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Lovable Rogue
The lovable rogue is a fictional stock character, often from a working-class upbringing, who tends to recklessly defy social norms and social conventions, but who still evokes empathy from the audience or other characters. Description Character stereotypes The lovable rogue is generally male and is often trying to "beat the system" and better himself, though not by ordinary or widely accepted means. If the protagonist of a story is also a lovable rogue, he is frequently deemed an antihero. The lovable rogue's wild disposition is viewed not as repulsive and alarming so much as exciting and adventurous. Some examples of this include: Snide or arrogant remarks, brawn over brains (yet challenging calls to action with wit before brawn), using their gut instincts to get out of hostility if personal profit is at stake, perhaps they love themselves more than women, thinking fast and talking faster, as well as having aspirations for a better life. The lovable rogue is generally regard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stock Character
A stock character, also known as a character archetype, is a fictional character in a work of art such as a novel, play, or a film whom audiences recognize from frequent recurrences in a particular literary tradition. There is a wide range of stock characters, covering men and women of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plot (narrative)
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or ''imbroglio''. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The term ''plot'' can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term ''plot'', however, in common usage (for example, a "movie plot") can mean a narrative summary or story synopsis, rather th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rake (stock Character)
In a historical context, a rake (short for rakehell, analogous to "hellraiser") was a man who was habituated to immoral conduct, particularly womanizing. Often, a rake was also prodigal, wasting his (usually inherited) fortune on gambling, wine, women, and song, and incurring lavish debts in the process. Cad is a closely related term. Comparable terms are "libertine" and "debauchee". The Restoration rake was a carefree, witty, sexually irresistible aristocrat whose heyday was during the English Restoration period (1660–1688) at the court of King Charles II. They were typified by the "Merry Gang" of courtiers, who included as prominent members the John Wilmot; George Villiers; and Charles Sackville, who combined riotous living with intellectual pursuits and patronage of the arts. At this time the rake featured as a stock character in Restoration comedy. After the reign of Charles II, and especially after the Glorious Revolution of 1688, the cultural perception of the ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bad Boy (archetype)
The bad boy is a cultural archetype that is variously defined, and is often used synonymously with the historic terms '' rake'' or ''cad'': a male who behaves badly, especially within societal norms. Definitions The stereotypical "bad boy" was described by Kristina Grish in her book ''Addickted'' as "the irresistible rogue who has the dizzying ability to drive women wild" with a "laissez-faire attitude about life and love". An article in ''The Independent'' compared the term "bad boys" with men who had a particular combination of personality traits, sometimes referred to as a "dark triad" of Machiavellian traits, and reported that a study found that such men were likely to have a greater number of sexual affairs. See also *Boy next door (stock character) *Chad (slang) *Dark triad *Nice guy *Playboy (lifestyle) *Tall, dark and handsome *Toxic masculinity Toxic masculinity is a set of certain male behaviors associated with harm to society and men themselves. Traditional ster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Status Symbol
A status symbol is a visible, external symbol of one's social position, an indicator of economic or social status. Many luxury goods are often considered status symbols. ''Status symbol'' is also a sociological term – as part of social and sociological symbolic interactionism – relating to how individuals and groups interact and interpret various cultural symbols. By region and time As people aspire to high status, they often seek also its symbols. As with other symbols, status symbols may change in value or meaning over time, and will differ among countries and cultural regions, based on their economy and technology. For example, before the invention of the printing press, possession of a large collection of laboriously hand-copied books was a symbol of wealth and scholarship. In later centuries, books (and literacy) became more common, so a private library A private library is a library that is privately owned. Private libraries are usually intended for the use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabotage
