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Lyre-guitar
A musical instrument of the chordophone family, the lyre-guitar was a type of guitar shaped to look like a lyre, popular as a fad-instrument in the late 1800s. It had six single courses, with a fretboard located between two curved arms recalling the shape of the ancient Greek kithara. It was tuned and played like the conventional guitar. The lyre-guitar nearly always had a built-in pedestal allowing it to stand upright when not in use. History Pierre Charles Mareschal claimed to have invented it in 1780, what he called the ''Lira Anacreòntica''. Mareschal was a prominent French luthier, and accused the French musician Phillis Pleyel of stealing his design. The lyre-guitar enjoyed great popularity as a salon instrument, especially in Paris between 1780 and 1820. It became very much in vogue and pervaded the highest levels of society; Marie Antoinette played one and the great guitarists of the day such as Ferdinando Carulli, Fernando Sor, Matteo Carcassi, Mauro Giulia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp-guitar
The harp guitar is a guitar-based stringed instrument generally defined as a "guitar, in any of its accepted forms, with any number of additional unstopped strings that can accommodate individual plucking." The word "harp" is used in reference to its harp-like unstopped open strings. A harp guitar must have at least one unfretted string lying off the main fretboard, typically played as an open string. This family consists of many varieties of instrument configurations. Most readily identified are American harp guitars with either hollow arms, double necks or harp-like frames for supporting extra bass strings, and European bass guitars (or contraguitars). Other harp guitars feature treble or mid-range floating strings, or various combinations of multiple floating string banks along with a standard guitar neck. Electric harp guitars While most players of harp guitars play on acoustic instruments, a few of them also work with electric instruments. Notable artists who played elec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyre
The lyre () is a stringed musical instrument that is classified by Hornbostel–Sachs as a member of the lute-family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute in which the strings are attached to a yoke that lies in the same plane as the sound table, and consists of two arms and a crossbar. The lyre has its origins in ancient history. Lyres were used in several ancient cultures surrounding the Mediterranean Sea. The earliest known examples of the lyre have been recovered at archeological sites that date to c. 2700 BCE in Mesopotamia. The oldest lyres from the Fertile Crescent are known as the eastern lyres and are distinguished from other ancient lyres by their flat base. They have been found at archaeological sites in Egypt, Syria, Anatolia, and the Levant. The round lyre or the Western lyre also originated in Syria and Anatolia, but was not as widely used and eventually died out in the east c. 1750 BCE. The round lyre, called so fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Carulli
Ferdinando Maria Meinrado Francesco Pascale Rosario Carulli (9 February 1770 – 17 February 1841) was an Italian composer for classical guitar and the author of the influential ''Méthode complète pour guitare ou lyre'', op. 27 (1810), which contains music still used by student guitarists today. He wrote a variety of works for classical guitar, including numerous solo and chamber works and several concertos. He was an extremely prolific writer, composing over 400 works for the instrument. Biography Carulli was born to an affluent, upper-class family in Naples. His father, Michele, was a distinguished literator, secretary to the delegate of the Neapolitan Jurisdiction. Like many of his contemporaries, he was taught musical theory by a priest, who was also an amateur musician. Carulli's first instrument was the cello, which he taught from the local priest, but when he was twenty he discovered the guitar and devoted his life to the study and advancement of the guitar. As there we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wornum
Robert Wornum (1780–1852) was a piano maker working in London during the first half of the 19th century. He is best known for introducing small cottage and oblique uprights and an action considered to be the predecessor of the modern upright action which was used in Europe through the early 20th century. His piano manufacturing business eventually became Robert Wornum & Sons and continued half a century after his death. Art historian Ralph Nicholson Wornum (1812–1877) was his son. Early life and career Robert Wornum was born on 1 October 1780, son of music seller and violin maker Robert Wornum (1742–1815), who worked at Glasshouse street, London, and after about 1777, at 42 Wigmore Street, near Cavendish Square. Piano historian Alfred J. Hipkins wrote the younger Wornum was originally intended for the church,Alfred J. Hipkins "Robert Wornum" ''A Dictionary of Music and Musicians'' vol.4. Macmillan & Co., London. 1890. p. 489 but by 1810 had the position of foreman at music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven (Mähler, 1804–05)
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pianoforte
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Jean Porro
Pierre-Jean Porro (7 December 1750 – 31 May 1831) was an influential French classical guitarist, composer and music publisher. Life Porro was born in Bagnols, Provence, France, with the French surname ''Porre'', later italianising his name according to the fashion of the time. He received his early musical training in Béziers before moving to Paris in 1783. There he taught guitar and worked as a music publisher. By 1786, responding to the increased demand for printed music, Porro expanded his publishing house and diversified into musical instrument sales. He was also an editor and publisher of various journals such as the weekly ''Le Journal de Guitare'' (1787–1803) in which he published his own compositions as well as French editions of the works of Italian composers such as Francesco Durante, Jommelli, Giovanni Battista Pergolesi in addition to those of the composers of his time such as Mozart and Haydn. In all, he published 37 works for the 5- and 6-string guitars and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
