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Louise Chéruit
Madame Louise Chéruit (1866-1955), born Louise Lemaire, often erroneously called Mme Madeleine Chéruit, was among the foremost couturiers of her generation, and one of the first women to control a major French fashion house. Her salon operated in the Place Vendôme in Paris under the name Chéruit () from 1906 to 1935. Chéruit is best remembered today as the subject of a number of portraits by Paul César Helleu, with whom she conducted an affair before opening her couture house and for the appearance of her name in two celebrated works of literature, Marcel Proust's ''Remembrance of Things Past'' (1910) and Evelyn Waugh's ''Vile Bodies'' (1930). Her name is also frequently associated with the fashion photography of Edward Steichen whose favorite model, Marion Morehouse, often wore gowns from the house of Chéruit for ''Vogue'' magazine in the 1920s. One particular Steichen image has become iconic: Morehouse in a jet-beaded black net Chéruit dress, first published in 1927. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Helleu
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice, Byzan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pochoir
Stencilling produces an image or pattern on a surface, by applying pigment to a surface through an intermediate object, with designed holes in the intermediate object, to create a pattern or image on a surface, by allowing the pigment to reach only some parts of the surface. The stencil is both the resulting image or pattern and the intermediate object; the context in which ''stencil'' is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material. The key advantage of a stencil is that it can be reused to repeatedly and rapidly produce the same letters or design. Although aerosol or painting stencils can be made for one-time use, typically they are made with the intention of being reused. To be reusable, they must remain int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Worth
Charles Frederick Worth (13 October 1825 – 10 March 1895) was an English fashion designer who founded the House of Worth, one of the foremost fashion houses of the 19th and early 20th centuries. He is considered by many fashion historians to be the father of haute couture. Worth is also credited with revolutionising the business of fashion. Established in Paris in 1858, his fashion salon soon attracted European royalty, and where they led monied society followed. An innovative designer, he adapted 19th-century dress to make it more suited to everyday life, with some changes said to be at the request of his most prestigious client Empress Eugénie. He was the first to replace the fashion dolls with live models in order to promote his garments to clients, and to sew branded labels into his clothing; almost all clients visited his salon for a consultation and fitting – thereby turning the House of Worth into a society meeting point. By the end of his career, his fashion house e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redfern (couture)
Redfern & Sons (later Redfern Ltd) was a British tailoring firm founded by John Redfern (1820-1895) in Cowes on the Isle of Wight that developed into a leading European couture house (active: 1855–1932; 1936–1940). By the early 1890s the business had branches in London, Edinburgh, Paris and New York. The Paris extension was operated as a couture establishment while its other branches functioned primarily as tailors and importers. History John Redfern (11 November 1820 – 22 November 1895) started out as a tailor in Cowes in 1855, following in the sartorial footsteps of his father, also John Redfern, who first opened a Cowes specialty clothing shop in 1811."1890 Doll" in the collection of the Metropolitan Museum, New York; ''Harper's Bazaar'', October 1916, p. 37 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne Paquin
Jeanne Paquin () (1869–1936) was a leading French fashion designer, known for her resolutely modern and innovative designs. She was the first major female couturier and one of the pioneers of the modern fashion business. Early life Jeanne Paquin was born Jeanne Marie Charlotte Beckers in 1869. Her father was a physician. She was one of five children. Sent out to work as a young teenager, Jeanne trained as a dressmaker at Rouff (a Paris couture house established in 1884 and located on Boulevard Haussmann). She quickly rose through to ranks becoming première, in charge of the atelier. In 1891, Jeanne Marie Charlotte Beckers married Isidore René Jacob, who was also known as Paquin. Isidore owned Paquin Lalanne et cie, a couture house which had grown out of a menswear shop in the 1840s. The couple renamed the company Paquin and set about building the business. The House of Paquin under Jeanne In 1891, Jeanne and Isidore Paquin opened their Maison de Couture at 3 Rue de la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Doucet (fashion Designer)
Jacques Doucet () (1853–1929) was a French fashion designer and art collector. He is known for his elegant dresses, made with flimsy translucent materials in superimposing pastel colors. Life Doucet was born in Paris in 1853 to a prosperous family whose lingerie and linens business, Doucet Lingerie, had flourished in the Rue de la Paix since 1816. In 1871, Doucet opened a salon selling ladies' apparel. An enthusiastic collector of eighteenth-century furniture, objets d'art, paintings, and sculptures, many of his gowns were strongly influenced by this opulent era. Beginning in 1912, the fashions of Jacques Doucet were illustrated in the fashion magazine ''La Gazette du Bon Ton'' with six other leading Paris designers of the day – Louise Chéruit, Georges Doeuillet, Jeanne Paquin, Paul Poiret, Redfern & Sons, and the House of Charles Worth. His most original designs were those he created for actresses of the time. Cécile Sorel, Rejane and Sarah Bernhardt (for whom he desi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Doeuillet
Georges Camille Doeuillet was born 16 July 1865 in Oise, Northern France.Ancestry.com. Paris & Vicinity, France Electoral Rolls, 1891 [database on-line]. Provo, UT, USA: Ancestry.com Operations Inc, 2008. Original data: Archives électorales: Electeurs 1891. He became one of France's best known couturiers along with his peers Louise Chéruit, Jeanne Paquin, Paul Poiret, Redfern (couture), Redfern & Sons and the Charles Worth, House of Charles Worth.TROY, N. J. (2003). Couture culture: A study in modern art and fashion. p. 188. Cambridge, Mass, MIT Press. Biography Early career Early in his career, Doeuillet worked as a business manager at the fashion house of Callot Soeurs, where he was known for being ardent in business. At Callot Soeurs, he was responsible for discovering Madeleine Vionnet who undertook an apprenticeship at the house prior to establishing her own fashion house Vionnet (company), Vionnet. In 1900, Doeuillet opened his maison at 18 Place Vendôme in Paris, France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gazette Du Bon Ton
The ''Gazette du Bon Ton'' was a small but influential fashion magazine published in France from 1912 to 1925.Davis48 Founded by Lucien Vogel, the short-lived publication reflected the latest developments in fashion, lifestyle and beauty during a period of revolutionary change in art and society. Distributed by Condé Nast, the magazine was issued as the ''Gazette du Bon Genre'' in the USA.Antique Print Club, ''Gazette du Bon Ton : "Etes-vous pret?"'' (1913) re: "''Gazette du Bon Ton ..., published by Lucien Vogel in Paris between 1912 and 1925... and distributed by Condé Nast. Distributed in the U.S. as ''Gazette du Bon Genre'', both titles translate roughly as Journal of the Good Style.''" Both titles roughly tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ready-to-wear
Ready-to-wear (or ''prêt-à-porter''; abbreviated RTW; "off-the-rack" or "off-the-peg" in casual use) is the term for ready-made garments, sold in finished condition in standardized sizes, as distinct from made-to-measure or bespoke clothing tailored to a particular person's frame. In other words, It is a piece of clothing that was mass produced in different sizes and sold that way instead of it being designed and sewn for one person. The term ''off-the-peg'' is sometimes used for items other than clothing, such as handbags. Ready-to-wear has a rather different place in the spheres of fashion and classic clothing. In the fashion industry, designers produce ready-to-wear clothing, intended to be worn without significant alteration because clothing made to standard sizes fits most people. They use standard patterns, factory equipment, and faster construction techniques to keep costs low, compared to a custom-sewn version of the same item. Some fashion houses and fashion designer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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