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Lysistrate
''Lysistrata'' ( or ; Attic Greek: , ''Lysistrátē'', "Army Disbander") is an ancient Greek comedy by Aristophanes, originally performed in classical Athens in 411 BC. It is a comic account of a woman's extraordinary mission to end the Peloponnesian War between Greek city states by denying all the men of the land any sex, which was the only thing they truly and deeply desired. Lysistrata persuades the women of the warring cities to withhold sexual privileges from their husbands and lovers as a means of forcing the men to negotiate peace—a strategy, however, that inflames the battle between the sexes. The play is notable for being an early exposé of sexual relations in a male-dominated society. Additionally, its dramatic structure represents a shift from the conventions of Old Comedy, a trend typical of the author's career. It was produced in the same year as the ''Thesmophoriazusae'', another play with a focus on gender-based issues, just two years after Athens' catastrophic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sex Strike
A sex strike (sex boycott), or more formally known as Lysistratic nonaction, is a method of nonviolent resistance in which one or more persons refrain from or refuse sex with partners until policy or social demands are met. It is a form of temporary sexual abstinence. Sex strikes have been used to protest many issues, from war to gang violence to policies. The effectiveness of sex strikes is contested. Historical Ancient Greece The most famous example of a sex strike in the arts is the Greek playwright Aristophanes' work ''Lysistrata'', an anti-war comedy. The female characters in the play, led by the eponymous Lysistrata, withhold sex from their husbands as part of their strategy to secure peace and end the Peloponnesian War. Nigeria Among the Igbo people of Nigeria, in pre-colonial times, the community of women periodically formed themselves into a Council, a kind of women's trade union. This was headed by the Agba Ekwe, 'the favoured one of the goddess Idemil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside seem to have existed in the 6th century BC and ear ... Kydathenaion ( la, Cydathenaeum), was a comedy, comic playwright or comedy-writer of Classical Athens, ancient Athens and a poet of Ancient Greek comedy, Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Ancient Greek comedy, Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubrey Beardsley
Aubrey Vincent Beardsley (21 August 187216 March 1898) was an English illustrator and author. His black ink drawings were influenced by Woodblock printing in Japan, Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He was a leading figure in the Aestheticism, aesthetic movement which also included Oscar Wilde and James McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster art, poster styles was significant despite his early death from tuberculosis. He is one of the important Modern Style (British Art Nouveau style), Modern Style figures. Early life, education, and early career Beardsley was born in Brighton, Sussex, England, on 21 August 1872 and christened on 24 October 1872. His father, Vincent Paul Beardsley (1839–1909), was the son of a Clerkenwell jeweler; Vincent had no trade himself (partly owing to inherited tuberculosis, from which his own father had died aged only 40), and relied on a private income ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimon
Cimon or Kimon ( grc-gre, Κίμων; – 450BC) was an Athenian ''strategos'' (general and admiral) and politician. He was the son of Miltiades, also an Athenian ''strategos''. Cimon rose to prominence for his bravery fighting in the naval Battle of Salamis (480 BC), during the Second Persian invasion of Greece. Cimon was then elected as one of the ten ''strategoi'', to continue the Persian Wars against the Achaemenid Empire. He played a leading role in the formation of the Delian League against Persia in 478 BC, becoming its commander in the early Wars of the Delian League, including at the Siege of Eion (476 BC). In 466 BC, Cimon led a force to Asia Minor, where he destroyed a Persian fleet and army at the Battle of the Eurymedon river. From 465 to 463 BC he suppressed the Thasian rebellion, in which the island of Thasos attempted to leave the Delian League. This event marked the transformation of the Delian League into the Athenian Empire. Cimon to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmodius And Aristogeiton
Harmodius (Greek: Ἁρμόδιος, ''Harmódios'') and Aristogeiton (Ἀριστογείτων, ''Aristogeíton''; both died 514 BC) were two lovers in Classical Athens who became known as the Tyrannicides (τυραννόκτονοι, ''tyrannoktonoi'') for their assassination of Hipparchus, the brother of the tyrant Hippias, for which they were executed. A few years later, in 510 BC, the Spartan king Cleomenes I forced Hippias to go into exile, therefore opening the way to the subsequent democratic reforms of Cleisthenes. The Athenian democrats later celebrated Harmodius and Aristogeiton as national heroes, partially to conceal the role played by Sparta in the removal of the Athenian tyranny. Cleisthenes notably commissioned the famous statues of the Tyrannicides. Background The two principal historical sources covering Harmodius and Aristogeiton are the ''History of the Peloponnesian War'' (VI, 56–59) by Thucydides, and '' The Constitution of the Athenians'' (XVIII) attribut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippias (tyrant)
