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Lou Martin
Louis Michael "Lou" Martin (12 August 1949 – 17 August 2012) was a piano and organ player from Belfast, Northern Ireland. He was an original member of the London-based band Killing Floor, and also worked with fellow Irish musician Rory Gallagher.Strong, Martin C. (2003) ''The Great Rock Discography'', Canongate, , p. 401Muise, Dan (2007) ''Gallagher, Marriott, Derringer and Trower'', Hal Leonard, , p. 25-29 Career Martin started learning the piano at the age of six, and joined his first professional band, Killing Floor, in April or May 1968. In 1969 Martin and Stuart McDonald were recruited by 17-year-old Darryl Read who formed a band for Emperor Rosko's brother (Jeff Pasternak) called Crayon Angels, which Read put together and played drums, while Rosko acted as manager. Martin later left Killing Floor to play alongside Gallagher, and is featured on several of Gallagher's albums, including ''Blueprint'', ''Tattoo'', '' Irish Tour '74'', '' Against the Grain'', '' Calling Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belfast
Belfast ( , ; from ga, Béal Feirste , meaning 'mouth of the sand-bank ford') is the capital and largest city of Northern Ireland, standing on the banks of the River Lagan on the east coast. It is the 12th-largest city in the United Kingdom and the second-largest in Ireland. It had a population of 345,418 . By the early 19th century, Belfast was a major port. It played an important role in the Industrial Revolution in Ireland, briefly becoming the biggest linen-producer in the world, earning it the nickname "Linenopolis". By the time it was granted city status in 1888, it was a major centre of Irish linen production, tobacco-processing and rope-making. Shipbuilding was also a key industry; the Harland and Wolff shipyard, which built the , was the world's largest shipyard. Industrialisation, and the resulting inward migration, made Belfast one of Ireland's biggest cities. Following the partition of Ireland in 1921, Belfast became the seat of government for Northern Ireland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screaming Lord Sutch
Screaming Lord Sutch (10 November 1940 – 16 June 1999), who had his name legally changed from David Edward Sutch, was an English musician and perennial parliamentary candidate. He was the founder of the Official Monster Raving Loony Party and served as its leader from 1983 to 1999, during which time he stood in numerous parliamentary elections. He holds the record for contesting the most Parliamentary elections, standing in 39 elections from 1963 to 1997. As a singer, he variously worked with Keith Moon, Jeff Beck, Jimmy Page, Ritchie Blackmore, Charlie Watts, John Bonham and Nicky Hopkins, and is known for his recordings with Joe Meek including "Jack the Ripper" (1963). Musical career Sutch was born at New End Hospital in Hampstead, North London, and grew up in Harrow. In the 1960s, inspired by Screamin' Jay Hawkins, he changed his stage name to "Screaming Lord Sutch, 3rd Earl of Harrow", despite having no connection with the peerage. After his career as an early 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Downliners Sect
Downliners Sect are an English R&B and blues-based rock band, formed in the 1960s beat boom era. Stylistically, they were similar to blues-based bands such as The Yardbirds, The Pretty Things and the Rolling Stones, playing basic R&B on their first album ''The Sect''. Critic Richie Unterberger wrote: "The Sect didn't as much interpret the sound of Chess Records as attack it, with a finesse that made the Pretty Things seem positively suave in comparison." History In 1962, Mick O'Donnell, later known as Don Craine, started a band called the Downliners, who, despite touring France, were unsuccessful. The name of the band came from the Jerry Lee Lewis B-side "Down The Line". After several lineup changes, the band folded, but in 1963, O'Donnell and drummer Johnny Sutton formed a new band out of the remnants of the previous act. Keith Evans, formerly a drummer, joined on bass guitar. Shortly thereafter the band would be named the Downliners Sect. At this time some of the memb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rod De'Ath
Roderick Morris Buckenham de'Ath (; 18 June 1950 – 1 August 2014) was a Welsh musician, best known for his role as drummer with Irish guitarist Rory Gallagher in the 1970s. Career With Rory Gallagher De'Ath was playing with the band Killing Floor when, at short notice, he was offered the job as a temporary substitute for Rory Gallagher's drummer Wilgar Campbell for a leg of a European tour in 1972. When Campbell left permanently, de'Ath was asked to join full-time. He stayed with Gallagher, performing on several albums, until 1978 when he and keyboard player Lou Martin left the band. Gallagher's bass guitarist Gerry McAvoy stated that de'Ath "was the most undrummer-like drummer I ever played with. His technique was so strange that it added a whole new dimension to Rory's sound." Later career and accident After leaving Gallagher's band, de'Ath joined Ramrod (with Martin) and then he played with the Downliners Sect before moving to the United States. In 1981, he played on Screa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresh Evidence
''Fresh Evidence'' is Rory Gallagher's eleventh and last studio album, his fourteenth album overall. The album was unusual in that Gallagher used more additional musicians and spent more time recording than he normally did. Not as unusual, the songs show his love for blues artists such as Robert Johnson and Son House and for other genres such as Zydeco as well. The album is influenced by his deteriorating health, and explores themes of ill health, mortality, and fighting back against overwhelming odds. Background After the release of the album, Gallagher gave several interviews where he went into some detail about the songs and his way of making music. He emphasized how he modeled his music after folk and blues legends such as Muddy Waters. "So this folk music tradition of passing on, picking up, and stealing goes on like mad! If I'm doing a blues number I can do it very traditional if I want to; I can also add my own twists to it." Gallagher said that the song "Heaven's Gate" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defender (album)
