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Love Is Blindness
"Love Is Blindness" is a song by rock band U2, and the twelfth and final track on their 1991 album ''Achtung Baby''. The song was written on piano by lead singer Bono during the recording sessions for U2's 1988 album ''Rattle and Hum''. Originally intending to give the song to singer Nina Simone, the band decided to keep it for ''Achtung Baby'' after playing it together. Thematically, the song describes a failing romance, mixing personal themes with imagery of metaphorical acts of terrorism. During the recording sessions for ''Achtung Baby'', guitarist the Edge separated from his wife, Aislinn O'Sullivan. The separation had a major effect on the development of the song; Bono said that the ending guitar solo was a cathartic experience for the Edge, as he snapped several guitar strings during the recording. "Love Is Blindness" made its live debut on the group's 1992–1993 Zoo TV Tour and was performed regularly during the tour, appearing in 154 of its 157 concerts. It was commonl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achtung Baby
''Achtung Baby'' () is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release ''Rattle and Hum'', U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, ''Achtung Baby'' is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one. Seeking inspiration from German reunification, U2 began recording ''Achtung Baby'' at Berlin's Hansa Studios in October 1990. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After tension and slow progress nearly prom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Leonard Corporation
Hal Leonard LLC (formerly Hal Leonard Corporation) is an American music publishing and distribution company founded in Winona, Minnesota, by Harold "Hal" Edstrom, his brother, Everett "Leonard" Edstrom, and fellow musician Roger Busdicker. Currently headquartered in Milwaukee, Wisconsin, it is the largest sheet music publisher in the world. History 1947 to 2016 The company produces sheet music, songbooks, and method book (with audio) packs, and band, orchestra, and choral arrangements, reference books, instructional videos, and instrumental accompaniments. In addition, they distribute other brands, such as Gibraltar, Gretsch Drums, Avid, Blue Microphones, and many more. In 1989, Hal Leonard acquired Jenson Publications and its catalog of band, orchestra, and choral titles. In 1995, Hal Leonard began distributing Homespun Music Instruction instructional video and audio materials. In 1997, Hal Leonard and Music Sales Group founded SheetMusicDirect.com, the world's first website ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Edge Performing On Zoo TV Tour In Melbourne Nov 13 1993
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Player
''Guitar Player'' is an American popular magazine for guitarists, founded in 1967 in San Jose, California. It contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products. It has been in print since late 1967. The magazine is currently edited by Christopher Scapelliti. Contents A typical issue of ''Guitar Player'' includes in-depth artist features, extensive lessons, gear and music reviews, letters to the magazine, and various front-of-book articles. Guitar Player TV In May 2006, the Music Player Network partnered with TrueFire TV to launch an internet-based television station for guitarists. It provides content similar to that of the magazine such as interviews and lessons. Guitar Player TV is provided at no cost to the user because of advertising and sponsorship. |
Flood (producer)
Mark Ellis (born 16 August 1960), known by his professional pseudonym Flood, is a British rock and synthpop record producer and audio engineer. Flood's list of work includes projects with New Order, U2, Nine Inch Nails, Marc and the Mambas, Depeche Mode, Gary Numan, Sneaker Pimps, King, Ministry, The Charlatans, Thirty Seconds to Mars, Erasure, Nick Cave and the Bad Seeds, PJ Harvey, Foals, a-ha, Orbital, Sigur Rós, The Jesus and Mary Chain, The Smashing Pumpkins, The Killers, White Lies, Pop Will Eat Itself, Warpaint, EOB, and Interpol. His co-production collaborations have included projects with Brian Eno, Daniel Lanois, Steve Lillywhite, and longtime collaborator Alan Moulder, with whom he co-founded the Assault & Battery studio complex. In 2006, his work with U2 led to his sharing of the Grammy Award for Album of the Year for ''How to Dismantle an Atomic Bomb''. Ellis is not to be confused with Mark Ellis, the bassist from the British mod revival band The Lambrettas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Worldwide
BBC Worldwide Ltd. was the wholly owned commercial subsidiary of the BBC, formed out of a restructuring of its predecessor BBC Enterprises in January 1995. The company monetises BBC brands, selling BBC and other British programming for broadcast abroad with the aim of supplementing the income received by the BBC through the licence fee. The company merged with BBC Studios on 1 April 2018, to form a new licensing, production, and distribution company under the BBC Studios name. History Origins In addition to broadcasting, the BBC has for much of its life also produced additional materials for sale, the profits of which would be returned to the corporation to aid in the financing of these services. The highest profile of these early products was the listings magazine ''Radio Times'', but the net revenue gained from this in 1928 (£93,686, 10 s, 1 d) only equated to 10% of total BBC income. Prior to 1979, several BBC departments dealt with the exploitation and sale of BBC brands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
From The Sky Down
''From the Sky Down'' is a 2011 American documentary film directed by Davis Guggenheim about rock band U2 and the production of their 1991 album ''Achtung Baby''. The film documents the album's difficult recording period, the band members' relationships, and the group's creative process. Guggenheim, who was commissioned by U2 to create the film to commemorate the record's 20th anniversary, spent several months in 2011 developing the documentary. The band were filmed during a return visit to Hansa Studios in Berlin where parts of the album were recorded, and during rehearsals in Winnipeg for the Glastonbury Festival 2011. The film contains unreleased scenes from the group's 1988 motion picture ''Rattle and Hum'', along with archival footage and stills from the ''Achtung Baby'' recording sessions. Development of the album's emblematic song "One" is recounted through the replaying of old recording tapes. The film premiered at the 2011 Toronto International Film Festival on Septem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davis Guggenheim
Philip Davis Guggenheim (born November 3, 1963) is an American writer, director and producer. His credits include ''NYPD Blue'', '' ER'', '' 24'', ''Alias'', ''The Shield'', '' Deadwood'', and the documentaries ''An Inconvenient Truth'', ''It Might Get Loud,'' '' The Road We've Traveled'', ''Waiting for "Superman", Inside Bill's Brain: Decoding Bill Gates'', and ''He Named Me Malala''. Since 2006, Guggenheim is the only filmmaker to release three different documentaries that were ranked within the top 100 highest-grossing documentaries of all time (''An Inconvenient Truth'', ''It Might Get Loud'', and ''Waiting for "Superman"''). Early life Philip Davis Guggenheim was born in St. Louis, Missouri, the son of Marion Davis (née Streett) and filmmaker Charles Guggenheim. His father was Jewish, whereas his mother was Episcopalian. He graduated from the Potomac School, Sidwell Friends School and Brown University. Career Guggenheim joined the HBO Western drama '' Deadwood'' as a pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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