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Luys Ycart
Luys Ycart (Floruit, fl. 1396–1433), or Lluís Icart () in modern orthography, was a Catalan people, Catalan poet. He left behind fourteen lyric poems and a long poem called ''Consolació i Avís d'amor'' ("Consolation and Advice of Love"). All of his poetry was produced before the composition of the chansonnier Cançoner Vega-Aguiló, Vega-Aguiló (1420–30), into which it was copied soon after it was written. Life Luys was a minor nobleman, the son of Pere Ycart and Johanna de Subirats from Lleida. As early as 1396 he had a relationship with a woman known as Lionor de Pau. He was Accolade, dubbed a knight in 1429 or 1430. He married a woman named Blanquina in an unknown year, but his four children were still young in 1433. Luys participated in the Lleidan feuds that dominated the local situation in the 1420s and 1430s. In 1430 the offenders, including Luys and his enemy Felip Claver, were fined by Maria of Castile, Queen Maria. In 1433 Maria confiscated Luys' property ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consistori Del Gay Saber
The Consistori del Gay Saber (; "Consistory of the Gay Science") was a poetic academy founded at Toulouse in 1323 to revive and perpetuate the lyric poetry of the troubadours. Also known as the Acadèmia dels Jòcs Florals or Académie des Jeux Floraux ("Academy of the Floral Games"), it is the most ancient literary institution of the Western world. It was founded in 1323 in ToulouseM. de Ponsan, ''Histoire de l' Académie des Jeux floraux'' (Toulouse, 1764), p. 4, French. and later restored by Clémence Isaure as the Consistori del Gay Saber with the goal of encouraging Occitan poetry. The best verses were given prizes at the floral games in the form of different flowers, made of gold or silver, such as violets, rose hips, marigolds, amaranths or lilies. The Consistori eventually became gallicised. It was renewed by Louis XIV in 1694 and still exists today. The has had such prestigious members as Ronsard, Marmontel, Chateaubriand, Voltaire, Alfred de Vigny, Victor Hugo and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ausiàs March
Ausiàs March (Catalan and ; 1400March 3, 1459) was a medieval Valencian poet and knight from Gandia, Valencia. He is considered one of the most important poets of the "Golden Century" (''Segle d'or'') of Catalan/Valencian literature. Biography Not much is known of March's life. He was born in approximately 1400 to a Valencian noble family. His father, Pere March, was himself a poet and served at the court of the younger brother of King Alfonso IV, Peter. His uncle, Jaume March II, was also a poet. March was one of the two children of Pere's second wife, Lionor of Ripoll; he had a younger sister, Peirona. In 1413, the still-young March became head of his family—part of the Valencian petty nobility—upon the death of his father. From a very young age he took part in the expeditions that King Alfons el Magnànim carried out in the Mediterranean. After returning from these expeditions in 1427, he settled in Gandia. After his return, he would never again leave the region where h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jordi De Sant Jordi
Jordi de Sant Jordi (; late 1390s – c. 1424) was a Valencian poet and knight. Along with his contemporary Ausiàs March, Sant Jordi was among the earliest and most representative figures of the so-called Valencian Golden Age, one of the peak periods of the Catalan literature. He was patronised by Queen-Dowager Margarida of Aragon-Prades, widow of King Martí I. Sant Jordi was born in the Kingdom of Valencia, the son of a freed morisco slave. He was Chamberlain at the court of King Alfons V of Aragon (Alfons III of Valencia) but he is best known for his poetry. Sant Jordi took part in King Alfonso's expedition to the Kingdom of Naples, where he was captured by the forces of Francesco Sforza on 30 May 1423. During his captivity, he wrote one of his best-known poems, 'Prisoner'. He died around 1424. Among later writers who appear to draw from his work is Joan Roís de Corella Joan Roís de Corella (; Gandia or Valencia, 1435 – Valencia, 1497) was a Catalan-languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (poetry)
Madrigal ( it, madrigale) is the name of a form of poetry, the exact nature of which has never been decided in English. The definition given in the ''New English Dictionary'', "a short lyrical poem of amatory character," offers no distinctive formula; some madrigals are long, and many have nothing whatever to do with love. The most important English collection of madrigals, not set to music, was published by William Drummond of Hawthornden (1585–1649) in his ''Poems'' of 1616. Perhaps the best way of ascertaining what was looked upon in the 17th century as a madrigal is to quote one of Drummond's: This may be taken as a type of Drummond's madrigals, of which he has left us about eighty. They are serious, brief, irregular lyrics, in which neither the amatory nor the complimentary tone is by any means obligatory. Some of these pieces contain as few as six lines, one as many as fourteen, but they average from nine to eleven. In the majority of examples the little poem opens with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John I Of Aragon
