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Luis De Narváez
Luis de Narváez ( fl. 1526–1549) was a Spanish composer and vihuelist. Highly regarded during his lifetime, Narváez is known today for '' Los seys libros del Delphín'', a collection of polyphonic music for the vihuela which includes the earliest known variation sets. He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music. Life The exact date or even year of Narváez's birth is unknown. He was born in Granada and the earliest surviving references to him indicate that as early as 1526 he was a member of the household of Francisco de los Cobos y Molina, a well-known and very successful patron of the arts who was the Secretary of State and ''commentator'' for the kingdom of Castile under Charles V. Narváez lived in Valladolid with his patron until the latter's death in 1547, although he was working for the Duke of Medina Sidonia between 1539 and 1540. Gómez Fernández, Lucía, Música, nobleza y mecenazgo. Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Seys Libros Del Delphin
LOS, or Los, or LoS may refer to: Science and technology * Length of stay, the duration of a single episode of hospitalisation * Level of service, a measure used by traffic engineers * Level of significance, a measure of statistical significance * Line-of-sight (other) * LineageOS, a free and open-source operating system for smartphones and tablet computers * Loss of signal ** Fading **End of pass (spaceflight) * Loss of significance, undesirable effect in calculations using floating-point arithmetic Medicine and biology * Lipooligosaccharide, a bacterial lipopolysaccharide with a low-molecular-weight * Lower oesophageal sphincter Arts and entertainment * ''The Land of Stories'', a series of children's novels by Chris Colfer * Los, or the Crimson King, a character in Stephen King's novels * Los (band), a British indie rock band from 2008 to 2011 * Los (Blake), a character in William Blake's poetry * Los (rapper) (born 1982), stage name of American rapper Carlos Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Pujol
Emilio Pujol Vilarrubí (or ''Emili''; 10 September 1886 – 21 November 1980) was a Spanish composer, guitarist and a leading teacher of the classical guitar. Biography Emili Pujol was born in the little village of Granadella just outside Lleida, Spain. He began his studies with Francisco Tárrega in 1902, when he was sixteen years of age. At this time, Miguel Llobet was making his debut as a concert artist outside Barcelona. Pujol fondly remembered his first encounter with Tárrega and in his biography of his teacher, he described his ''mestre'' in very endearing, romantic terms. During the war years 1914–1918 he did not travel much and mainly remained in Catalonia. In 1918 he undertook his first tour of South America, starting in Buenos Aires. The only major interruptions in his concert travels were his marriage to Matilde Cuervas in Paris, an Andalusian flamenco guitarist, and the period of time he devoted to historical research in Paris into the instrumental predecessors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Hercules Dux Ferrariae
The ''Missa Hercules dux Ferrariae'' is a setting of the Ordinary of the Mass composed by Josquin des Prez, and dedicated to Ercole d'Este I, Duke of Ferrara. The musical source material for the mass, the cantus firmus, is derived from the musical letters in the Duke's name, a technique called ''soggetto cavato''. History The interest of the ''Missa Hercules Dux Ferrariae'' lies in Josquin's association with the court of Ferrara. However, there are no records of an explicit or formal relationship between Josquin des Prez and the Duke of Ferrara. There is, however, much to suggest an informal relationship. Duke Ercole d'Este I of Ferrara reigned from 1471 to 1505. His accomplishments during his reign are significant. The revival of classical drama at the court opened the way to a "lively tradition of secular theatre that lasted through the sixteenth century and is significant for the pre-history of opera." During his reign, the architect Biagio Rossetti enlarged the city and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Courtois (composer)
Jean Courtois (floruit, fl. 15301545) was a composer of the Franco-Flemish School of the generation after Josquin des Prez. He was ''Kapellmeister, maitre de chapelle'' to the Roman Catholic Archdiocese of Cambrai, Archbishop of Cambrai in present-day France. His motet ''Venite populi terrae'' was written to celebrate Charles V, Holy Roman Emperor, Emperor Charles V and was performed in the Cathedral; the Emperor would have heard it in 1539 on his march to suppress the Revolt of Ghent (1539), Revolt of Ghent. He wrote around 20 chansons, 15 motets, and 2 Mass (music), masses.''The Harvard Biographical Dictionary of Music'', edited by Don Michael Randel (Belknap Press, 1996), p. 182. Courtois’ work exhibits the varied imitative procedures and shifting textural treatment which typify the Franco-Netherlandish motet style. The chansons, for 4 voices, are in the "Parisian" style of the day; the works for 5 or 6 voices are in the more contrapuntal "Netherlandish" style. See also * Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Richafort
Jean Richafort ( – ) was a Netherlandish composer of the Renaissance, a member of the third generation of the Franco-Flemish School. He was probably born in Hainaut, and his native language appears to have been French. According to the poet Ronsard, Richafort studied with Josquin des Prez, an association further borne out by the fact that he composed a requiem "in memoriam Josquin Desprez". Richafort served as choir master at St. Rumbold's Cathedral in Mechelen between 1507 and 1509, and at St. Giles' church in Bruges between 1542 and 1547—leaving a huge gap in the record of his activity. At some time between these dates he was associated with the French royal chapel, since some of his music is for official occasions connected with Louis XII, and there is some evidence he may have been in Brussels in 1531 in the service of Queen Mary of Hungary, who was regent there. Musically, Richafort was a representative of the first generation after Josquin, and he followed hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Gombert
Nicolas Gombert (c. 1495 – c. 1560)Atlas, p. 396 was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex polyphonic style of this period in music history. Life Details of his early life are sketchy, but he was probably born around 1495 in southern Flanders, probably between Lille and Saint-Omer, possibly in the town of La Gorgue. German writer and music theorist Hermann Finck wrote that Gombert studied with Josquin; this would have been during the renowned composer's retirement in Condé-sur-l'Escaut, sometime between 1515 and 1521.Nugent/Jas, Grove online Gombert was employed by the emperor Charles V as a singer in his court chapel in 1526 and possibly as a composer as well. Most likely he was taken on while Charles was passing through Flanders, for the emperor traveled often, bringing his retinue with him, and picking up new members as h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intabulation
Intabulation, from the Italian word ''intavolatura'', refers to an arrangement of a vocal or ensemble piece for keyboard, lute, or other plucked string instrument, written in tablature. History Intabulation was a common practice in 14th–16th century keyboard and lute music. A direct effect of intabulation was one of the early advantages of keyboards, the ability to render multiple instruments' music on one instrument. The earliest intabulation is from the mid-14th century '' Robertsbridge Codex'', also one of the first sources of keyboard music still in existence. Some other early sources of intabulated music are the ''Faenza Codex'' and the Reina manuscripts (from the 14th century) and the ''Buxheim manuscript'' (from the 15th century). The ''Faenza manuscript'', the largest of these early manuscripts, written circa 1400, contains pieces written or transcribed in the 14th century, such as those by Francesco Landini and Guillaume de Machaut. More than half of its pieces are int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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