Sabotage is a deliberate action aimed at weakening a polity, effort, or organization through subversion, obstruction, disruption, or destruction. One who engages in sabotage is a ''saboteur''. Saboteurs typically try to conceal their identities because of the consequences of their actions and to avoid invoking legal and organizational requirements for addressing sabotage. Etymology The English word derives from the French word , meaning to "bungle, botch, wreck or sabotage"; it was originally used to refer to labour disputes, in which workers wearing wooden shoes called interrupted production through different means. A false etymology, popular but incorrect account of the origin of the term's present meaning is the story that poor workers in the Belgian city of Liège would throw a wooden into the machines to disrupt production. One of the first appearances of and in French literature is in the of d'Hautel, edited in 1808. In it the literal definition is to 'make nois ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eavesdrop
Eavesdropping is the act of secretly or stealthily listening to the private conversation or communications of others without their consent in order to gather information. Etymology The verb ''eavesdrop'' is a back-formation from the noun ''eavesdropper'' ("a person who eavesdrops"), which was formed from the related noun ''eavesdrop'' ("the dripping of water from the eaves of a house; the ground on which such water falls"). An eavesdropper was someone who would hang from the eave of a building so as to hear what is said within. The PBS documentaries ''Inside the Court of Henry VIII'' (April 8, 2015) and ''Secrets of Henry VIII’s Palace'' (June 30, 2013) include segments that display and discuss "eavedrops", carved wooden figures Henry VIII had built into the eaves (overhanging edges of the beams in the ceiling) of Hampton Court to discourage unwanted gossip or dissension from the King's wishes and rule, to foment paranoia and fear, and demonstrate that everything said there was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Bandits
Social banditry or social crime is a form of lower class social resistance involving behavior that by law is illegal but is supported by wider "oppressed" society as being moral and acceptable. The term ''social bandit'' was invented by the Marxist historian Eric Hobsbawm in his 1959 book ''Primitive Rebels'' and 1969 book '' Bandits''. Hobsbawm characterized ''social banditry'' as a primitive form of class struggle and class resistance in usually pre-industrial and frontier societies. He further expanded the field in the 1969 study ''Bandits''. Social banditry is a widespread phenomenon that has occurred in many societies throughout recorded history, and forms of social banditry still exist, as evidenced by piracy and organized crime syndicates. Later social scientists have also discussed the term's applicability to more modern forms of crime, like street gangs and the economy associated with the trade in illegal drugs. Eric Hobsbawm Hobsbawm's key thesis was that outlaws ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outlaw (stock Character)
Romanticised outlaws are stock characters found in a number of fictional settings. This was particularly so in the United States, where outlaws were popular subjects of newspaper coverage and stories in the 19th century, and 20th century fiction and Western films. Thus, "outlaw" is still commonly used to mean those violating the law or, by extension, those living that lifestyle, whether actual criminals evading the law or those merely opposed to "law and order, law-and-order" notions of conformity and authority (such as the "outlaw country" music movement in the 1970s). The colloquial sense of an outlaw as bandit or brigand is the subject of a monograph by British author Eric Hobsbawm: Hobsbawm's book discusses the bandit as a symbol, and mediated idea, and many of the outlaws he refers to, such as Ned Kelly, Mr. Dick Turpin, and Billy the Kid, are also listed below. List of famous outlaws The stereotype owes a great deal to England, English folklore precedents, in the tales o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethical Code
Ethical codes are adopted by organizations to assist members in understanding the difference between right and wrong and in applying that understanding to their decisions. An ethical code generally implies documents at three levels: codes of business ethics, codes of conduct for employees, and codes of professional practice. Code of ethics or code of conduct? (Corporate or business ethics) Many organizations use the phrases ''ethical code'' and ''code of conduct'' interchangeably, but it may be useful to make a distinction. A code of ethics will start by setting out the values that underpin the code and will describe an organization's obligation to its stakeholders. The code is publicly available and addressed to anyone with an interest in that organization's activities and the way it operates. It will include details of how the organization plans to implement its values and vision, as well as guidance to staff on ethical standards and how to achieve them. However, a code of co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villain
A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction. ''Random House Unabridged Dictionary'' defines such a character as "a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot". The antonym of a villain is a hero. The villain's structural purpose is to serve as the opposition of the hero character and their motives or evil actions drive a plot along. In contrast to the hero, who is defined by feats of ingenuity and bravery and the pursuit of justice and the greater good, a villain is often defined by their acts of selfishness, evilness, arrogance, cruelty, and cunning, displaying immoral behavior that can oppose or pervert justice. Etymology The term ''villain'' first came into English from the Anglo-French and Old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
