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Lucky (character)
Lucky is a character from Samuel Beckett's '' Waiting for Godot''. He is a slave to the character Pozzo. Lucky is unique in a play where most of the characters talk incessantly: he only utters two sentences, one of which is more than seven hundred words long (the monologue). Lucky suffers at the hands of Pozzo willingly and without hesitation. He is "tied" (a favourite theme in ''Godot'') to Pozzo by a ridiculously long rope in the first act, and then a similarly ridiculous short rope in the second act. Both tie around his neck. When he is not serving Pozzo, he usually stands in one spot drooling, or sleeping if he stands there long enough. His props include a picnic basket, a coat, and a suitcase full of sand. Interpretation Lucky's place in ''Waiting for Godot'' has been heavily debated. Even his name is somewhat elusive. Some have marked him as "lucky" because he is "lucky in the context of the play." He does not have to search for things to occupy his time, which is a ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavery
Slavery and enslavement are both the state and the condition of being a slave—someone forbidden to quit one's service for an enslaver, and who is treated by the enslaver as property. Slavery typically involves slaves being made to perform some form of work while also having their location or residence dictated by the enslaver. Many historical cases of enslavement occurred as a result of breaking the law, becoming indebted, or suffering a military defeat; other forms of slavery were instituted along demographic lines such as race. Slaves may be kept in bondage for life or for a fixed period of time, after which they would be granted freedom. Although slavery is usually involuntary and involves coercion, there are also cases where people voluntarily enter into slavery to pay a debt or earn money due to poverty. In the course of human history, slavery was a typical feature of civilization, and was legal in most societies, but it is now outlawed in most countries of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pozzo (Waiting For Godot)
Pozzo is a character from Samuel Beckett's play '' Waiting for Godot''.Fletcher, J., "The Arrival of Godot" in ''The Modern Language Review'', Vol. 64, No. 1 (Jan., 1969), pp. 34–38 His name is Italian for "well" (as in "oil well"). On the surface he is a pompous, sometimes foppish, aristocrat (he claims to live in a manor, own many slaves and a Steinway piano), cruelly using and exploiting those around him (specifically his slave, Lucky and, to a lesser extent, Estragon). He wears similar clothes to Vladimir and Estragon (i.e. a bowler and suit), but they are not in the dire condition theirs are. ''Godot'''s antagonist While by no means a villain in a conventional sense of the word, Pozzo is sometimes considered (nominally) the "antagonist" of ''Waiting for Godot''. Although he is not technically in opposition to the so-called heroes of the play (Vladimir and Estragon) he does bring chaos into their sheltered world. Upon his first entrance, he immediately goes about attempt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picnic Basket
A picnic basket or picnic hamper is a basket intended to hold food and tableware for a picnic meal. Picnic baskets are standard equipment at many picnics. A traditional picnic hamper is made of woven wicker. While the basic concept of a picnic basket is quite simple, some picnic baskets sold by gourmet stores are quite large and elaborate, with insulated compartments to hold hot and cold foods, and dishware including wine glasses and porcelain plates which are secured in pockets along with items of cutlery, condiments, corkscrew etc. Many modern picnic baskets also have a special storage section to hold a bottle of wine, the traditional beverage brought along to intimate picnics. Some modern picnic baskets come with detachable blankets (to sit on) as well. An innovative picnic hamper advertised for American families in 1953 was designed to clamp over the seat at the back of the family car. The hamper opened with a "built-in midget-size icebox" and slide-out trays "for everyone wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir (Waiting For Godot)
Vladimir (affectionately known as Didi; a small boy calls him Mr. Albert) is one of the two main characters from Samuel Beckett's '' Waiting for Godot''. Personality The " optimist" (and, as Beckett put it, "the major character") of ''Godot'', he represents the intellectual side of the two main characters (in contrast to his companion Estragon's earthy simplicity). One explanation of this intellectualism is that he was once a philosopher. This would explain his constant references and his attempts to engage Estragon in philosophical/religious debate. Vladimir is deeply concerned with appearances and goes to great lengths to make sure Estragon behaves so that his own dignity is preserved. He is something of a pack rat: he carries all the food the tramps have (though he never eats himself), and has other (to quote the play) "miscellaneous" junk in various pockets. Another important prop is his bowler hat. He claims that it "hurts" him, and is eventually driven to appropriate Luck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estragon
Estragon (affectionately Gogo; he tells Pozzo his name is Adam) is one of the two main characters from Samuel Beckett's '' Waiting for Godot''. His name is the French word for tarragon. Personality The impulsive misanthrope Estragon represents the impulsive, simplistic side of the two main characters, much in contrast to his companion Vladimir's careful intellectualism and verbosity. He cares little for appearances, and is mostly concerned with eating and sleeping (much to Vladimir's chagrin). Due to his pessimistic outlook on life, he has abandoned all hope of any alleviation from their suffering, and regards "Godot" suspiciously. This is perhaps because Estragon has far more to worry about. Of the two, Estragon suffers the most physically. He is kicked by Lucky, takes numerous pratfalls, and is beaten by a gang of thugs every night. He also has great difficulty with his boots. In the first act, they do not fit and cause him pain. At the end of the act, he leaves them on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Berkeley
George Berkeley (; 12 March 168514 January 1753) – known as Bishop Berkeley (Bishop of Cloyne of the Anglican Church of Ireland) – was an Anglo-Irish philosopher whose primary achievement was the advancement of a theory he called "immaterialism" (later referred to as " subjective idealism" by others). This theory denies the existence of material substance and instead contends that familiar objects like tables and chairs are ideas perceived by the mind and, as a result, cannot exist without being perceived. Berkeley is also known for his critique of abstraction, an important premise in his argument for immaterialism. In 1709, Berkeley published his first major work, '' An Essay Towards a New Theory of Vision'', in which he discussed the limitations of human vision and advanced the theory that the proper objects of sight are not material objects, but light and colour. This foreshadowed his chief philosophical work, ''A Treatise Concerning the Principles of Human Knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett Characters
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of '' Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Characters Introduced In 1953
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Slaves
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