''Defender'' is the thirteenth album and tenth studio album by Irish musician Rory Gallagher. Coming after a five-year hiatus from the recording studio, it was his first album released on the Capo label. The song "Continental Op" was inspired by the nameless fictional detective created by Dashiell Hammett, and was dedicated to Hammett. Track listing All tracks composed by Rory Gallagher except where indicated. Side one #"Kickback City" - 4:49 #"Loanshark Blues" - 4:27 #"Continental Op" - 4:33 #"I Ain't No Saint" - 4:58 #"Failsafe Day" - 4:23 Side two #"Road to Hell" _ 5:32 #"Doing Time" - 4:06 #"Smear Campaign" - 4:47 #"Don't Start Me Talkin'" (Sonny Boy Williamson II) - 3:35 #"Seven Days" - 5:14 CD bonus tracks, also included as a bonus 7inch single on some issues of the LP #"Seems to Me" - 4:52 (Bonus) #"No Peace for the Wicked" - 4:09 (Bonus) Personnel *Rory Gallagher – vocals, guitar, harmonica *Gerry McAvoy – bass guitar *Brendan O'Neill – drums Invited guests *J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calling Card
''Calling Card'' is the sixth studio album and eighth album overall by Irish singer/guitarist Rory Gallagher. A 1976 release, it was his second of four albums released on Chrysalis Records in the 1970s. Deep Purple/Rainbow bass guitarist Roger Glover co-produced with Gallagher: it was the first time that Gallagher worked with a "name" producer and the only successful such collaboration. It was also the last album Gallagher would do with Rod de'Ath (drums) and Lou Martin (keyboards). After ''Calling Card'', Gallagher retained only his long-time bass guitarist Gerry McAvoy and hired Ted McKenna on drums. This revised power trio was Gallagher's line up for the next five years when Brendan O'Neil took the sticks. Recording The sessions for the album began at Musicland Studios in Munich, Germany, in the summer of 1976. Glover came on board as co-producer after having met Gallagher when the latter opened for Deep Purple on an American tour. The choice of Glover signified a conscious a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Against The Grain (Rory Gallagher Album)
''Against the Grain'' is the fifth studio album and seventh album overall by Irish musician Rory Gallagher, released in 1975. It was his first album with his new record company Chrysalis. Having previously only released one cover version on a studio album, "Against The Grain" includes two, one by Leadbelly and one from the Porter/Hayes songwriting team. The album received very favourable reviews. Background The album name and cover were a play on words. The cover shows the wood "grain" of Gallagher's famous Stratocaster guitar which was well worn from his rigorous tour schedule. At the same time the phrase reflects Gallagher's relation with the music industry, that he always went "against the grain" and played the traditional blues and folk music he loved rather than focusing on singles and more commercially accessible music. As Gallagher himself described his feelings on this a few years later: "I see music as a lifetime affair, I'm not in it for the big kill and then get out...W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Tour
''Irish Tour '74'' is the sixth album by Rory Gallagher. It is a live album compiled from performances during Gallagher's Irish Tour in January 1974. The source concerts were recorded at Belfast Ulster Hall, Dublin Carlton Cinema and Cork City Hall using Ronnie Lane's Mobile Studio. "Back on My Stompin' Ground (After Hours)" was recorded from a jam session during the tour. ''Irish Tour '74'' has sold in excess of two million copies worldwide. An article in a Belfast daily newspaper stated: "Rory Gallagher never forgot Northern Ireland, he returned throughout the '70s when few other artists of his calibre dared come near the place." Background Gallagher never enjoyed going into the studio to make records. Playing to a live audience was essential, he thought, to get the real energy needed for the kind of music he wanted to play. The members of his band felt the same way. Speaking about the Irish tour album keyboardist Lou Martin said "Albums were always done in a rush because we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tattoo (Rory Gallagher Album)
''Tattoo'' is the fourth studio album and fifth album overall released by Rory Gallagher, in 1973. Background ''Classic Rock'' magazine opined that ''Tattoo'' was an album that "crossed many genres of rock and roll and showcased the writing talents of Rory Gallagher more than any of his previous records." BBC's reviewer noted that while Gallagher "toured constantly," he still "found time away from the stage to write so many great songs," adding that "''Tattoo'' is perhaps the pick of the bunch: a near-perfect document of the powerful, passionate performances that placed Rory in a league of his own." For the reviewer, the album was "a scintillating showcase for Rory’s mastery of his craft" from "the laid back vibe of opener "Tattoo'd Lady," the raunchy riffing of "Cradle Rock" and "Admit It" to quieter moments such as the acoustically driven "20:20 Vision." "Cradle Rock" was inspired by the "happy coincidence" that Gallagher "rocked literally all his life" having been bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blueprint (Rory Gallagher Album)
''Blueprint'' is the third studio album and fourth album overall by Irish guitarist Rory Gallagher, released as a vinyl record in 1973. With his first band Taste and with his solo band up to this point Gallagher was one of the first guitarists to lead a power trio lineup. With ''Blueprint'' Gallagher included a keyboardist for the first time. Background For ''Blueprint'' Gallagher replaced drummer Wilgar Campbell with Rod de'Ath and decided to add Lou Martin, the keyboardist from de'Ath's previous band Killing Floor. This four-piece lineup was to be one of Gallagher's most successful resulting in many of his most popular songs and documented in live film and TV appearances on shows such as ''Rockpalast'' and the ''Old Grey Whistle Test.'' The band would play together for five years. Blueprint, as with all the studio albums recorded by the Gallagher quartet illustrated Gallagher's eclectic musical influences. The album title and artwork were taken from the blueprint of a Stram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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