiques
The Théâtre des Folies-Dramatiques was a theatre in Paris in the 19th and 20th centuries. Opened first in 1832 in the site of the old Théâtre de l'Ambigu-Comique on the Boulevard du Temple, under Frédérick Lemaître it became a noted venue for the genre of mélodrame.’L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 14.01.10. In 1862, the theatre moved to the rue de Bondy and the repertoire developed more in the field of operetta, ''La fille de Madame Angot'' by Charles Lecocq in 1873, ''Les cloches de Corneville'' by Robert Planquette in 1877, ''Madame Favart'', by Jacques Offenbach in 1878, ''La fille du tambour-major'' by Offenbach in 1879, ''La fauvette du temple'' by André Messager in 1885, '' La Béarnaise'' by Messager in 1887 and '' Surcouf'' by Robert Planquette in October of the same year being among the premieres seen at the theatre. Other operettas and light operas we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Jean De Béranger
Pierre-Jean de Béranger (19 August 178016 July 1857) was a prolific France, French poet and Chansonnier (singer), chansonnier (songwriter), who enjoyed great popularity and influence in France during his lifetime, but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". Some newspapers from Malaysia and Seychelles mention that he was the retrospective composer of Allah Lanjutkan Usia Sultan, the anthem of the Malaysia, Malaysian state of Perak; the Indonesia, Indonesian folk song Terang Bulan and the national anthem of Malaysia, Negaraku. But there is argument on whether he ever wrote any melody throughout his life. Biography Early life and career, 1780–1803 Béranger was born at his grandfather's house on the Rue Montorgueil in Paris, which he later described as "one of the dirtiest and most turbulent streets of Paris". He was not actually of noble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Agnan Choler
Saint-Agnan Choler (Paris 12 March 1820 – Paris 30 May 1880) was a French playwright, Adolphe Choler's brother. Choler studied at the collège royal de Charlemagne where he gained a prize in Greek theme ''Almanach de l’Université Royale de France'', 1836, His plays were given on the most important Parisian stages of his time: Théâtre du Palais-Royal, Théâtre du Luxembourg, Théâtre du Gymnase, Théâtre de l'Ambigu-Comique etc. Works *1850: ''Charles le Téméraire'', comédie en vaudevilles in 1 act, with Adolphe Choler and Auguste Lefranc *1854: ''L'Enfant de la halle'', drama-vaudeville in 3 acts, with Adolphe Choler and Eugène Vachette *1857: ''La filleule du chansonnier'', drama in 3 acts, mixed with song, after the songs by Béranger, with Léon Beauvallet *1859: ''Paris s'amuse !'', comédie en vaudevilles in 3 acts, with Adolphe Choler *1861: ''Gare l'eau'', review of 1860 in 3 acts and 5 tableaux *1861: ''Le Trou à la lune'', fantasy play in 3 acts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
