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Luci Mie Traditrici
''Luci mie traditrici'' (My Traitorous Eyes) is an opera in two acts by Salvatore Sciarrino, who also wrote the libretto. It was first performed under the German title ''Die tödliche Blume'' (''The Deadly Flower'') on 19 May 1998 in the Schlosstheater Schwetzingen at the Schwetzingen Festival. The title is taken from a line in the opera by the countess. The couple's name ' Malaspina' is of an Italian noble family, but it translates as 'evil thorn'. A performance lasts about 1 1/4 hours. Composition history Sciarrino started composing the opera in 1996. He based the libretto on the 1590 murder by the composer Carlo Gesualdo of his wife and her lover, but while working on it he discovered that Alfred Schnittke was also composing an opera (''Gesualdo'', 1993) on the same story. Deleting the references to Gesualdo, Sciarrino turned to a play, ''Il tradimento per l'onore'', by Giacinto Andrea Cicognini, and also used an elegy of Claude Le Jeune, based on a text by Pierre de Ronsard ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ...
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Montepulciano
Montepulciano () is a medieval and Renaissance hill town and ''comune'' in the Italian province of Siena in southern Tuscany. It sits high on a limestone ridge, east of Pienza, southeast of Siena, southeast of Florence, and north of Rome by car. Montepulciano is a wine-producing region. The Vino Nobile di Montepulciano has Denominazione di origine controllata e garantita status and is, with the Brunello di Montalcino and Chianti Classico, one of the principal red wines of Tuscany. The Rosso di Montepulciano and Vin Santo di Montepulciano have Denominazione di origine controllata status. History According to legend, it was founded by the Etruscan King Lars Porsena of Clusium (modern Chiusi). Recent findings prove that a settlement was in existence in the 4th-3rd centuries BC. In Roman times it was the seat of a garrison guarding the main roads of the area. After the fall of the Western Roman Empire, it developed as a religious center under the Lombards. In the 12th centur ...
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Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ...
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Trisha Brown
Trisha Brown (November 25, 1936 – March 18, 2017) was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international postmodern dance. Early life and education Brown was born in Aberdeen, Washington in 1936, and received a B.A. degree in dance from Mills College in 1958. Brown later received a D.F.A. from Bates College in 2000. For several summers she studied with Louis Horst, José Limón, and Merce Cunningham at the American Dance Festival, then held at Connecticut College. Work Dance In 1960 Brown participated in an experimental workshop devoted to improvisation at the studio of Anna Halprin, in Kentfield, California. Subsequently, at the urging of fellow choreographers, Simone Forti and Yvonne Rainer, Brown moved to New York to study composition with Robert Dunn, who taught a cl ...
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Théâtre Royal De La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 198 ...
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Georg Nigl
Georg Nigl (born 1972) is an Austrian baritone in opera and concert, and a professor of voice at the State University of Music and Performing Arts Stuttgart. Performing internationally, he is known for roles in contemporary operas, such as creating the title role in Pascal Dusapin's '' Faustus, the Last Night'' at the Berlin State Opera. He names as his favourite roles Monteverdi's Orfeo, Mozart's Papageno and Alban Berg's Wozzeck. Career Born in Vienna, Nigl was a soprano soloist with the Wiener Sängerknaben. He studied voice at the Musikhochschule Wien with Margaretha Sparber and Rolf Sartorius, and Lied at the Konservatorium Wien with . He completed his studies with Kammersängerin Hilde Zadek. Nigl created the title role in Pascal Dusapin's opera '' Faustus, the Last Night'' at the Berlin State Opera, and participated in premieres of music by Friedrich Cerha, HK Gruber, Georg Friedrich Haas, Wolfgang Mitterer, Olga Neuwirth and Salvatore Sciarrino. He made his debut at th ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Kai Wessel (countertenor)
Kai Wessel (born 1964 in Hamburg) is a German countertenor and teacher at the Hochschule für Musik Köln. Professional career Kai Wessel started singing in school choirs and as a boy soprano at the Christus-Kirche of Hamburg-Wandsbek and received lessons on piano, organ and oboe. He studied to become a composer at the Lübeck Academy of Music but then concentrated on training his countertenor voice with Ute von Garczynski. He studied baroque performance practice at the Schola Cantorum Basiliensis with René Jacobs. His first concert was in Flensburg in 1984, his first opera appearance 1988 in the theatre of Freiburg im Breisgau. From 1994 to 2004, he was engaged at the theatre of Basel where he sang in productions of Herbert Wernicke in Handel's Theodora, Giulio Cesare and Israel in Egypt, among others. He took part in the project of Ton Koopman to record the complete vocal works of Johann Sebastian Bach with the Amsterdam Baroque Orchestra & Choir. Composers such as Mauri ...
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Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ...
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Paul Armin Edelmann
Paul Armin Edelmann (born 1968) is an Austrian operatic baritone. He received first musical training as a member of the Wiener Sängerknaben. After five years as an ensemble member at the Theater Koblenz, he has worked as a free-lance singer based in Vienna since 1997, appearing at major opera houses and festivals internationally, often together with his brother Peter Edelmann, also a baritone. Focused on Mozart roles such as Don Giovanni and Papageno, he also appeared at the Schwetzingen Festival in the world premiere of Salvatore Sciarrino's ''Luci mie traditrici''. Life and career Family and education Born in Vienna, Edelmann is the younger son of the Austrian opera singer Otto Edelmann, and the brother of Peter Edelmann, also a baritone. He was a member of the Wiener Sängerknaben from 1978 to 1982, and studied voice from 1987 to 1992 at the University of Music and Performing Arts Vienna with his father. Opera Edelmann was first an ensemble member at the Theater Koblen ...
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