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Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong received numerous accolades including the Grammy Award for Best Male Vocal Performance for '' Hello, Dolly!'' in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972, and induction into the National Rhythm & Blues Hall of Fame in 2017. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in the . Armstrong earned a reputation at " cutting contests", and his fame reached band leader Fletcher Henderson. ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Disruptive Editing
Disruption, disruptive, or disrupted may refer to: Business *Creative disruption, disruption concept in a creative context, introduced in 1992 by TBWA's chairman Jean-Marie Dru *Disruptive innovation, Clayton Christensen's theory of industry disruption by new technology or products Psychology and sociology *Disruptive behavior disorders, a class of mental health disorders *Disruptive physician, a physician whose obnoxious behaviour upsets patients or other staff *Social disruption, a radical alteration, transformation, dysfunction or breakdown of social life Other uses *Cell disruption is a method or process in cell biology for releasing biological molecules from inside a cell *''Disrupted: My Misadventure in the Start Up Bubble'', a 2016 book by Daniel Lyons *Disruption (adoption) is also the term for the cancellation of an adoption of a child before it is legally completed *Disruption (of schema), in the field of computer genetic algorithms *Disruption of 1843, the divergence o ...
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What A Wonderful World
"What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single. It topped the pop chart in the United Kingdom, but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it. After it was heard in the film ''Good Morning, Vietnam'', it was reissued as a single in 1988, and rose to number 32 on the ''Billboard'' Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999. Composition and production Thiele produced the track under his own name, but as a co-composer was initially credited under the pseudonym George Douglas. His real name has appeared on it from its 1988 issue onward. One source claims the song was first offered to Tony Bennett, who turned it down, although Louis Armstrong biographer Ricky Riccardi disputes this. In Graham Nash's book ''Off the Record: Son ...
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High Society (1956 Film)
''High Society'' is a 1956 American musical romantic comedy film directed by Charles Walters and starring Bing Crosby, Grace Kelly, and Frank Sinatra. The film was produced by Sol C. Siegel for Metro-Goldwyn-Mayer, and shot in VistaVision and Technicolor, with music and lyrics by Cole Porter. The film is a musical remake of the 1940 film '' The Philadelphia Story'' which was based on the 1939 play '' The Philadelphia Story'' by Philip Barry. ''High Societys screenplay was written by John Patrick and involves a successful popular jazz musician (Crosby) who tries to win back the affections of his ex-wife (Kelly), who is preparing to marry another man. The cast also features Celeste Holm, John Lund, and Louis Calhern, in his final film, with a musical contribution by Louis Armstrong. The film was Kelly's last professional appearance before she married Prince Rainier III and became Princess consort of Monaco. Plot Successful singer-composer C.K. Dexter-Haven (the grandson of a N ...
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Cabin In The Sky (film)
''Cabin in the Sky'' is a 1943 American musical film based on the 1940 Broadway musical of the same name. The first feature film directed by Vincente Minnelli, ''Cabin in the Sky'' features an all-black cast and stars Ethel Waters, Eddie "Rochester" Anderson and Lena Horne. Waters and Rex Ingram reprise their roles from the Broadway production as Petunia and Lucifer Junior, respectively. The film was Horne's first and only leading role in an MGM musical. Louis Armstrong is also featured in the film as one of Lucifer Junior's minions, and Duke Ellington and his Orchestra have a showcase musical number in the film. In 2020, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot Little Joe is a well meaning but weak man whose attempts at redemption are cut short when he is killed over gambling debts by big shot Domino Johnson. On his deathbed, Little Joe ...
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A Rhapsody In Black And Blue
''Rhapsody in Black and Blue'' is a short ten-minute film that was created and released in 1932, starring Sidney Easton"A Rhapsody in Black and Blue." IMDb. IMDb.com, n.d. Web. March 8, 2013. and Fanny Belle DeKnight. It is an early example of a "music video", showcasing the tunes ''I’ll Be Glad When You Are Dead You Rascal You'' and ''Shine'', sung and played by well-known jazz artist Louis Armstrong. The film was directed by Aubrey Scotto and the screenplay written by Phil Cohan. Plot A Husband who would rather listen to jazz and drum on pots and pans than mop the floor is whacked over the head with the mop by his wife when she hears him listening to ''I’ll Be Glad When You Are Dead You Rascal You.'' He falls into a dream in which he is the king of "Jazzmania," sitting on a royal throne with servants to fan him. In the dream Louis Armstrong plays and sings jazz for him while dressed in a leopard print cave man outfit. When he wakes up and sees his flustered wife still ...
