Los Lobos Del Este De Los Angeles
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Los Lobos Del Este De Los Angeles
''Los Lobos del Este de Los Angeles (Just another band from East L.A.)'' is the debut album by The American band Los Lobos, at the time known as Los Lobos del Este de Los Angeles. It was self-released by the band in early 1978 and features mostly traditional Mexican folk music. The album was recorded live to 16-track and represented the band's live repertoire at the time, which included their original song, "Flor de Huevo", an instrumental written by guitarist David Hidalgo. It was reissued on CD in 2000 by Hollywood Records with one bonus track. Track listing Personnel ;Los Lobos del Este de Los Angeles * David Hidalgo – guitar, requinto romantico, requinto jarocho, mandola, tres, cuatro, violin, percussion, lead vocals (5, 11) * Cesar Rosas – guitar, mandolin, jarana, requinto romantico, lead vocals (1–3, 6–8, 10–12) * Conrad Lozano – bass, guitarrón, lead vocals (9) * Louie Pérez – guitar, jarana, charango, vihuela The vihuela () is a 15th-century fr ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Ranchera
Ranchera () or canción ranchera is a genre of traditional music of Mexico. It dates to before the years of the Mexican Revolution. Rancheras today are played in virtually all regional Mexican music styles. Drawing on rural traditional folk music, the ranchera developed as a symbol of a new national consciousness in reaction to the aristocratic tastes of the period. The classic "rancheras" songs usually talk about life in Mexico not only in rural areas, but also portray life in Mexico at the time of the bandits. That said, it refers to romanticizing canteens,charros "Mexican cowboy", firearms, love affairs and duels. Definitions The word ''ranchera'' was derived from the word ''rancho'' because the songs originated on the ranches and in the countryside of rural Mexico. Traditional themes in rancheras are about love, patriotism or nature. Rhythms can have a meter in (in slow tempo: '' ranchera lenta'' and faster tempo: ''ranchera marcha''), (''ranchera valseada''), or (' ...
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José Martí
José Julián Martí Pérez (; January 28, 1853 – May 19, 1895) was a Cuban nationalist, poet, philosopher, essayist, journalist, translator, professor, and publisher, who is considered a Cuban national hero because of his role in the liberation of his country from Spain. He was also an important figure in Latin American literature. He was very politically active and is considered an important philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence from the Spanish Empire in the 19th century, and is referred to as the "Apostle of Cuban Independence". From adolescence, he dedicated his life to the promotion of liberty, political independence for Cuba, and intellectual independence for all Spanish Americans; his death was used as a cry for Cuban independence from Spain by both the Cuban revolutionaries and those Cubans previously reluctant to start a revolt. Born in Havana, Spanish Empire, Martí began h ...
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Joseíto Fernández
José Fernández Díaz (September 5, 1908 – October 11, 1979), commonly known as Joseíto Fernández, was a Cuban singer and songwriter. He is the writer of well-known songs, including "Elige tú, que canto yo", "Amor de madre", "Demuéstrame tú", and "Así son, boncó", as well as the most famous " Guajira Guantanamera".Joseíto Fernández, el caballero humilde
, Pedro Quiroga Jiménez, Notinet del Cubaweb.


Selected compositions

* "Tu Misma Me Acostumbraste," Joseíto Fernández (w&m) * "Mi Madre y Mi Tierra," Joseíto Fernández (w&m) * "," Joseíto Fernández (w&m), based on a poem by

