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Ludwig Wüllner
Ludwig Wüllner (19 August 1858 – 19 March 1938) was a German concert and operatic tenor, as well as an actor and narrator. He is regarded as one of the most versatile and important stage performers of his time. Life Born in Münster, Wüllner was the son of the composer and conductor Franz Wüllner and grandson of the philologist (1798–1842). His mother was Anna, ''née'' Ludorff. He learned to play the piano and violin at an early age and sang in the choir of the , which he attended in 1876 – among others with , Karl Schlösser, Gustav von Schoch and Carl Seitz. From 1876 to 1880, he read German studies in Munich and Berlin and received his doctorate in 1881 in Strasbourg with the topic "Das Hrabanische Glossar und die ältesten Bayrischen Sprachdenkmäler. A grammatical treatise". After further studies in Berlin, he was Privatdozent for German philology at the Royal Theological and Philosophical Academy in Münster (today University of Münster) from 1884 to 1887. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Perscheid
Nicola Perscheid (3 December 1864 – 12 May 1930) was a German photographer. He is primarily known for his artistic portrait photography. He developed the "Perscheid lens", a soft focus lens for large format portrait photography. Life and career Perscheid was born as Nikolaus Perscheid in near Koblenz, German Confederation, where he also went to school. At the age of 15, he began an apprenticeship as a photographer. Subsequently, Perscheid earned his living as an itinerant photographer; he worked, amongst other places, in Saarbrücken, Trier, and Colmar, but also in Nice, Vienna, or Budapest. In Klagenfurt in Austria he finally found a permanent position and on 1 March 1887, he became a member of the Photographic Society of Vienna (''Wiener Photographische Gesellschaft''). In 1889, he moved to Dresden, where he initially worked in the studio of Wilhelm Höffert (1832–1901), a well-known studio in Germany at that time, before opening his own studio in Görlitz on 6 June 1891 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Nikisch
Arthur Nikisch (12 October 185523 January 1922) was a Hungarian conductor who performed internationally, holding posts in Boston, London, Leipzig and—most importantly—Berlin. He was considered an outstanding interpreter of the music of Bruckner, Tchaikovsky, Beethoven and Liszt. Johannes Brahms praised Nikisch's performance of his Fourth Symphony as "quite exemplary, it's impossible to hear it any better." Biography Arthur Augustinus Adalbertus Nikisch was born in Mosonszentmiklós, Hungary, to a Hungarian father and a mother from Moravia. Nikisch began his studies at the Vienna Conservatory in 1866. There he studied under the composer Felix Otto Dessoff, the conductor Johann von Herbeck, and the violinist Joseph Hellmesberger, Jr. and won prizes for composition and performance on violin and piano. He was engaged as a violinist in the Vienna Philharmonic, and also played in the Bayreuth Festival orchestra in its inaugural season of 1876. He achieved most of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Steinbach
Fritz Steinbach (17 June 1855 – 13 August 1916) was a German conductor and composer who was particularly associated with the works of Johannes Brahms. Born in Grünsfeld, he was the brother of conductor Emil Steinbach. He studied at the Leipzig Conservatory and in Vienna. Among his teachers were Martin Gustav Nottebohm and Anton Door. In 1886, he succeeded Richard Strauss as the conductor of the Meiningen Court Orchestra. He remained there until 1902, during which time he often collaborated with Brahms and gave frequent guest performances at the court of Georg II, Duke of Saxe-Meiningen. From 1898 to 1901 he was President of the Allgemeiner Deutscher Musikverein. He was the music director of the Gürzenich Orchestra in Cologne from 1902 to 1914. He served as the director of the Lower Rhenish Music Festival in 1904, 1907, 1910, and 1913. He taught conducting at the Cologne Conservatory where his pupils included Adolf Busch (in composition), Fritz Busch (in conducting), Allard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsches Nationaltheater Und Staatskapelle Weimar
The (DNT) is a German theatre and musical organisation based in Weimar. It is a twin institution, consisting of the theatrical (German National Theatre, now solely based in Weimar) and the symphony orchestra known as the . It has a total of six stages across the city and also hosts touring orchestras and theatre companies, as well as making appearances in electronic media. Venues # Main House ('), traditional main stage on Theaterplatz (music and theatre) # Foyer and Studio Stage ('), within the main house on Theaterplatz (music and theatre; cabaret) # ''E-Werk Weimar'', a former industrial site with two venues, ' and ' (music and theatre) # ' (concerts by the Staatskapelle Weimar) The Staatskapelle Weimar History The precursor ensemble of Staatskapelle Weimar dates from 1482, with the formation of a musical ensemble in service of the Weimar ''Fürsten'' (Princes). In 1602, the ensemble attained resident status at the Weimar court, as the ''Herzoglichen Hofkapelle'' (Ducal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altes Theater (Leipzig)
The Altes Theater was the first theatre building in the German city of Leipzig. It was on the site of today's tramway station Goerdelerring near Richard-Wagner-Platz. History Commissioned by the businessman Benedikt Zehmisch in 1766 from the architect Georg Rudolph Fäsch (1710–1787), it was at first called the ''Theater auf der Rannischen Bastei'' and sited on the foundations of a bastion on the city wall. It had three tiers of seating and boxes, with a capacity of 1186 standing and seated. It opened on 7 October 1766 with the tragedy ''Hermann'' by Johann Elias Schlegel, a ballet and a comedy - the audience included Johann Wolfgang von Goethe. In 1768 Gotthold Ephraim Lessing put on his play ''Minna von Barnhelm'' there. Johann Adam Hiller also sang there. The building was renovated and extended in 1796 and 1802 and finally converted to the classical style in 1817 by Friedrich Weinbrenner and the university's chief-of-works Carl August Benjamin Siegel. It reopened in 1817 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prinzregententheater
The Prinzregententheater, or, as it was called in its first decades, the Prinz-Regenten-Theater, in English the Prince Regent Theatre, is a concert hall and opera house on Prinzregentenplatz in the Bavarian capital of Munich, Germany. Building and History Initiated by Ernst von Possart, the theatre was built in the Prinzregentenstrasse (Munich), Prinzregentenstrasse as a festival hall for the operas of Richard Wagner near an area where a similar project of King Ludwig II of Bavaria, Ludwig II had failed some decades before. Named after Luitpold, Prince Regent of Bavaria, the building was designed by Max Littmann and opened 21 August 1901 with a production of ''Die Meistersinger von Nürnberg'' by Richard Wagner. Like the Bayreuth Festspielhaus, the auditorium was designed to Wagner’s specifications, but an amphitheater has replaced the box (theatre), loges. After the destruction of the National Theatre (Munich), Nationaltheater during World War II, the Prinzregententheater ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history) ''Encyclopedia of Austria'', Aeiou Project, 1999 The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances. History The original Burgtheater was set up in a |
