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Louie Pounds
Louisa Emma Amelia "Louie" Pounds (12 February 1872 – 6 September 1970) was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company. Originally intended for a secretarial career, Pounds joined the chorus of a George Edwardes show in 1890 and quickly achieved advancement to leading roles in burlesque and musical comedy. In 1899, she joined the D'Oyly Carte company, where she created several roles. She was the youngest of five siblings who appeared with D'Oyly Carte. Her older brother Courtice was a principal tenor with the company in the 1880s and '90s, and her three sisters, Lily, Nancy and Rosy, also appeared with the company. After four years with D'Oyly Carte, Pounds resumed her career in musical comedies and non-musical plays, later switching from juvenile to character parts. Her career continued into the 1930s. Life and career Early days Pounds was born in Brompton, Kensington, Londo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louie Pounds
Louisa Emma Amelia "Louie" Pounds (12 February 1872 – 6 September 1970) was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company. Originally intended for a secretarial career, Pounds joined the chorus of a George Edwardes show in 1890 and quickly achieved advancement to leading roles in burlesque and musical comedy. In 1899, she joined the D'Oyly Carte company, where she created several roles. She was the youngest of five siblings who appeared with D'Oyly Carte. Her older brother Courtice was a principal tenor with the company in the 1880s and '90s, and her three sisters, Lily, Nancy and Rosy, also appeared with the company. After four years with D'Oyly Carte, Pounds resumed her career in musical comedies and non-musical plays, later switching from juvenile to character parts. Her career continued into the 1930s. Life and career Early days Pounds was born in Brompton, Kensington, Londo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonora Braham
Leonora Braham (born Leonora Abraham; 3 February 1853 – 23 November 1931) was an English opera singer and actress primarily known as the creator of principal soprano roles in the Gilbert and Sullivan comic operas. Beginning in 1870, Braham starred for several years in the intimate musical German Reed Entertainments in London. In 1878, she moved to North America, where she continued to perform in comic opera. After returning to England, she was engaged by the D'Oyly Carte Opera Company, creating five of the leading soprano roles in the hit series of Gilbert and Sullivan operas, including the title role in ''Patience'' (1881), Phyllis in '' Iolanthe'' (1882), the title role in ''Princess Ida'' (1884), Yum-Yum in ''The Mikado'' (1885), and Rose Maybud in ''Ruddigore'' (1887). She also played Aline in the first revival of ''The Sorcerer'' (1884–85). After leaving the D'Oyly Carte company, Braham continued to perform in England and widely on tour, starring in comic opera and gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Theatre
The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Palace. Its intended purpose was to showcase the popular series of comic operas of Gilbert and Sullivan, which became known as the Savoy operas. The theatre was the first public building in the world to be lit entirely by electricity. For many years, the Savoy Theatre was the home of the D'Oyly Carte Opera Company, which continued to be run by the Carte family for over a century. Richard's son Rupert D'Oyly Carte rebuilt and modernised the theatre in 1929, and it was rebuilt again in 1993 following a fire. It is a Grade II* listed building. In addition to ''The Mikado'' and other famous Gilbert and Sullivan premières, the theatre has hosted such premières as the first public performance in England of Oscar Wilde's '' Salome'' (1931) and Noà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatoire in Germany. His graduation piece, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crystal Palace
The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around the world gathered in its exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of , and was three times the size of St Paul's Cathedral. The introduction of the sheet glass method into Britain by Chance Brothers in 1832 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building. It astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a piece penned by the playwright Doug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breeches Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Christian Andersen
