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Lumb Stocks
Lumb Stocks (29 November 1812 – 28 April 1892) was a British engraver. In a long career he produced engravings from paintings by notable artists of the day. Early life Stocks was born at Gawbert Hall, Lightcliffe, near Halifax, Yorkshire, the third of five children of William Stocks, a coalmine-owner, and wife Mary ''née'' Lumb. He was educated at Horton House School, Horton, near Bradford, and while there he received instruction in drawing from Charles Cope, father of the painter and engraver Charles West Cope. Aged fifteen he moved to London and was apprenticed for six years to the line engraver Charles Rolls. In 1832 he exhibited at the Royal Academy of Arts a ''Portrait of a Young Artist''. His apprenticeship ended in 1833. Early career Stocks engraved plates for the literary annuals then in vogue, among which were "The Lace Maker" and "Going to Service", after James Inskipp, for the ''Amulet'' of 1835. He engraved for William Finden's ''Royal Gallery of British Art'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lightcliffe
Lightcliffe is a village in the Calderdale district in West Yorkshire, England. Historically part of the West Riding of Yorkshire, it is situated approximately three miles east of Halifax and two miles north west of Brighouse. Lightcliffe was a separate parish in 1846 in the West Riding of Yorkshire."Lightcliffe" Online Visual Archive of Calderdale History (calderdale.gov.uk). Retrieved 7 December 2011. Lightcliffe is a dormitory village for people working in Halifax, Brighouse, and Bradford, and commuting to , |
Augustus Wall Callcott
Sir Augustus Wall Callcott (20 February 177925 November 1844) was an English landscape painter. Life and work Callcott was born at Kensington Gravel Pits, a village on the western edge of London, in the area now known as Notting Hill Gate. His first study was music and he sang for several years in the choir of Westminster Abbey. But at the age of twenty he had determined to give up music, became a student of the Royal Academy, and began his artistic career as a painter of portraits under the tuition of John Hoppner. The first picture he exhibited was a portrait of ''Miss Roberts'', and its success at the Royal Academy in 1799 is said to have led to his final choice of painting as a profession. His preference for landscape, including river and coast scenery, soon showed itself, and after 1804 he exhibited nothing but landscapes for many years. The skill of his execution, the elegance of his design, and the charming tone of his works caused his reputation to rise steadily. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Wilkie (artist)
Sir David Wilkie (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably '' The Chelsea Pensioners reading the Waterloo Dispatch'' of 1822 in Apsley House. Early life David Wilkie was born in Pitlessie Fife in Scotland on 18 November 1785. He was the son of the parish minister of Cults, Fife. Caroline Wilkie was a relative. He developed a love for art at an early age. In 1799, after he had attended school at Pitlessie, Kingsket ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Noel Paton
Sir Joseph Noel Paton (13 December 1821 – 26 December 1901) was a Scottish artist, illustrator and sculptor. He was also a poet and had an interest in, and knowledge of, Scottish folklore and Celtic legends. Early life He was born in Wooer's Alley, Dunfermline, Fife, on 13 December 1821 to Joseph Neil Paton and Catherine MacDiarmid, damask designers and weavers in the town. He was the brother of the sculptor Amelia Robertson Hill, and the landscape artist Waller Hugh Paton. He also had one brother, Archibald, and two sisters, Catherine and Alexia, who died in childhood. Later in his life, Paton erected a monument on the grave site of his parents and siblings. Their graves were probably originally unmarked; the monument lies on the north side of Dunfermline Abbey and—amongst nearby smaller, sandstone markers—is a distinctive red granite Celtic cross. Paton attended Dunfermline School and then Dunfermline Art Academy, further enhancing the talents he had developed as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moritz Steinla
Moritz Steinla (21 August 1791 – 21 September 1858) was a German engraver. Life His family name was Müller; he took the name Steinla after his place of birth, near Hildesheim, when his work became well-known. After studying at the Dresden Academy of Fine Arts, Dresden Academy, he went to Italy and studied with Giuseppe Longhi and Raffaello Sanzio Morghen. From about 1838 he was professor of copper engraving at the Dresden Academy. remaining in the post until 1 April 1858, the year of his death. His works include engravings based on paintings by Titian, Raphael and Fra Bartolomeo. Steinla died in Dresden in 1858. He had a large collection of paintings, copper engravings, coins and fossils; this mostly came into the possession of the royal collections at Dresden. References {{DEFAULTSORT:Steinla, Moritz 1791 births 1858 deaths People from Hildesheim German engravers 19th-century engravers Artists from Lower Saxony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Robert Leslie
