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Lottie Venne
Lottie Venne (28 May 1852 – 16 July 1928) was a British comedian, actress and singer of the Victorian and Edwardian eras, who enjoyed a theatre career spanning five decades. Venne began her stage career in musical burlesque before moving into farce and comedy. She appeared in several works by each of F. C. Burnand and W. S. Gilbert and was often in plays with Charles Hawtrey later in her career. Early life and career Born as Hannah Charlotte Venne, her first professional appearance came in 1867 as Miss Charbonnel in ''A Dream in Venice'' at the Gallery of Illustration in London, followed by two years touring in the provinces. For part of this time, she joined Captain Disney Roebuck's touring company, where she met her future husband, Walter H. Fisher. In London, in 1870, Venne played Susan Piper in ''A Bull in a China Shop'', a comedy by Charles Mathews at the Haymarket Theatre. At the same theatre, she appeared as Jemima in ''Rural Felicity'' by John Baldwin Buckstone."M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Newspaper Archive
The British Newspaper Archive web site provides access to searchable digitized archives of British and Irish newspapers. It was launched in November 2011. History The British Library Newspapers section was based in Colindale in north London, until 2013, and is now divided between the St Pancras and Boston Spa sites. The library has an almost complete collection of British and Irish newspapers since 1840. This is partly because of the legal deposit legislation of 1869, which required newspapers to supply a copy of each edition of a newspaper to the library. London editions of national daily and Sunday newspapers are complete back to 1801. In total, the collection consists of 660,000 bound volumes and 370,000 reels of microfilm containing tens of millions of newspapers with 52,000 titles on 45 km of shelves. After the closure of Colindale in November 2013, access to the 750 million original printed pages was maintained via an automated and climate-controlled storage facilit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effie Bancroft
Marie Effie Wilton, Lady Bancroft (1839–1921) was an English actress and theatre manager. She appeared onstage as Marie Wilton until after her marriage in December 1867 to Squire Bancroft, when she adopted his last name. Bancroft and her husband were important in the development of Victorian era theatre through their presentation of innovative plays at the London theatres that they managed, first the Prince of Wales's Theatre and later the Haymarket Theatre. Life and career Bancroft was born at Doncaster, and as a child appeared on the stage with her parents, who were both actors. Among her early parts was that of Fleance in ''Macbeth'' (1846). She made her London début on 15 September 1856, at the Lyceum Theatre, as the boy Henri in ''Belphegor'', playing the same night in ''Perdita; or, the Royal Milkmaid''. She won great popularity in several boy roles, in burlesques at various theatres, as Cupid in two different plays, and notably as Pippo, in ''The Maid and the Mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diplomacy (play)
''Diplomacy'' is an 1878 English play which is a translation and adaptation by B. C. Stephenson and Clement Scott of the 1877 French play ''Dora'' by Victorien Sardou.(1 December 1878)"French Authors and English Adapters" ''The Theatre'', pp. 329-332 It saw frequent revivals and was a popular play for over fifty years.Ayres, Brenda, edNew Women Fiction, 1881-1899 p. 300 n.27 History Sardou's original play debuted in Paris in January 1877, and was a success, making it ripe for "adaptation" into English. B. C. Stephenson and Clement Scott had previously adapted the Sardou play ''Nos Intimes'' for the Bancrofts, under the name ''Peril'' to great success, and thus they were engaged to adapt ''Dora'' as well (with contributions by the Bancrofts) for use at the Princes of Wales Theatre.(January 1907)Stage History of Famous Plays ''The Theatre'', pp. 19–20 ''Diplomacy'' was described by the English theatrical paper '' The Era'' as "the great dramatic hit of the season".''The Era'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sydney Grundy
Sydney Grundy (23 March 1848 – 4 July 1914) was an English dramatist. Most of his works were adaptations of European plays, and many became successful enough to tour throughout the English-speaking world. He is, however, perhaps best remembered today as the librettist of several comic operas, notably ''Haddon Hall''. Life and career Grundy was born in Manchester, England, the son of Alderman Charles Sydney Grundy. He was educated at Owens College, Manchester, and studied law at the Middle Temple. He was called to the bar in 1869 and practised law until 1876. Early career His early one-act farce, ''A Little Change'', was produced at the Haymarket Theatre in 1872 by the Kendals. This was followed by ''All at Sea'' in 1873, also starring the Kendals. In 1876, Grundy published ''The Days of His Vanity''. He wrote ''Mammon'' for W. H. Vernon at the Strand Theatre in 1877 and ''After Long Years'' for the Folly Theatre in 1879. Early comedies included ''The Glass of Fashion'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trial By Jury