John I (27 December 1350 – 19 May 1396), called by posterity the Hunter or the Lover of Elegance, but the Abandoned in his lifetime, was the King of Aragon from 1387 until his death. Biography John was the eldest son of Peter IV and his third wife, Eleanor, who was the daughter of Peter II of Sicily. He was born in Perpignan, capital of the Rousillon, which at that time was part of the Principality of Catalonia, in the Crown of Aragon. He was a man of character, with a taste for verse. He was a Francophile and married Violant of Bar against the wishes of his father, who had wanted him to marry a princess of Sicily. His last marriage was happy. His wife frequently participated in government, since the king was often ill. Once on the throne, John abandoned his father's relatively Anglophile policy and made an alliance with France. He continued Aragon's support for the Pope of the Avignon line, Clement VII, in the Western Schism. John also made an alliance with Castile, and confi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violant De Bar
Violant of Bar (c. 1365 – 3 July 1431) was Queen of Aragon by marriage to John I of Aragon. She was active in matrimonial politics and served as "Queen-Lieutenant" (regent) of Aragon as proxy of her spouse from 1388 until 1395. Life She was the daughter of Robert I, Duke of Bar and Marie of Valois. Violante was the eighth of eleven children. She was married in 1380 at the age of 15 to John, Duke of Girona, the heir apparent to the throne of Aragon, thus becoming Duchess of Girona and Countess of Cervera. Her husband became King of Aragon in 1387. He was often ill, and Violant wielded considerable administrative power on his behalf: in 1388, she was queen-lieutenant and governed Aragon as such for seven years. She transformed the Aragonese court into a center of French culture. She especially cultivated the talents of Provençal troubadours (poet-musicians). After John died in 1396, Violant announced that she was pregnant, but her sister-in-law, Maria de Luna, wasted no time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesc De Pau
Francesc () is a masculine given name of Catalan origin. It is a cognate of Francis, Francesco, Francisco, François, and Franz. People with the name include: *Cesc Fàbregas (Francesc Fàbregas i Soler) (born 1987), Spanish professional football player * Francesc Antoni de la Dueña y Cisneros (1753–1821), Roman Catholic prelate; Bishop of Urgell 1797–1816 * Francesc Areny Casal (contemporary), Andorran politician *Francesc Arnau (1975–2021), Spanish professional football player *Francesc Bellmunt (born 1947), Spanish screenwriter and film director *Francesc Berenguer i Mestres (1866–1914), Spanish Art Nouveau architect *Francesc Cambó (1876–1947), Spanish politician, government minister, and artistic supporter * Francesc Candel Tortajada (a.k.a. Paco Candel) (1925–2007), Spanish writer and journalist *Francesc Capdevila (born 1956), Spanish artist and illustrator *Francesc de Tamarit (1600–1653), Spanish politician and military leader during the Catalan Revolt *Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamberlain (office)
A chamberlain (Medieval Latin: ''cambellanus'' or ''cambrerius'', with charge of treasury ''camerarius'') is a senior royal official in charge of managing a royal household. Historically, the chamberlain superintends the arrangement of domestic affairs and was often also charged with receiving and paying out money kept in the royal chamber. The position was usually honoured upon a high-ranking member of the nobility (nobleman) or the clergy, often a royal favourite. Roman emperors appointed this officer under the title of ''cubicularius''. The Chamberlain of the Holy Roman Church enjoys very extensive powers, having the revenues of the papal household under his charge. As a sign of their dignity, they bore a key, which in the seventeenth century was often silvered, and actually fitted the door-locks of chamber rooms. Since the eighteenth century, it has turned into a merely symbolic, albeit splendid, rank-insignia of gilded bronze. In many countries there are ceremonial posts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planh
A genre of the troubadours, the or (; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady."Elisabeth Schulze-Busacker, "Topoi", in F. R. P. Akehurst and Judith M. Davis, eds., ''A Handbook of the Troubadours'' (Berkeley: University of California Press, 1995), pp. 421–440. Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul.Patricia Harris Stäblein, "New Views on an Old Problem: The Dynamics of Death in the ", ''Romance Philology'' 35, 1 (1981): 223–234. It is descended from the medieval Latin .William D. Paden, "Planh/Complainte", in W. W. Kibler and G. A. Zinn, eds., ''Medieval France: An Encyclopedia'' (New York: Garland, 1995), pp. 1400–1401. The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobla (Occitan Literary Form)
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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