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Porgy And Bess (Ella Fitzgerald And Louis Armstrong Album)
''Porgy and Bess'' is a studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, released on Verve Records in 1959. The third and final of the pair's albums for the label, it is a suite of selections from the George Gershwin opera ''Porgy and Bess''. Orchestral arrangements are by Russell Garcia, who had previously arranged the 1956 jazz vocal recording '' The Complete Porgy and Bess''. Background In 1959, a big-budget film version produced by Samuel Goldwyn and directed by Otto Preminger arrived in theaters. To coincide with the film, many jazz and vocal versions of the work were produced on records, this one and the celebrated Miles Davis and Gil Evans collaboration among them. The double album was released in both mono and stereo, and on compact disc in 1990. It is also part of the set '' The Complete Ella Fitzgerald & Louis Armstrong on Verve'' issued in 1997. Given the nature of the work, only five tracks feature vocals by both Armstrong and ...
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Ella And Louis Again
''Ella and Louis Again'' is a studio album by Ella Fitzgerald and Louis Armstrong, released in 1957 on Verve Records. It is the sequel to their 1956 album, ''Ella and Louis''. In contrast to their previous collaboration, this album features seven solo vocal tracks by either Armstrong or Fitzgerald amongst its dozen duet tracks. It was reissued as part of a two-compact disc set in 1995, and in '' The Complete Ella Fitzgerald & Louis Armstrong on Verve'' in 1997. It was recorded at Radio Recorders and Capitol Studios, Hollywood. Reception In addition to the album not being strictly all vocal duets, whereas on its predecessor Armstrong plays trumpet on every track, here he only plays on six. The Oscar Peterson Trio returns as the duo's backing, this time along with drummer Louie Bellson. Writing for AllMusic, music critic Alex Henderson wrote of the album:One could nit-pick about the fact that Satchmo doesn't take more trumpet solos, but the artists have such a strong rapport as ...
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Ella And Louis
''Ella and Louis'' is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's ''Ella and Louis Again'' and 1959's ''Porgy and Bess''. The album Norman Granz, the founder of the Verve label, selected eleven ballads for Fitzgerald and Armstrong, mainly played in a slow or moderate tempo. Recording began August 16, 1956, at the new Capitol Studios in Hollywood. Though Granz produced the album, Armstrong was given final say over songs and keys. The success of ''Ella and Louis'' was replicated by ''Ella and Louis Again'' and ''Porgy and Bess''. All three were released as '' The Complete Ella Fitzgerald & Louis Armstrong on Verve''. Verve also released the album as one of the first ones in SACD. Reception AllMusic's S ...
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Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ...
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When The Saints Go Marching In
"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn and is often played by jazz bands. This song was famously recorded on May 13, 1938, by Louis Armstrong and his orchestra. The song is sometimes confused with a similarly titled composition "When the Saints Are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music). Origins and usage The origins of this song are unclear. It apparently evolved in the early 1900s from a number of similarly titled gospel songs, including "When the Saints Are Marching In" (1896) and "When the Saints March In for Crowning" (1908). The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In", the group sings the modern lyrics beginning with "When the saints go marching in". No author is shown on the label. Several ot ...
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When You're Smiling
"When You're Smiling" is a popular song written by Larry Shay, Mark Fisher and Joe Goodwin in 1928. It bears resemblance to the Spanish Canción " Amapola" by José María Lacalle García. Early popular recordings were by Seger Ellis (1928), Louis Armstrong (1929), and Ted Wallace & His Campus Boys (1930). Other notable recordings *Andy Williams released a version on his 1963 album, ''Days of Wine and Roses and Other TV Requests''. *Bob and Alf Pearson in 1930 for Piccadilly * Caroline Henderson for her album ''No.8'' (2008). *Cliff Bruner's Texas Wanderers – recorded September 13, 1938 and it reached the country charts in 1939. *Dean Martin (1952). Later, he sometimes parodied it as "When You're Drinkin'". *Doris Day – for her album '' What Every Girl Should Know'' (1960) *Dr. John – for his album '' Ske-Dat-De-Dat: The Spirit of Satch'' (2014) *Duke Ellington – several recordings in 1930. *Ella Fitzgerald – acc. by Lou Levy (p), Max Bennett (sb), Gus Johnson (dm ...
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