Charles Robert Leslie (19 October 1794 – 5 May 1859) was an English genre painter. Biography Leslie was born in London to American parents. When he was five years of age he returned with them to the United States, where they settled in Philadelphia. Leslie completed his education and afterwards became apprenticed to a bookseller. He was, however, mainly interested in painting and drama, and when George Frederick Cooke visited the city he executed a portrait of the actor from recollection of him on the stage, which was considered a work of such promise that a fund was raised to enable the young artist to study in Europe. He left for London in 1811, bearing introductions which procured for him the friendship of West, Beechey, Allston, Coleridge and Washington Irving, being admitted as a student of the Royal Academy, where he carried off two silver medals. At first, influenced by West and Fuseli, he essayed high art, and his earliest important subject depicted Saul and the Wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Uwins
Thomas Uwins (24 February 1782, in London – 26 August 1857) was a British portrait, subject, genre and landscape painter (in watercolour and oil), and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and Keeper of the National Gallery. Life and work Early years and training Uwins was born at Hermes Hill, Pentonville in London, the youngest of the four children of Thomas Uwins, a clerk in the Bank of England. David Uwins (c. 1780-1837), physician and medical writer, was his elder brother. Thomas showed talent as an artist from an early age, and had some instruction from the drawing-master at his sister's school. He was a day scholar at Mr. Crole's school in Queen's Head Lane, Islington, for 6 years, and in 1797, at the age of 15, was apprenticed to the engraver Benjamin Smith (d. 1833). W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Collection
Robert Vernon (1774–1849) was an English contractor and businessman, known as a patron of art. Life Vernon was a self-made man, a jobmaster, posting contractor, and dealer in horses in London in a large way. He amassed a fortune as contractor for the supply of horses to the British armies during the Napoleonic wars. Between 1820 and 1847 Vernon collected about 200 pictures by living British artists, with a few by other European painters. On 22 December 1847 he presented a selection of 157 pictures from his collection to the nation. This collection was housed at first in Marlborough House; it was moved to the South Kensington Museum, and in 1876 to the National Gallery in Trafalgar Square. It was subsequently split between the National Gallery and Tate Gallery. He also intended to give money in his will to support art and artists. In the event Leicester Viney Smith inherited from the unmarried Vernon, changing his surname to do so. Vernon was a fellow of the Society of Antiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Collection
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Art Journal
''The Art Journal'' was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title ''Art Union Monthly Journal'' (or ''The Art Union''), the first issue of 750 copies appearing 15 February 1839. It was published in London but its readership was global in reach. History Hodgson & Graves hired Samuel Carter Hall as editor of ''Art Union Monthly Journal'', assisted by James Dafforne. Hall soon became the principal proprietor, but he was unable to turn a profit on his own. The London publisher George Virtue bought a share of the business in 1848, with Hall remaining as editor, and they renamed the periodical ''The Art Journal'' in 1849. In 1851, as part of the "Great Exhibition" of that year, ''The Art Journal'' featured Hall's engravings of 150 pictures from the private collections of Queen Victoria and Prince Albert. Although this project was popular, the publication remained unprofitable, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Powell Frith
William Powell Frith (9 January 1819 – 2 November 1909) was an English painter specialising in genre subjects and panoramic narrative works of life in the Victorian era. He was elected to the Royal Academy in 1853, presenting ''The Sleeping Model'' as his Diploma work. He has been described as the "greatest British painter of the social scene since Hogarth". Early life William Powell Frith was born in Aldfield, near Ripon in the then West Riding of Yorkshire on 9 January 1819. He had originally intended to be an auctioneer. Frith was encouraged to take up art by his father, a hotelier in Harrogate. Frith was great uncle and an advisor to the English school portrait painter Henry Keyworth Raine (1872–1932). He moved to London in 1835 where he began his formal art studies at Sass's Academy in Charlotte Street, before attending the Royal Academy Schools. Frith started his career as a portrait painter and first exhibited at the British Institution in 1838. In the 1840s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Webster (painter)
Thomas Webster (10 March 180023 September 1886), was a British painter of genre scenes of school and village life, many of which became popular through prints. He lived for many years at the artists' colony at Cranbrook in Kent. Life Webster was born in Ranelagh Street, Pimlico, London. His father was a member of the household of George III, and the son, having shown an aptitude for music, became a chorister, first at St George's Chapel in Windsor Castle, and then the Chapel Royal at St. James's Palace in London. He abandoned music for painting, however, and in 1821 was admitted as a student at the Royal Academy, exhibiting, in 1824, a portrait of "Mr Robinson and Family". In the following year he won first prize in the school of painting. In 1825, also, Webster exhibited ''Rebels shooting a Prisoner'', at the Suffolk Street Gallery - the first of a series of pictures of schoolboy life for which he subsequently became known. In 1828 he exhibited ''The Gunpowder Plot a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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