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Lust (Ambitious Lovers Album)
''Lust'' is the third album by Ambitious Lovers. It was released in 1991 through Elektra Records. It was the band's final album. The band's cover of Jorge Ben's "Umbabarauma" was a minor dance hit. Production The album was produced by band member Peter Scherer. Critical reception ''Trouser Press'' wrote that "''Lust'' has enough of that unique Lindsay guitar squeal to keep the old-timers interested, but traditionalists might be disappointed that Arto’s turning into an out-and-out crooner — and a damn good one at that." ''The New York Times'' thought that the album "works with the idea that the subversion of mass-market tastes can be achieved by slipping in noise, odd sounds and other things under a shiny, pop veneer." The ''Spin Alternative Record Guide'' wrote that it oozes "sensual, hypnotic funk and samba." Track listing Personnel ;Ambitious Lovers *Arto Lindsay – vocals, guitar *Peter Scherer – keyboards, synthesizer bass, sampling, production ;Addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambitious Lovers
Ambitious Lovers were a musical duo composed of guitarist/singer Arto Lindsay and keyboardist Peter Scherer, active from the mid-1980s to the early 1990s. Their music incorporated elements from Brazilian music and funk. Despite strong reviews from critics for their three albums, Ambitious Lovers found little success with mainstream audiences. Band history Lindsay had earlier been active with DNA, a seminal group in New York City's noisy no wave music scene. With Ambitious Lovers, however, Lindsay would reduce the abrasive qualities in his music (apart from his own distinctive, untrained guitar mangling), and increase the presence of standard pop music elements. Notable was a strong influence from Brazilian music and funk, with Lindsay sometimes singing in Portuguese. ''Envy'' (1984) was the first of a projected series of albums inspired by the seven deadly sins, though Ambitious Lovers recorded only ''Greed'' (1988) and ''Lust'' (1991) before disbanding. Most of their albums fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caetano Veloso
Caetano Emanuel Viana Teles Veloso (; born 7 August 1942) is a Brazilian composer, singer, guitarist, writer, and political activist. Veloso first became known for his participation in the Brazilian musical movement Tropicalismo, which encompassed theatre, poetry and music in the 1960s, at the beginning of the Brazilian military dictatorship that took power in 1964. He has remained a constant creative influence and best-selling performing artist and composer ever since. Veloso has won nine Latin Grammy Awards and two Grammy Awards. On November 14, 2012, Veloso was honored as the Latin Recording Academy Person of the Year. Veloso was one of seven children born into the family of José Telles Velloso (commonly known as ''Seu Zeca''), a government official, and Claudionor Viana Telles Veloso (known as ''Dona Canô''). He was born in the city of Santo Amaro da Purificação, in Bahia, a state in the eastern area of Brazil, but moved to Salvador, the state capital, as a college ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naná Vasconcelos
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Björk, Jan Garbarek, Egberto Gismonti, Gato Barbieri, and Milton Nascimento. Biography Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists' works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including '' Possible Musics'' by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album ''Singing Drums'' along with Paul Motian. He also appears on Arild Andersen's album ''If You Look Far Enough'' with Ralph Towner. He formed a group named Codona with Don Cherry and Collin Walcott, which released three albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Ribot
Marc Ribot (; born May 21, 1954) is an American guitarist and composer. His work has touched on many styles, including no wave, free jazz, rock, and Cuban music. Ribot is also known for collaborating with other musicians, most notably Tom Waits, Elvis Costello, Vinicio Capossela and John Zorn. Biography Marc Ribot was born in Newark, New Jersey. He grew up in the Montrose section of South Orange, New Jersey. He has worked extensively as a session guitarist. He has performed and recorded with Tom Waits, Caetano Veloso, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski, Martin and Wood, Cibo Matto, Sam Phillips, Elvis Costello, Tift Merritt, Allen Ginsberg, Foetus, Robert Plant and Alison Krauss, Susana Baca, The Black Keys, Vinicio Capossela, Alain Bashung, McCoy Tyner, Elton John, Madeleine Peyroux, Marianne Faithfull, Diana Krall, Mike Patton, Stormin’ Norman and Suzy Williams, Neko Case, Joe Henry, Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvin Gibbs
Melvin Gibbs is an American bass guitarist who has appeared on close to 200 albums in diverse genres of music. Among others, Gibbs is known for working in jazz with drummer Ronald Shannon Jackson and guitarist Sonny Sharrock, and in rock music with Rollins Band and Arto Lindsay. Career A native of Brooklyn, New York, Gibbs attended Medgar Evers College and the Brooklyn Conservatory of Music. After graduating from Berklee College of Music, Gibbs first came to public notice as a member of the group Defunkt, which was a mainstay of the early 1980s downtown New York scene. Throughout most of the 1980s, he played in drummer Ronald Shannon Jackson's Decoding Society with guitarist Vernon Reid and with guitarist Sonny Sharrock and saxophonist John Zorn. With Jackson and guitarist Bill Frisell he was a member of the group Power Tools. Gibbs co-led the band Eye and I with D.K. Dyson who also co-founded the Black Rock Coalition of which he is an original member. Gibbs took on the rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Bass
Keyboard bass (shortened to keybass and sometimes referred as a synth-bass) is the use of a smaller, low-pitched keyboard with fewer notes than a regular keyboard or pedal keyboard to substitute for the deep notes of a bass guitar or double bass in music. History Early keyboard bass The pipe organ is the first, and the forefather of keyboard bass instruments. The bass pedal keyboard was developed in the 13th century. The keys for the hands are also capable of playing very low pipe tones. 1960s The earliest keyboard bass instrument was the 1960 Fender Rhodes piano bass, pictured to the right. The piano bass was essentially an electric piano containing the same pitch range as the most widely-used notes on an electric bass (or the double bass), which could be used to perform bass lines. It could be placed on top of a piano or organ, or mounted on a stand. Keyboard players such as The Doors' Ray Manzarek placed his Fender Rhodes piano bass on top of his Vox Continental or Gibson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
