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Love Tracks (Gloria Gaynor Album)
''Love Tracks'' is the sixth studio album by Gloria Gaynor, released in November 1978 on Polydor Records. History ''Love Tracks'' includes her million-selling #1 hit single " I Will Survive" which originally started out as the b-side to the album's first single, a cover of Clout's " Substitute" before it was flipped. (The 12" single was quickly deleted and the 4:56 album version was replaced with the 8:01 12" version in order to sell more albums). The song "Anybody Wanna Party" also became a hit, becoming a top 20 hit on the club/dance chart, as well as peaking at #16 on the R&B chart. The album was remastered and reissued with bonus tracks in 2013 by Big Break Records. Track listing Personnel *Gloria Gaynor – vocals * James Gadson – drums *Bob "Boogie" Bowles, Wah Wah Watson, Robert White – guitar *Peter Robinson, Freddie Perren – keyboards *Eddie Watkins, Scott Edwards – bass guitar * Paulinho da Costa, Bob Zimmitti – percussion *P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria Gaynor
Gloria Gaynor ( née Fowles; born September 7, 1943) is an American singer, best known for the disco era hits "I Will Survive" (1978), " Let Me Know (I Have a Right)" (1979), " I Am What I Am" (1983), and her version of "Never Can Say Goodbye" (1974). Early life Gaynor was born Gloria Fowles in Newark, New Jersey, to Daniel Fowles and Queenie Mae Proctor. Her grandmother lived nearby and was involved in her upbringing. "There was always music in our house", Gaynor wrote in her autobiography ''I Will Survive''. She enjoyed listening to the radio, and to records by Nat King Cole and Sarah Vaughan. Her father played the ukulele and guitar and sang professionally in nightclubs with a group called Step 'n' Fetchit. Gloria grew up a tomboy; she had five brothers and one sister. Her brothers sang gospel and formed a quartet with a friend. Gaynor was not allowed to sing with the all-male group, nor was her younger brother Arthur, as Gloria was a girl and he was too young. Arthur later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goin' Out Of My Head
"Goin' Out of My Head" is a song written by Teddy Randazzo and Bobby Weinstein, initially recorded by Little Anthony and the Imperials in 1964. Randazzo, a childhood friend of the group, wrote the song especially for them, having also supplied the group with their previous Top 20 Hit " I'm on the Outside (Looking In)". Their original version of the song was a ''Billboard'' Top 10 Pop smash, reaching No. 6 on the ''Billboard'' Hot 100, and No. 1 in the Canadian RPM-list in 1965. The song peaked at No. 8 on Cashbox magazine's R&B chart (Billboard was in a chart recess for R&B listings at that time). The Little Anthony and the Imperials original recording is the best-known version of the song, although it has since been covered by many other artists, including the Zombies, who released a rendition as their last single on Decca Records. Credits – The Imperials *"Little Anthony" Gourdine – Lead Vocals *Sammy Strain – First Tenor *Ernest Wright – Second Tenor *Clarence "Wah- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Page
Eugene Edgar Page Jr. (September 13, 1939 – August 24, 1998) was an American conductor, composer, arranger and record producer, most active from the mid-1960s through the mid-1980s. His sound can be heard in the arrangements he did for Jefferson Starship, the Righteous Brothers, the Supremes, the Four Tops, Barbra Streisand, Johnny Mathis, Donna Loren, Nancy Wilson, Martha and the Vandellas, Cher, Harriet Schock, Barry White, the Love Unlimited Orchestra, Dionne Warwick, Aretha Franklin, Whitney Houston, George Benson, the Jackson 5, Roberta Flack, Elton John (" Philadelphia Freedom"), Leo Sayer, Marvin Gaye, the Temptations, Frankie Valli, Helen Reddy and Lionel Richie among many other notable acts in popular music. In addition, he released four solo albums and scored various motion picture soundtracks that include ''Brewster McCloud'' and '' Fun with Dick and Jane''. In 1972, he was hired to score the Blaxplotation film ''Blacula''. Gene Page was the brother of musician, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert White (guitarist)
Robert Willie White (November 19, 1936 – October 27, 1994) was an American soul musician and a guitarist for Motown's in-house studio band, the Funk Brothers. Born in the small town of Billmeyer, Pennsylvania, he received music lessons from his uncle. He toured with The Moonglows and played bass prior to making Detroit his home in 1960. He did session work at Anna Records and later became one of the three core guitarists at Motown, along with Joe Messina and Eddie Willis. There, he performed primarily as a rhythm guitarist and played lead guitar when particular melodies needed his distinct tone. He is best known for writing and performing the guitar riff on The Temptations' number-one hit single " My Girl", and performed on numerous Motown hits, including "How Sweet It Is (To Be Loved by You)" and " What's Going On" by Marvin Gaye, "You Keep Me Hangin' On" by The Supremes, and " My Cherie Amour" by Stevie Wonder. Oscar Moore and Wes Montgomery were among White's influences. Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah Wah Watson
Melvin M. Ragin (December 8, 1950 – October 24, 2018), known professionally as "Wah Wah Watson", was an American guitarist who was a member of The Funk Brothers, the studio band for Motown Records. Career A native of Richmond, Virginia, Melvin Ragin moved to Detroit and became a member of the Motown Records studio band The Funk Brothers, where he recorded with artists like The Temptations (his guitar work on "Papa Was a Rollin' Stone" is particularly notable), The Jackson 5, the Four Tops, Gladys Knight & the Pips, and The Supremes. He played on numerous sessions in the 1970s and 1980s for many top soul, funk and disco acts, including Herbie Hancock; he both recorded and composed songs with the Pointer Sisters. In 1977, Watson released his first solo album, ''Elementary'', on Columbia Records. The album was co-produced by Watson and David Rubinson. In 1994, Watson appeared on the Red Hot Organization's compilation album, '' Stolen Moments: Red Hot + Cool''. The albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Gadson
James Gadson ( James Edward Gadson; born June 17, 1939) is an American drummer and session musician. Beginning his career in the late 1960s, Gadson has since become one of the most-recorded drummers in the history of R&B. He is also a singer and songwriter. Career Born in Kansas City, Missouri, Gadson played with the first line-up of Charles Wright's Watts 103rd Street Rhythm Band, and recorded three albums with them between 1968 and 1970. Along with other members of Wright's band, he went on to appear on many hit records, including with Dyke & the Blazers. Gadson started to become well known as a drummer following the release of the album ''Still Bill'' by Bill Withers, released by Sussex Records in 1972. He played on The Temptations album ''1990'', released on the Motown label in 1973. In 1975, he played with Freddie King on ''Larger Than Life'' and went on to record with Martha Reeves, Randy Crawford, Quincy Jones, Herbie Hancock, B.B. King, Albert King, Rose Royce, Elkie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Moulton
Thomas Jerome Moulton (, ; born November 29, 1940) is an American record producer. He experimented with remix in disco music and this led to its wide adoption as a standard practice in the industry. He also invented the breakdown section, and the 12-inch single vinyl format in the process. Life and career Moulton was born in Schenectady, New York, United States, as the oldest of five children to parents who both were jazz musicians. He worked as a model at the Bookings and Ford agencies before beginning his production career. Before that, he had worked in the music industry, first as kid working part-time in record shops, then holding a sales and promotion job at King Records (from 1959 to 1961), and similar positions at RCA and United Artists. He eventually left due to his disgust at the industry's dishonesty.Shapiro, Peter. ''Turn the Beat Around: the Secret History of Disco''. New York: Faber and Faber, Inc., 2005., p.40 His music career restarted in the late 1960s, with a sel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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