Lunar New Year Film
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Lunar New Year Film
A Chinese New Year film (, Mandarin: ''hèsuìpiān'', Cantonese: ''ho6seoi3pin3'') refers to movies usually released during the Chinese New Year period. It is a film that varies in genre (fantasy, comedy, action, animation, and the like) but whose style is generally relaxed and humorous. It is focused around the horoscope animal, theme, and other attributes for the upcoming year, taking these Chinese New Year ideas and presenting them in a modern and exciting way. A recent tradition, it has become a popular way to celebrate Chinese New Year. In recent years, attendance at screenings for such films has grown during the holiday. The tradition can be traced back to the operatic players in the late Qing dynasty and began in Hong Kong about 30 years ago. Early examples of Chinese New Year films include Bloom and Prosper (1937), which broke box office records, and others throughout the 1950s and '60s. The 1970s saw the rise of Kung Fu films, while the 1980s and '90s were marked by Hong ...
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Chinese New Year
Chinese New Year is the festival that celebrates the beginning of a New Year, new year on the traditional lunisolar calendar, lunisolar and solar Chinese calendar. In Sinophone, Chinese and other East Asian cultures, the festival is commonly referred to as the Spring Festival () as the Spring (season), spring season in the lunisolar calendar traditionally starts with lichun, the first of the twenty-four solar terms which the festival celebrates around the time of the Chinese New Year. Marking the end of winter and the beginning of the spring season, observances traditionally take place from Chinese New Year's Eve, New Year’s Eve, the evening preceding the first day of the year to the Lantern Festival, held on the 15th day of the year. The first day of Chinese New Year begins on the new moon that appears between 21 January and 20 February. Chinese New Year is one of the most important holidays in Chinese culture, and has strongly influenced Lunar New Year celebrations of its 5 ...
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Home Sweet Home ( 1961 Film )
Home Sweet Home may refer to: Film * ''Home, Sweet Home'' (1914 film), a film about the life of John Howard Payne * ''Home Sweet Home'' (1917 film), a British silent film * ''Home Sweet Home'' (1926 film), a silent film drama * ''Home, Sweet Home'' (1933 film), a British film starring Richard Cooper * ''Home Sweet Home'' (1945 film), a British comedy film starring Frank Randle * ''Home Sweet Home'' (1970 film), a Taiwanese film awarded a Golden Horse Award for Best Feature Film * ''Home Sweet Home'' (1973 film), a Belgian film directed by Benoît Lamy * ''Home Sweet Home'' (1981 film), a slasher film starring Jake Steinfeld * ''Home Sweet Home'' (1982 film), a Mike Leigh television film * ''Home Sweet Home'' (2005 film), a Hong Kong horror film * ''Home Sweet Home'' (2013 film), a Canadian horror film starring Meghan Heffern * ''Home Sweet Home'' (2014 film), a 2014 Indian Konkani language comedy film ** '' Home Sweet Home 2'', a 2015 Indian Konkani language film * ...
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Winners And Sinners
''Winners and Sinners'' (, also known as ''5 Lucky Stars'') is a 1983 Hong Kong action comedy film written and directed by Sammo Hung, who also starred in the film. The film co-stars Jackie Chan and Yuen Biao, the latter serving as one of the film's action directors. It was the first in the ''Lucky Stars'' series of films a highly successful series in Hong Kong. The film co-stars Chan in a significant role as an error-prone police officer. It also features a cameo appearance from Yuen as another police officer who gets into a fight with Chan's character. The film is followed by ''My Lucky Stars'' and ''Twinkle, Twinkle Lucky Stars'', insofar as the "Five Lucky Stars" concept and many of the same actors return in those latter films. However, the character names and indeed their roles differ - Stanley Fung's character is the nominal "leader" of the quintet in ''Winners and Sinners'', whereas Hung's character takes the mantle in the latter films. Plot Five prisoners - Teapot ...
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Aces Go Places
''Aces Go Places'', (), also known in the United States as ''Diamondfinger'' or ''Mad Mission'', is a 1982 Hong Kong action comedy film directed by Eric Tsang, and starring Samuel Hui and Karl Maka. It is the first installment in the ''Aces Go Places'' film series. Plot A suave, smooth burglar named King Kong tries to make up for his thieving ways by teaming up with an Albert 'Baldy' Au, a bumbling Taishanese police detective from the United States. Both work together to try to find a set of stolen diamonds; the diamonds are also being tracked by a European criminal known as 'White Gloves'. The two heroes are supervised by Superintendent Nancy Ho, who has a temper. Cast * Samuel Hui as King Kong * Karl Maka as Albert Au * Sylvia Chang as Supt. Nancy Ho * Dean Shek as Gigolo Joe (special guest appearance) * Tsui Hark as Ballerina Director (special guest appearance) * Carroll Gordon as Ding Dong * Chan Sing as Mad Max * Anna Ng as Rose * Lindzay Chan as Ballerina * Veronica ...
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Movie Star
A movie star (also known as a film star or cinema star) is an actor or actress who is famous for their starring, or leading, roles in movies. The term is used for performers who are marketable stars as they become popular household names and whose names are used to promote movies, for example in trailers and posters. The most prominent movie stars are known in the industry as bankable stars. United States Hollywood's early years In the early days of silent movies, the names of the actors and actresses appearing in them were not publicized or credited because producers feared this would result in demands for higher salaries.100 years of movie stars: 1910-1929
, ''The Independent'', January 25, 2010.
However, audience curiosity soon undermined ...
