Lotty Rosenfeld
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Lotty Rosenfeld
Carlota Eugenia Rosenfeld Villarreal (20 June 1943 – 24 July 2020), known as Lotty Rosenfeld, was an interdisciplinary artist based in Santiago, Chile. She was born in Santiago, Chile, and was active during the late 1970s during the time of the Chilean military coup d'état. She carried out public art interventions in urban areas, often manipulating traffic signs in order to challenge viewers to rethink notions of public space and political agency. Her work has been exhibited in several countries throughout Latin America, and Internationally in places such as Europe, Japan, and Australia. Art movement and involvement in art Rosenfeld's involvement in art happened during the Chilean military coup d'état period. Under this regime, she utilized her artwork to demonstrate how official power and conflict zones submit bodies to the margins and borders. She wanted to be separate from the guarded spaces of art and its market therefore she used the streets to perform her work, ultimately ...
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Santiago, Chile
Santiago (, ; ), also known as Santiago de Chile, is the capital (political), capital and largest city of Chile as well as one of the largest cities in the Americas. It is the center of Chile's most densely populated Regions of Chile, region, the Santiago Metropolitan Region, whose total population is 8 million which is nearly 40% of the country's population, of which more than 6 million live in the city's continuous urban area. The city is entirely in the country's Chilean Central Valley, central valley. Most of the city lies between above mean sea level. Founded in 1541 by the Spanish conquistador Pedro de Valdivia, Santiago has been the capital city of Chile since colonial times. The city has a downtown core of 19th-century neoclassical architecture and winding side-streets, dotted by art deco, neo-gothic, and other styles. Santiago's cityscape is shaped by several stand-alone hills and the fast-flowing Mapocho River, lined by parks such as Parque Forestal and Balm ...
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Art Intervention
Art intervention is an interaction with a previously existing artwork, audience, venue/space or situation. It has the auspice of conceptual art and is commonly a form of performance art. It is associated with the Viennese Actionists, the Dada movement and Neo-Dadaists. Stuckists have made extensive use of it to affect perceptions of artworks they oppose and as a protest against existing interventions. Intervention can also refer to art which enters a situation outside the art world in an attempt to change the existing conditions there. For example, intervention art may attempt to change economic or political situations, or may attempt to make people aware of a condition that they previously had no knowledge of. Since these goals mean that intervention art necessarily addresses and engages with the public, some artists call their work "public interventions". Although intervention by its nature carries an implication of subversion, it is now accepted as a legitimate form of art a ...
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1973 Chilean Coup D'état
The 1973 Chilean coup d'état Enciclopedia Virtual > Historia > Historia de Chile > Del gobierno militar a la democracia" on LaTercera.cl. Retrieved 22 September 2006. In October 1972, Chile suffered the first of many strikes. Among the participants were small-scale businessmen, some professional unions, and student groups. Its leaders – Vilarín, Jaime Guzmán, Rafael Cumsille, Guillermo Elton, Eduardo Arriagada – expected to depose the elected government. Other than damaging the national economy, the principal effect of the 24-day strike was drawing Army head, Gen. Carlos Prats, into the government as Interior Minister, an appeasement to the right wing. (Gen. Prats had succeeded Army head Gen. René Schneider after his assassination on 24 October 1970 by a group led by Gen. Roberto Viaux, whom the Central Intelligence Agency had not attempted to discourage.) Gen. Prats supported the legalist Schneider Doctrine and refused military involvement in a coup d'état against ...
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Chilean Art
Chilean art refers to all kinds of visual art developed in Chile, or by Chileans, from the arrival of the Spanish conquerors to the modern day. It also includes the native pre-Columbian pictorial expression on modern Chilean territory. Pre-Columbian art Prehistoric painting in Chile, also called pre-Columbian Chilean painting, refers to any type of painting or painting technique used to represent objects or people during the period before the Spanish conquest. Developed prior to the existence of written sources, study of this period is based on the material remains and vestiges of the cultures that developed. The beginning of pre-Columbian art in Chile coincided with the appearance of indigenous cultures in the territory, and ended around the start of the Spanish conquest of Chile around 1500AD. After this period, indigenous art was virtually eliminated by the Catholic community as part of the process of converting native people. (see also: Catholic Church and the Age of Disco ...
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Military Dictatorship Of Chile (1973–90)
A military, also known collectively as armed forces, is a heavily armed, highly organized force primarily intended for warfare. It is typically authorized and maintained by a sovereign state, with its members identifiable by their distinct military uniform. It may consist of one or more military branches such as an army, navy, air force, space force, marines, or coast guard. The main task of the military is usually defined as defence of the state and its interests against external armed threats. In broad usage, the terms ''armed forces'' and ''military'' are often treated as synonymous, although in technical usage a distinction is sometimes made in which a country's armed forces may include both its military and other paramilitary forces. There are various forms of irregular military forces, not belonging to a recognized state; though they share many attributes with regular military forces, they are less often referred to as simply ''military''. A nation's military may f ...
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Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ...
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