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Guajira (music)
Guajira is a music genre derived from the punto cubano. According to some specialists, the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira.Manuel, Peter: The guajira between Cuba and Spain: A study in continuity and change. Latin American Music Review, volume 25, No. 2, Fall/Winter, 2004. Guajira was utilized by Spanish Zarzuela composers, such as Ruperto Chapí, who included it in his well known play "La Revoltosa", from 1897. Two years later, in 1899, the Cuban composer Jorge Anckermann inaugurated a new genre with his song "El arroyo que murmura", the first Cuban guajira. This song became a model that was adopted by many other Cuban composers at a later time, and was frequently included in the Cuban Zarzuela and vernacular theater. The Cuban guajira preserved the chara ...
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Guantanamera
"Guantanamera" (; Spanish: (the woman) from Guantánamo) is perhaps the best-known Cuban song and that country's most-noted patriotic song, especially when using a poem by the Cuban poet José Martí for the lyrics. The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929 (although it is unclear when the first release as a record occurred). In 1966, a version by American vocal group the Sandpipers, based on an arrangement by the Weavers from their May 1963 Carnegie Hall Reunion concert, became an international hit. Lyrics By José Martí The better known "official" lyrics are based on selections from the poetry collection ''Versos Sencillos'' (''Simple Verses'') by Cuban poet and independence hero José Martí, as adapted by Julián Orbón. The four verses of the song were adapted from four stanzas of ''Versos Sencillos'', each from a different poem. They are presented here in the original Spanish (poem:stanz ...
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Ranchera
Ranchera () or canción ranchera is a genre of traditional music of Mexico. It dates to before the years of the Mexican Revolution. Rancheras today are played in virtually all regional Mexican music styles. Drawing on rural traditional folk music, the ranchera developed as a symbol of a new national consciousness in reaction to the aristocratic tastes of the period. The classic "rancheras" songs usually talk about life in Mexico not only in rural areas, but also portray life in Mexico at the time of the bandits. That said, it refers to romanticizing canteens,charros "Mexican cowboy", firearms, love affairs and duels. Definitions The word ''ranchera'' was derived from the word ''rancho'' because the songs originated on the ranches and in the countryside of rural Mexico. Traditional themes in rancheras are about love, patriotism or nature. Rhythms can have a meter in (in slow tempo: '' ranchera lenta'' and faster tempo: ''ranchera marcha''), (''ranchera valseada''), or (' ...
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Quirino Mendoza Y Cortés
Quirino Mendoza y Cortés (May 10, 1862 – 1957) was a Mexican composer of the famous traditional songs " Cielito Lindo" and "Jesusita en Chihuahua". He was born in Santiago Tulyehualco, Xochimilco, Mexico City Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley o ... in 1862. Early life Cortés' father was an organist at a local parish, which originally inspired him to learn music. During his teens, he learned to play the piano, flute, violin, guitar, and the organ. He learned very quickly while taking lessons from his father, and quickly mastered these instruments in his teens. Also in his teens, he played songs at the local parish on the organ, like his father did. He then began to write his first song, 'My Blessed God.' References 1862 births 1957 deaths Mexican composers o ...
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Son Huasteco
Son huasteco is one of eight Mexican song styles and is a traditional Mexican musical style originating in the six state area of Northeastern Mexico called La Huasteca. It dates back to the end of the 19th century and is influenced by Spanish and indigenous cultures. Usually it is played by a '' Trio Huasteco'' composed of a guitarra quinta huapanguera (a five course, eight stringed guitar-like instrument) a Jarana huasteca (a stringed instrument related to the jarana) and a violin. Singers will often use the falsetto register. The son huasteco is particularly noteworthy for its flamboyant and virtuoso violin parts, although the style varies from state to state. Footwork often danced to son huasteco is the Zapateado. Improvisation plays a strong role in the style, with musicians creating their own lyrics and arrangements to a standard repertoire. Typical ''sones huastecos'' are "''Cielito Lindo''", "''La huazanga''", "''La sirena''", "''El querreque''" and "''La cigarra''".The G ...
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Canción Sentimental Mexicana
The canción sentimental mexicana is a Mexican stylized song, commonly accompanied by guitar or piano. The lyrics of songs are typically of a poetic and romantic nature, in free prose. Popular composers were Manuel Ponce Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948) was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten traditio ... and Tata Nacho. References * External linksAraiza sings "Estrellita" (Ponce)Carreras sings "Íntima" (Tata Nacho)
{{DEFAULTSORT:Cancion mexicana Mexican styles of music ...
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Cielito Lindo
"Cielito Lindo" is a popular Mexican song '' copla'', popularized in 1882 by Mexican author Quirino Mendoza y Cortés (c. 1862–1957). It is roughly translated as "Lovely Sweet One". Although the word ''cielo'' means "sky" or "heaven", it is also a term of endearment comparable to "sweetheart" or "honey." ''Cielito'', the diminutive, can be translated as "sweetie"; ''lindo'' means "cute", "lovely" or "pretty". Sometimes the song is known by words from the refrain, "Canta y no llores" or simply the "Ay, Ay, Ay, Ay song". Commonly played by mariachi bands, it has been recorded by many artists in the original Spanish as well as in English and other languages. There is some debate as to whether the song talks about the Sierra Morena, a mountain range in the south region of Spain, or the similarly named Sierra Morones in the Mexican state of Zacatecas. It has become a famous song of Mexico, especially in Mexican expatriate communities around the world or for Mexicans attending inte ...
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Álvaro Carrillo
Álvaro Carrillo Alarcón (2 December 1921 - 3 April 1969) was a Mexican popular music composer and songwriter, born in San Juan Cacahuatepec, Oaxaca. He wrote over 300 songs, mostly boleros, including the great hits ''Amor mío'', ''Sabor a mí'', ''Como se lleva un lunar'', ''El andariego'', ''Luz de luna'', ''Sabrá Dios'', ''Seguiré mi viaje'' and '' La mentira''. Early life and education Álvaro Carrillo Alarcón was born in 1921 to a father of Spanish European descent and a mother of both Indigenous Mixtec and African descent. He came from a very humble family as they lived in extreme poverty. His father owned three cows which he believed made him a "rich" man and at that time it did, just to get an idea of the picture. Since his father was a country man who came from a long line of farmers he was eagerly set on keeping all his sons stuck to his family's business on the field. A very young Alvaro was not interested in obeying his father at all and would hide, instead of doi ...
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