Hans Christian Andersen ( , ; 2 April 1805 – 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, he is best remembered for his literary fairy tales. Andersen's fairy tales, consisting of 156 stories across nine volumes and translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. His most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", " The Nightingale", "The Steadfast Tin Soldier", " The Red Shoes", " The Princess and the Pea", "The Snow Queen", "The Ugly Duckling", " The Little Match Girl", and " Thumbelina". His stories have inspired ballets, plays, and animated and live-action films. Early life Hans Christian Andersen was born in Odense, Denmark on 2 April 1805. He had a stepsister named Karen. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Slaughter
Walter Alfred Slaughter (17 February 1860 – 2 March 1908) was an English conductor and composer of musical comedy, comic opera and children's shows. He was engaged in the West End as a composer and musical director from 1883 to 1904. Life and career Youth and education Slaughter was born in Fitzroy Square, London.''The Musical Herald'', 1 December 1906, p. 359 He attended the City of London School, and sang in the choir of St. Andrew's Church, Wells Street under Joseph Barnby.Obituary, ''The Musical Herald'', 1 April 1908, p. 105 After leaving school, he worked in a wine merchant's office and then for the music publishers Metzler.'' The Strand Magazine'', 4 July 1892, p. 85 While there, he studied music under Alfred Cellier, Berthold Tours, and Georges Jacobi, the musical director of the Alhambra Theatre. He was also brought into frequent contact with Arthur Sullivan, who gave him much encouragement and friendly advice. Slaughter once asked Sullivan the best way to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basil Hood
Basil Willett Charles Hood (5 April 1864 – 7 August 1917) was a British dramatist and lyricist, perhaps best known for writing the libretti of half a dozen Savoy Operas and for his English adaptations of operettas, including ''The Merry Widow''. He embarked on a career in the British Army, rising to the rank of captain, while writing theatrical pieces in his spare time. After some modest success, Hood and his collaborator, the composer Walter Slaughter, had a major hit with their long-running show, '' Gentleman Joe'', in 1895. Another long-running success was '' The French Maid'' (1896). Hood then resigned from the army to pursue his career as a librettist full-time. With Arthur Sullivan and then Edward German, he wrote several well-received pieces for the Savoy Theatre, including ''The Rose of Persia'' (1899), ''The Emerald Isle'' (1901), '' Merrie England'' (1902) and '' A Princess of Kensington'' (1903). After comic opera went out of fashion, Hood turned to Edwardian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry's Theatre
Terry's Theatre was a West End theatre in the Strand, in the City of Westminster, London. Built in 1887, it became a cinema in 1910 before being demolished in 1923. History The theatre was built in 1887, near Fountain's Court, on the site of a former public house, the Old Coal Hole, and was designed by Walter Emden for the publican, Charles Wilmot and a Dr Web. The theatre was built to accommodate 800, seated in pit and stalls, balcony and a dress circle. Fountain's Court was named for 'Fountain's Tavern', where the Fountain Club met – formed by Robert Walpole's political opponents. In 1826, Edmund Kean, the actor, founded a late supper club here, known as the 'Wolf Club' for carousing. It ran until the 1850s, introducing entertainments similar to Evans Music-and-Supper Rooms, in nearby Covent Garden. Edward Terry, as owner-manager, opened the theatre on 17 October 1887, with the farce ''The Churchwarden'', followed by ''The Woman Hater''. Terry had been the leading come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The French Maid
''The French Maid'' is a musical comedy in two acts by Basil Hood, with music by Walter Slaughter, first produced at the Theatre Royal, Bath, England, under the management of Milton Bode on 4 April 1896. It then opened London's Terry's Theatre under the management of W. H. Griffiths beginning on 24 April 1897, but later transferred to the Vaudeville Theatre on 12 February 1898, running for a very successful total of 480 London performances. The piece starred Louie Pounds, Kate Cutler, Eric Lewis, Herbert Standing and Richard Green. There was a New York production in 1897. ''The Times'' gave the piece a very favourable review at its London opening, saying that "a fresher, brighter piece has not been seen for many a day.""Terry's Theatre", ''The Times'', 26 April 1897, p. 13 Roles and original London cast *Admiral Sir Hercules Hawser - H. O. Clarey *General Sir Drummond Fife - Windham Guise *Lt. Harry Fife - Richard Green *Paul Lecuire - Herbert Standing *Monsieur Camembert - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
