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Lucrezia Crivelli
Lucrezia Crivelli was a mistress of Ludovico Sforza "''il Moro''", Duke of Milan. She was the mother of Sforza's son, Giovanni Paolo I Sforza, Marquess of Caravaggio. Crivelli has been thought to be the subject of Leonardo da Vinci's painting, ''La belle ferronnière''. ''La belle ferronnière'' While unproven, Crivelli has long been presumed to be the subject of Leonardo da Vinci's painting ''La belle ferronnière'', which is displayed in the Louvre. The rationale for the Crivelli identification has been primarily based on da Vinci's earlier depiction of Cecilia Gallerani, in his painting, ''Lady with an Ermine''. Gallerani had been an earlier mistress of Sforza. In a 2011 exhibition at the National Gallery, London entitled, ''Leonardo Da Vinci: Painter at the Court of Milan'' (9 November 2011 – 5 February 2012), the gallery listed the painting as a possible portrait of Beatrice d'Este, wife of Ludovico Sforza, rather than his mistress, Crivelli. "Profile of a yo ...
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La Belle Ferronnière
''La Belle Ferronnière'' () is a portrait of a lady, usually attributed to Leonardo da Vinci, in the Louvre. It is also known as ''Portrait of an Unknown Woman.'' The painting's title, applied as early as the seventeenth century, identifying the sitter as the wife or daughter of an ironmonger (a ), was said to be discreetly alluding to a reputed mistress of Francis I of France, married to a certain Le Ferron. Later she was identified as Lucretia Crivelli, a married lady-in-waiting to Duchess Beatrice of Milan, who became another of the Duke's mistresses. Leonardo's ''Lady with an Ermine'' has also been known by this name. This was once believed to be a portrait of Cecilia Gallerani, one of the mistresses of Ludovico Sforza, Duke of Milan. The narrative and the title were applied to ''Lady with an Ermine'' when it was in Princess Czartoryski's collection, and became confused with ''La Belle Ferronnière'' by the presence in this image also of a jewel worn on a delicate chain ac ...
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Crivelli
Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after being ...
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15th-century Italian Nobility
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the wor ...
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1508 Deaths
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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1452 Births
145 may refer to: *145 (number), a natural number *AD 145, a year in the 2nd century AD *145 BC, a year in the 2nd century BC *145 (dinghy), a two-person intermediate sailing dinghy *145 (South) Brigade *145 (New Jersey bus) See also * List of highways numbered 145 The following highways are numbered 145: Australia * Lower Barrington Road, Paloona Road, Melrose Road, Bellamy Road, Forthside Road (Tasmania) * Inverleigh–Winchelsea Road (Victoria) Canada * Winnipeg Route 145 * New Brunswick Route 145 * ...
* {{Number disambiguation ...
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Isabella D'Este
Isabella d'Este (19 May 1474 – 13 February 1539) was Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion, whose innovative style of dressing was copied by numerous women. The poet Ariosto labeled her as the "liberal and magnanimous Isabella", while author Matteo Bandello described her as having been "supreme among women". Diplomat Niccolò da Correggio went even further by hailing her as "The First Lady of the world". She served as the regent of Mantua during the absence of her husband Francesco II Gonzaga and during the minority of her son Federico. She was a prolific letter-writer and maintained a lifelong correspondence with her sister-in-law Elisabetta Gonzaga. Isabella grew up in a cultured family in the city-state of Ferrara. She received a fine classical education and as a girl met many famous humanist scholars and artists. Due to the vast ...
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Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ...