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Mad Mission 1
''Aces Go Places'', (), also known in the United States as ''Diamondfinger'' or ''Mad Mission'', is a 1982 Hong Kong action comedy film directed by Eric Tsang, and starring Samuel Hui and Karl Maka. It is the first installment in the ''Aces Go Places'' film series. Plot A suave, smooth burglar named King Kong tries to make up for his thieving ways by teaming up with an Albert 'Baldy' Au, a bumbling Taishanese police detective from the United States. Both work together to try to find a set of stolen diamonds; the diamonds are also being tracked by a European criminal known as 'White Gloves'. The two heroes are supervised by Superintendent Nancy Ho, who has a temper. Cast * Samuel Hui as King Kong * Karl Maka as Albert Au * Sylvia Chang as Supt. Nancy Ho * Dean Shek as Gigolo Joe (special guest appearance) * Tsui Hark as Ballerina Director (special guest appearance) * Carroll Gordon as Ding Dong * Chan Sing as Mad Max * Anna Ng as Rose * Lindzay Chan as Ballerina * Veron ...
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Hui Brothers
The Hui people ( zh, c=, p=Huízú, w=Hui2-tsu2, Xiao'erjing: , dng, Хуэйзў, ) are an East Asian ethnoreligious group predominantly composed of Chinese-speaking adherents of Islam. They are distributed throughout China, mainly in the northwestern provinces and in the Zhongyuan region. According to the 2011 census, China is home to approximately 10.5 million Hui people. The 110,000 Dungan people of Kazakhstan and Kyrgyzstan are also considered part of the Hui ethnicity. The Hui have a distinct connection with Islamic culture. For example, they follow Islamic dietary laws and reject the consumption of pork, the most commonly consumed meat in China, and have developed their own variation of Chinese cuisine. They also dress differently than the Han Chinese, some men wear white caps (taqiyah) and some women wear headscarves, as is the case in many Islamic cultures. The Hui people are one of 56 ethnic groups recognized by China. The government defines the Hui peopl ...
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Security Unlimited
''Security Unlimited'' (Chinese: 摩登保鑣) is a 1981 Hong Kong comedy film directed by and starring Michael Hui and co-starring his brothers Samuel Hui and Ricky Hui, who are known as the Hui Brothers. Michael Hui was awarded Best Actor at the 1st Hong Kong Film Awards, making him the first ever recipient for the award. Plot Chow Sai-cheung (Michael Hui), a bitter supervisor of a Hong Kong private security company, teaches unusual guard tactics to new recruits such as electric mats, parachuting off burning buildings and counter-attacking gunfire. He was secretly observed by his new boss (Stanley Fung) and Sylvester (Arnis Hasi), unimpressed by his work, the new boss demotes Chow and promotes Chow's assistant Sam (Samuel Hui). Under the leadership of Sam, Chow and new recruit Bruce Tang (Ricky Hui) encounter a slew of misadventures, including pursuing stowaways on a party boat. Bruce ultimately falls in love with one of the stowaways. Finally, they all get entangled in a plot ...
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Jackie Chan
Fang Shilong (born 7 April 1954), known professionally in English as Jackie Chan and in Chinese as Cheng Long ( zh, c=成龍, j=Sing4 Lung4; "becoming the dragon"), is a Hong Kong actor, filmmaker, martial artist, and stuntman known for his slapstick acrobatic fighting style, comic timing, and innovative stunts, which he typically performs himself. Chan has been acting since the 1960s, performing in more than 150 films. He is one of the most popular action film stars of all time. Chan is one of the most recognisable and influential film personalities in the world, with a widespread global following in both the Eastern and Western hemispheres. He has received fame stars on the Hong Kong Avenue of Stars and the Hollywood Walk of Fame. Chan has been referenced in various pop songs, cartoons, films, and video games. He is an operatically trained vocalist and is also a Cantopop and Mandopop star, having released a number of music albums and sung many of the theme songs for ...
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Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ...
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Kung Fu Film
Kung fu film () is a subgenre of martial arts films and Hong Kong action cinema set in the contemporary period and featuring realistic martial arts. It lacks the fantasy elements seen in ''wuxia'', a related martial arts genre that uses historical settings based on ancient China. Swordplay is also less common in kung-fu films than in ''wuxia'' and fighting is done through unarmed combat. Kung fu films are an important product of Hong Kong cinema and the West, where it was exported. Studios in Hong Kong produce both wuxia and kung fu films. History The kung fu genre was born in Hong Kong as a backlash against the supernatural tropes of wuxia. The wuxia of the period, called ''shenguai wuxia'', combined '' shenguai'' fantasy with the martial arts of wuxia. Producers of wuxia depended on special effects to draw in larger audiences like the use of animation in fight scenes. The popularity of shenguai wuxia waned because of its cheap effects and fantasy cliches, paving way for the ris ...
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The 36th Chamber Of Shaolin
''The 36th Chamber of Shaolin'', also known as ''The Master Killer'', ''Shaolin Master Killer'' and ''Shao Lin San Shi Liu Fang'', is a 1978 Hong Kong kung fu film directed by Lau Kar-leung and produced by Shaw Brothers, starring Gordon Liu. The film follows a highly fictionalized version of San Te, a legendary Shaolin martial arts disciple who trained under the general Chi Shan. ''The 36th Chamber of Shaolin'' is widely considered to be one of the greatest kung fu films and a turning point in its director's and star's careers. It was followed by ''Return to the 36th Chamber'', which was more comedic in presentation and featured Gordon Liu as the new main character with another actor in the smaller role of San Te, and ''Disciples of the 36th Chamber''. Plot A young student named Liu Yude is drawn by his activist teacher into the local rebellion against the Manchu government. The government officials, headed by the brutal General Tien Ta, however, quickly discover and suppre ...
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