Hippias ( grc-gre, Ἱππίας; c. 570 BC – 490 BC) was the last tyrant of Athens, ruling from 527 to 510 BC. He was one of a group of tyrants known as the Peisistratids, which was a group of three tyrants in Ancient Greece. Pisistratus first, and then his son, Hippias, followed after him by Hippias' illegitimate son, Hegesistratos. He was deposed when Cleomenes I of Sparta successfully invaded Athens and forced him to flee to Persia. Early life Hippias was born around 570 BC as the eldest son of Pisistratus, the first tyrant of Athens. When his father was forced to flee to Eretria after insulting Megakles by having intercourse with his daughter in an indecent way, Peisistratos held counsel with his sons. Hippias suggested that they should retake the tyranny, which his father agreed to. Preparations began for which Athens fell to Peisistratos for the third time in 546 BC. Tyrant of Athens Hippias succeeded Peisistratos as tyrant of Athens in 528/7 BC when his father d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herma
A herma ( grc, ἑρμῆς, pl. ''hermai''), commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. Hermae were so called either because the head of Hermes was most common or from their etymological connection with the Greek word (blocks of stone), which originally had no reference to Hermes at all. The form originated in ancient Greece, and was adopted by the Romans (called mercuriae), and revived at the Renaissance in the form of term figures and atlantes. Origin In the earliest times Greek divinities were worshipped in the form of a heap of stones or a shapeless column of stone or wood. In many parts of Greece there were piles of stones by the sides of roads, especially at their crossings, and on the boundaries of lands. The religious respect paid to such heaps of stones, especially at the meeting of roads, is shown by the custom of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korybantes
According to Greek mythology, the Korybantes or Corybantes (also Corybants) (; grc-gre, Κορύβαντες) were the armed and crested dancers who worshipped the Phrygian goddess Cybele with drumming and dancing. They are also called the ''Kurbantes'' in Phrygia. Etymology The name ''Korybantes'' is of uncertain etymology. Edzard Johan Furnée and R. S. P. Beekes have suggested a Pre-Greek origin. Others refer the name to *κορυβή (''korybé''), the Macedonian version of κορυφή (''koryphé'') "crown, top, mountain peak", explaining their association with mountains, particularly Olympus. Family The Korybantes were the offspring of Apollo and the Muse Thalia or Rhytia (Rhetia).Strabo, ''Geographica'10.3.19 One account attests the parentage to Zeus and the Muse Calliope, or of Helios and Athena, or lastly, of Cronus. Cretan counterparts The Kuretes or Kouretes () (see ''Ecstatics'' below) were nine dancers who venerated Rhea, the Cretan counterpart of Cybele. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athenian Coup Of 411 BC
The Athenian coup of 411 BC was the result of a revolution that took place during the Peloponnesian War between Athens and Sparta. The coup overthrew the democratic government of ancient Athens and replaced it with a short-lived oligarchy known as the Four Hundred. In the wake of the financial crisis caused by the failed Sicilian Expedition of the Athenian military in 413 BC, some high-status Athenian men, who had disliked the broad-based democracy of the city-state for a long time, sought to establish an oligarchy of the elite. They believed that they could manage foreign, fiscal, and war policies better than the existing government. The movement toward oligarchy was led by a number of prominent and wealthy Athenians, who held positions of power in the Athenian army at Samos in coordination with Alcibiades. Background By the time of the Peloponnesian War, the democracy in Athens was approximately 100 years old. Most of the upper class accepted this form of government, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peace Of Nicias
The Peace of Nicias was a peace treaty signed between the Greek city-states of Athens and Sparta in March 421 BC that ended the first half of the Peloponnesian War. In 425 BC, the Spartans had lost the battles of Pylos and Sphacteria, a severe defeat resulting in the Athenians holding 292 prisoners. At least 120 were Spartiates, who had recovered by 424 BC, when the Spartan general Brasidas captured Amphipolis. In the same year, the Athenians suffered a major defeat in Boeotia at the Battle of Delium, and in 422 BC, they were defeated again at the Battle of Amphipolis in their attempt to take back that city. Both Brasidas, the leading Spartan general, and Cleon, the leading politician in Athens, were killed at Amphipolis. By then, both sides were exhausted and ready for peace. The negotiations were started by Pleistoanax, King of Sparta, and Nicias, an Athenian general. The most amicable proposal was to return everything to the prewar state except for Nisaea and Plataea. Athens w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peace (play)
''Peace'' ( grc-gre, Εἰρήνη ''Eirḗnē'') is an Athenian Old Comedy written and produced by the Greek playwright Aristophanes. It won second prize at the City Dionysia where it was staged just a few days before the validation of Peace of Nicias, which promised to end the ten-year-old Peloponnesian War, in 421 BC. The play is notable for its joyous anticipation of peace and for its celebration of a return to an idyllic life in the countryside. However, it also sounds a note of caution, there is bitterness in the acknowledgment of lost opportunities, and the ending is not happy for everyone. As in all of Aristophanes' plays, the jokes are numerous, the action is wildly absurd and the satire is savage. Cleon, the pro-war populist leader of Athens, is once again a target for the author's wit, even though he had died in the Battle of Amphipolis just a few months earlier. Plot Short summary: Trygaeus, a middle-aged Athenian, miraculously brings about a peaceful end to the Pelopon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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