A jury trial, or trial by jury, is a legal proceeding in which a jury makes a decision or findings of fact. It is distinguished from a bench trial in which a judge or panel of judges makes all decisions. Jury trials are used in a significant share of serious criminal cases in many but not all common law judicial systems. The majority of common law jurisdictions in Asia (such as Singapore, India, Pakistan and Malaysia) have abolished jury trials on the grounds that juries are susceptible to bias. Juries or lay judges have also been incorporated into the legal systems of many civil law countries for criminal cases. Only the United States makes routine use of jury trials in a wide variety of non-criminal cases. Other common law legal jurisdictions use jury trials only in a very select class of cases that make up a tiny share of the overall civil docket (like malicious prosecution and false imprisonment suits in England and Wales), but true civil jury trials are almost entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert And Sullivan
Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray.Mike Leigh, Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Their operas have enj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Clay
Frederic Emes Clay (3 August 1838 – 24 November 1889) was an English composer known principally for songs and his music written for the stage. Although from a musical family, for 16 years Clay made his living as a civil servant in HM Treasury, composing in his spare time, until a legacy in 1873 enabled him to become a full-time composer. He had his first big stage success with ''Ages Ago'' (1869), a short comic opera with a libretto by W. S. Gilbert, for the small Gallery of Illustration; it ran well and was repeatedly revived. Clay, a great friend of his fellow composer Arthur Sullivan, introduced the latter to Gilbert, leading to the Gilbert and Sullivan partnership. In addition to Gilbert, Clay's librettists during his 24-year career included B. C. Stephenson, Tom Taylor, Thomas William Robertson, T. W. Robertson, Robert Reece and George Robert Sims, G. R. Sims. The last of his four pieces with Gilbert was ''Princess Toto'' (1875), which had short runs in the West End theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Toto
''Princess Toto'' is a three-act comic opera by W. S. Gilbert and his long-time collaborator Frederic Clay. Its pre-London tour opened on 24 June 1876 at the Theatre Royal, Nottingham, starring Kate Santley, W. S. Penley and J. H. Ryley. It transferred to the Royal Strand Theatre in London on 2 October 1876 for a run of only 48 performances. Brief New York and Boston runs followed in 1879–80 starring Leonora Braham and Ryley, and there were later tours in the US. ''Princess Toto'' was revived in 1881 at the Opera Comique in London for a run of 65 performances (starring Richard Temple). There was also an 1886 revival in Australia. Background ''Princess Toto'' was the last work in a long and successful partnership with Clay that had produced four of Gilbert's major musical works up to that date. The year before, Gilbert and Arthur Sullivan, Clay's friend, had premiered their hit ''Trial by Jury'', and after ''Princess Toto'', Gilbert would not collaborate on any further operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broken Hearts
''Broken Hearts'' is a blank verse play by W. S. Gilbert in three acts styled "An entirely original fairy play". It opened at the Royal Court Theatre in London on 9 December 1875, running for three months, and toured the provinces in 1876. It was revived at the Savoy Theatre in 1882 (with Gilbert playing Florian, alongside Hermann Vezin as Mousta, after an accident incapacitated the actor who was originally to have played Florian).Stedman, Jane W"General Utility: Victorian Author-Actors from Knowles to Pinero" ''Educational Theatre Journal'', Vol. 24, No. 3, October 1972, pp. 289–301, The Johns Hopkins University Press Julia Gwynne played Melthusine. It was revived again in 1883, and yet again in 1888 starring Marion Terry in February and Julia Neilson in May, and also at Crystal Palace that year. There was also a New York City production at the Madison Square Theatre. Background and analysis ''Broken Hearts'' was the last of several blank verse "fairy comedies" created by G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Strand Theatre
The Royal Strand Theatre was located in the Strand in the City of Westminster. The theatre was built on the site of a panorama in 1832, and in 1882 was rebuilt by the prolific theatre architect Charles J. Phipps. It was demolished in 1905 to make way for Aldwych tube station. History From 1801, Thomas Edward Barker set up a rival panorama to his father's in Leicester Square, at 168/169 Strand. On the death of Robert Barker, in 1806, his younger brother, Henry Aston Barker took over management of the Leicester Square rotunda. In 1816, Henry bought the panorama in the Strand, which was then known as Reinagle and Barker's Panorama,Sherson, Erroll, ‘Lost London Playhouses’, ''The Stage'', 28 June 1923, p. 21. One of a series of articles later published in a book of same name in 1925. and the two panoramas were then run jointly until 1831. Their building was then used as a dissenting chapel and was purchased by Benjamin Lionel Rayner, a noted actor, in 1832.''From Stage to Platf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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