Luca Ciamberlano
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Luca Ciamberlano
Luca Ciamberlano (born circa 1580) was an Italian painter and engraver of the Baroque period. Biography He was born at Urbino. In the early part of his life he applied himself to the study of civil law, in which he had taken a doctor's degree, when he abandoned the study of jurisprudence to devote himself to painting and engraving, particularly the latter. He became the leading graphic artist of his day. From 1599 to 1641 he resided at Rome, where he executed a great number of plates from his own designs, as well as after the works of the most celebrated Italian painters, in the style of Agostino Carracci. He codified and engraved Carracci's teaching system in a work published in Rome in 1626 by Pietro Stefanoni, called ''Scuola perfetta per imparare a disegnare tutto il corpo umano''. Ciamberlano collaborated with Guido Reni between 1610 and 1612, when he made engravings based on Reni's drawings of the ''Life of St Philip''. He engraved the anatomical drawings of Pietro da Cor ...
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Luca Ciamberlano - St
The last universal common ancestor (LUCA) is the most recent population from which all organisms now living on Earth share common descent—the most recent common ancestor of all current life on Earth. This includes all cellular organisms; the origins of viruses are unclear but they share the same genetic code. LUCA probably harboured a variety of viruses. The LUCA is not the first life on Earth, but rather the latest form ancestral to all existing life. While there is no specific fossil evidence of the LUCA, the detailed biochemical similarity of all current life confirms its existence. Its characteristics can be inferred from shared features of modern genomes. These genes describe a complex life form with many co-adapted features, including transcription and translation mechanisms to convert information from DNA to RNA to proteins. The LUCA probably lived in the high-temperature water of deep sea vents near ocean-floor magma flows around 4 billion years ago. Hist ...
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Francesco Maria II Della Rovere, Duke Of Urbino
Francesco Maria II della Rovere (20 February 1549 – 23 April 1631) was the last Duke of Urbino. Biography Born at Pesaro, Francesco Maria was the son of Guidobaldo II della Rovere, Duke of Urbino, Count of Montefeltro and Vittoria Farnese , Princess of Parma. He was raised between 1565 and 1568 at the Royal court of Philip II of Spain. While there he met a Spanish girl and informed his father of his intention to marry her . ''History of the popes; their church and state (Volume III)''
by Leopold von Ranke ( Library, 2009)
But his father would not allow it and demanded he return to Urbino. In 1570 Francesco Maria married
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Italian Engravers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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People From Urbino
A person (plural, : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal obligation, legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its us ...
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Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ...
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1580 Births
Year 158 ( CLVIII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Tertullus and Sacerdos (or, less frequently, year 911 ''Ab urbe condita''). The denomination 158 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * The earliest dated use of Sol Invictus, in a dedication from Rome. * A revolt against Roman rule in Dacia is crushed. China * Change of era name from ''Yongshou'' to ''Yangxi'' of the Chinese Han Dynasty. Births *Gaius Caesonius Macer Rufinianus, Roman politician (d. 237) Deaths * Wang Yi, Chinese librarian and poet (d. AD 89 AD 89 (LXXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Fulvus and ...
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Federico Barocci
Federico Barocci (also written ''Barozzi'')(c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy. Early life and training He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. Mature work in Rome and Urbino After passing four years at Rome, he returned to his native city, where his first work of art was a ''St. Margaret'' execu ...
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Alessandro Casolano
Alessandro Casolani (1552–1606) was an Italian painter of the late-Renaissance period, active mainly in Siena. Biography He was also called ''Alessandro della Torre''. He was born at Siena, and was the pupil of Ventura Salimbeni and of Cristoforo Roncalli. His works are principally in the churches of Siena, but are also found in Naples and Genoa. He also etched one plate, a Madonna. His son, Ilario Casolani was also a painter. Among the pupils of Casolani are Bernardino Capitelli, Sebastiano Folli, and Giovanni Biliverti. Works *Frescoes at Certosa di Pavia with Pietro Sorri Pietro Sorri (1558-1622) was an Italian painter active in Siena. Biography He first studied under Arcangelo Salimbeni (father of Ventura), and afterwards under Cavaliere Domenico Passignano, whom he accompanied to Venice. Several of his works ar ... References * * 1552 births 1606 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Siena I ...
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Jacopo Bassano
Jacopo Bassano (c. 1510 – 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, and took the village as his surname. Trained in the workshop of his father, Francesco the Elder, and studying under Bonifazio Veronese in Venice, he painted mostly religious paintings including landscape and genre scenes. He often treated biblical themes in the manner of rural genre scenes, portraying people who look like local peasants and depicting animals with real interest. Bassano's pictures were very popular in Venice because of their depiction of animals and nocturnal scenes. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter. Life He was born around 1510 in the town of Bassano del Grappa, located about 65 km from the city of Venice. His father, Francesco il Vecchio, was a l ...
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Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Burin (engraving)
A burin ( ) is a steel cutting tool used in engraving, from the French ''burin'' (cold chisel). Its older English name and synonym is graver. Etymology The term ''burin'' refers to a tool used by engravers that has a thin, pointed blade and it used to etch or cut. The first known use of the word dates back to France in the mid-1600s when the term was coined for the tool we know today. Design The burin consists of a rounded handle shaped like a mushroom, and a tempered steel shaft, coming from the handle at an angle, and ending in a very sharp cutting face. The most ubiquitous types have a square or lozenge face, a high-end repertoire has many others. A tint burin consists of a square face with teeth, to create many fine, closely spaced lines. A stipple tool allows for the creation of fine dots. A flat burin consists of a rectangular face, and is used for cutting away large portions of material at a time. The earliest uses of a burin come from the Lower Paleolithic era, t ...
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