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Louis Lamothe
Louis Lamothe (1822–1869) was a French academic artist born in Lyon. He is remembered today primarily as the teacher of several more renowned artists, notably Edgar Degas, Elie Delaunay, Henry Lerolle, Henri Regnault, and James Tissot. Lamothe was a pupil of Jean Auguste Dominique Ingres and Jean-Hippolyte Flandrin. Art historian Jean Sutherland Boggs describes him as a history painter "in a pious Christian tradition", and likens his "correct, moral, bourgeois, and even sanctimonious portraits" to those of Flandrin, whom Lamothe assisted in the decoration of the church of St-Martin-d'Ainay The Basilica of Saint-Martin d'Ainay (french: Basilique Saint-Martin d'Ainay) is a Romanesque church in Ainay in the Presqu'île district in the historic centre of Lyon, France. A quintessential example of Romanesque architecture, it was inscrib ... in 1855.Baumann, Karabelnik et al. 1994, p. 87. Notes References *Baumann, Felix; Karabelnik, Marianne, et al. 1994. ''Degas Portrai ...
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Lyon 1er - Musée Des Beaux-Arts - Exposition Les Flandrin, Artistes Et Frères - Louis Lamothe, Autoportrait à La Palette, 1859
Lyon,, ; Occitan: ''Lion'', hist. ''Lionés'' also spelled in English as Lyons, is the third-largest city and second-largest metropolitan area of France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of the French Alps, southeast of Paris, north of Marseille, southwest of Geneva, northeast of Saint-Étienne. The City of Lyon proper had a population of 522,969 in 2019 within its small municipal territory of , but together with its suburbs and exurbs the Lyon metropolitan area had a population of 2,280,845 that same year, the second most populated in France. Lyon and 58 suburban municipalities have formed since 2015 the Metropolis of Lyon, a directly elected metropolitan authority now in charge of most urban issues, with a population of 1,411,571 in 2019. Lyon is the prefecture of the Auvergne-Rhône-Alpes region and seat of the Departmental Council of Rhône (whose jurisdiction, however, no longer extends over the Metropolis of Lyon sin ...
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Jean-Hippolyte Flandrin
Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, '' Jeune Homme Nu Assis au Bord de la Mer'' ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre. Biography Early life From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter. Hippolyte was the second of three sons, all of whom were painters in some aspect. Auguste, his older brother, spent most of his life as a professor at Lyon and later died there. Paul, his younger brother, was a painter of portraits and religious imagery. He married Aimée-Caroline Ancelot (1822-1882) in 1843, to whom was born Paul Hippolyte Flandrin (1856-1921), who become painter of sacred art, portraitist and decorator. Hippolyte and Paul spent some time at Lyon, saving to leave for Paris in 18 ...
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French Male Painters
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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19th-century French Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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1869 Deaths
Events January–March * January 3 – Abdur Rahman Khan is defeated at Tinah Khan, and exiled from Afghanistan. * January 5 – Scotland's oldest professional football team, Kilmarnock F.C., is founded. * January 20 – Elizabeth Cady Stanton is the first woman to testify before the United States Congress. * January 21 – The P.E.O. Sisterhood, a philanthropic educational organization for women, is founded at Iowa Wesleyan College in Mount Pleasant, Iowa. * January 27 – The Republic of Ezo is proclaimed on the northern Japanese island of Ezo (which will be renamed Hokkaidō on September 20) by remaining adherents to the Tokugawa shogunate. * February 5 – Prospectors in Moliagul, Victoria, Australia, discover the largest alluvial gold nugget ever found, known as the "Welcome Stranger". * February 20 – Ranavalona II, the Merina Queen of Madagascar, is baptized. * February 25 – The Iron and Steel Institute is formed in London. * ...
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1822 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ...
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St-Martin-d'Ainay
The Basilica of Saint-Martin d'Ainay (french: Basilique Saint-Martin d'Ainay) is a Romanesque church in Ainay in the Presqu'île district in the historic centre of Lyon, France. A quintessential example of Romanesque architecture, it was inscribed on the UNESCO World Heritage List along with other notable buildings in the centre of Lyon as a testimony to Lyon's long history as an important European town and unique blend of architectural styles. History Legend Legendary origins of a remarkably large church, which may once have stood on this site, are noted by Gregory of Tours and may be connected to the account of Eusebius, in his ''Historia Ecclesiae'', of the martyrdom of Blandina, the young girl among 48 Christians fed to lions by the Romans in 177 in Lyon's amphitheatre. The lions refused to eat her, according to Eusebius: she and the others were martyred nevertheless. Their bones were burnt, thrown into the river, and washed up downstream where the surviving Christians of th ...
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History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ...
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Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting '' The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters— ...
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Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ...
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James Tissot
Jacques Joseph Tissot (; 15 October 1836 – 8 August 1902), anglicized as James Tissot (), was a French painter and illustrator. He was a successful painter of fashionable, modern scenes and society life in Paris before moving to London in 1871. A friend and mentor of the Impressionist painter Edgar Degas, Tissot also painted scenes and figures from the Bible. Early life Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted wome ...
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Henri Regnault
Alexandre Georges Henri Regnault (31 October 1843 – 19 January 1871) was a French painter. Biography Regnault was born in Paris, the son of Henri Victor Regnault. On leaving school he successively entered the studios of Antoine Montfort, Louis Lamothe and Alexandre Cabanel, was beaten for the ''Prix de Rome'' (1863) by Joseph Layraud and Xaiver Monchablon, and in 1864 exhibited two unremarkable portraits at the Paris Salon. In 1866, however, he carried off the ''Prix de Rome'' with a work of unusual force and distinction ''Thetis bringing the Arms forged by Vulcan to Achilles'' (School of the Fine Arts). The past in Italy did not touch him, but his illustrations to Wey's ''Rome'' show how observant he was of actual life and manners; even his ''Automedon'' (School of Fine Arts), executed in obedience to Academical regulations, was but a lively recollection of a carnival horse-race. At Rome, moreover, Regnault came into contact with the modern Hispano-Italian school, a school ...
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