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Lucrezia Landriani
Lucrezia Landriani (born c. 1440 – living 17 August 1507) was the mistress of Galeazzo Maria Sforza, Duke of Milan, and the mother of his renowned illegitimate daughter, Caterina Sforza, Lady of Imola, Countess of Forlì. Lucrezia had three other children by the Duke, and two by her husband. Biography Around 1450 Lucrezia married Cristoforo Lampugnani, son of Lucrezia Visconti and Giovanni Andrea Lampugnani. Later, she married Count Gian Piero Landriani, a courtier at the ducal court and a close friend of Galeazzo Maria Sforza (24 January 1444 – 26 December 1476), son of Francesco Sforza, Duke of Milan and Bianca Maria Visconti, Duchess of Milan. Galeazzo Maria would become Duke of Milan upon the death of his father on 8 March 1466. Lucrezia was born in Milan around 1440; nothing further, however, is known of her early years, or her parentage. A contemporary portrait of Lucrezia painted by Domenico Veneziano, shows her to have been quite beautiful, with blonde hair, blue ...
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Galeazzo Maria Sforza
Galeazzo Maria Sforza (24 January 1444 – 26 December 1476) was the fifth Duke of Milan from 1466 until his assassination a decade later. He was notorious for being lustful, cruel, and tyrannical. He was born to Francesco Sforza, a popular condottiero and ally of Cosimo de' Medici who would gain the Duchy of Milan in 1450, and Bianca Maria Visconti. He married into the Gonzaga family; on the death of his first wife Dorotea Gonzaga, he married Bona of Savoy. Cruel and vengeful, he was "a man who did great follies and dishonest things not to write." Life Galeazzo Maria Sforza was born in Fermo, near the family's castle of Girifalco, the first son of Francesco Sforza and Bianca Maria Visconti. At the death of his father (8 March 1466), Galeazzo was in France at the head of a military expedition to help King Louis XI of France against Charles I of Burgundy. Called back home by his mother, Galeazzo returned to Italy by an adventurous trip under a false name. The false ident ...
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Condottieri
''Condottieri'' (; singular ''condottiero'' or ''condottiere'') were Italian captains in command of mercenary companies during the Middle Ages and of multinational armies during the early modern period. They notably served popes and other European monarchs during the Italian Wars of the Renaissance and the European Wars of Religion. Notable ''condottieri'' include Prospero Colonna, Giovanni dalle Bande Nere, Cesare Borgia, the Marquis of Pescara, Andrea Doria, and the Duke of Parma. The term ''condottiero'' in medieval Italian originally meant "contractor" since the ''condotta'' was the contract by which the condottieri put themselves in the service of a city or of a lord. The term, however, became a synonym of "military leader" during the Renaissance and Reformation era. Some authors have described the legendary Alberto da Giussano as the "first condottiero" and Napoleon Bonaparte (in virtue of his Italian origins) as the "last condottiero". According to this view, the c ...
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Lady-in-waiting
A lady-in-waiting or court lady is a female personal assistant at a court, attending on a royal woman or a high-ranking noblewoman. Historically, in Europe, a lady-in-waiting was often a noblewoman but of lower rank than the woman to whom she attended. Although she may either have received a retainer or may not have received compensation for the service she rendered, a lady-in-waiting was considered more of a secretary, courtier, or companion to her mistress than a servant. In other parts of the world, the lady-in-waiting, often referred to as ''palace woman'', was in practice a servant or a slave rather than a high-ranking woman, but still had about the same tasks, functioning as companion and secretary to her mistress. In courts where polygamy was practised, a court lady was formally available to the monarch for sexual services, and she could become his wife, consort, courtesan, or concubine. ''Lady-in-waiting'' or ''court lady'' is often a generic term for women whose r ...
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Adolfo Venturi
Adolfo Venturi (3 September 1856, Modena – 10 June 1941, Santa Margherita Ligure) was an Italian art historian. His son, Lionello Venturi, was also an art historian. Biography He received his education in Modena and Florence, and in 1878 started working as a curator at the Galleria Estense in Modena. In 1888 he was appointed general inspector of the ''Accademia di Belle Arti di Roma''. In 1888, with Domenico Gnoli, he founded the journal, "''Archivio storico d'arte''" (after 1901 it was called "''L'Arte''"). He would remain editor of the publication up until 1940. From 1896 to 1931 he served as chair of medieval and modern art at the University of Rome.Venturi, Adolfo
Dictionary of Art Historians
In 1923, author John R. Eyre reported Venturi's opinion on the ''